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‘An extraordinary book of real passionate research’ Edmund de Waal In 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade. At the hospital, Pound was at his most contradictory and most controversial: a genius writer – ‘The most important living poet in the English language’ according to T. S. Eliot – but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world’s most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound – the artistic flair, the profound human flaws – whilst telling the grand story of politics and art in the twentieth century.
Poetry. "Offense given; offense taken. Betrayals remembered and the betrayers unforgiven. Kent Johnson's mordant poems burn away the scrimshaw, the lace-making, the dreck that passes for poetry today, exposing the hypocrisy of our official poetry culture where a cadre of pampered bourgeoisie imagine themselves enlightened revolutionaries, and the poetics of the avant-garde has congealed into a set of implicit rules more formulaic than the traditions it seeks to supplant. A book like this is rare and necessary in every age. Let the refiner's fire break forth, lest universal darkness bury all."--James Chapson "Kent Johnson is an avant-garde poet without an avant-garde...[He is] an antidote to the sentimental courtesies and complacencies that prevent a conversation about what and where poetry might be from soon beginning."--Keith Tuma "[Kent] Johnson's poems are like unchained pit bulls tossed into a school yard--somebody is going to get bit. But you almost have to admire all that taut muscle & those unstoppable jaws."--Ron Silliman
Forty short poems about bugs and other crawling creatures.
An extraordinarily popular collection of poems written in and about Hawaii. First published in 1928, the book went through two printings a year for many years, and Blanding became the most popular American poet of the period. ""Vagabond's House"" is an ideal expression of that imaginary retreat which each man builds and furnishes according to his heart's desires. Dreamy illustrations give the book a look to match.
A captivating biography of Ezra Pound told via the stories of his visitors at St. Elizabeths Hospital In 1945, the great American poet Ezra Pound was deemed insane. He was due to stand trial for treason for his fascist broadcasts in Italy during the war. Instead, he escaped a possible death sentence and was held at St. Elizabeths Hospital for the insane for more than a decade. While there, his visitors included the stars of modern poetry: T. S. Eliot, Elizabeth Bishop, John Berryman, Robert Lowell, Charles Olson, and William Carlos Williams, among others. They would sit with Pound on the hospital grounds, bring him news of the outside world, and discuss everything from literary gossip to past escapades. This was perhaps the world’s most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Those who came often recorded what they saw. Pound was at his most infamous, most hated, and most followed. At St. Elizabeths he was a genius and a madman, a contrarian and a poet, and impossible to ignore. In The Bughouse, Daniel Swift traces Pound and his legacy, walking the halls of St. Elizabeths and meeting modern-day neofascists in Rome. Unlike a traditional biography, The Bughouse sees Pound through the eyes of others at a critical moment both in Pound’s own life and in twentieth-century art and politics. It portrays a fascinating, multifaceted artist, and illuminates the many great poets who gravitated toward this most difficult of men.
Written over three seasons in a Vermont cabin, these poems act as a reflecting pool, casting back mortality, consciousness, and time in new, crystal-clear light.
This collection of laugh-out-loud poems explores the daily life of insect students and staff at Crawly School for Bugs. Welcome to Crawly School for Bugs! Termites, stink bugs, gnats, and every insect in between attend this buzzy school where crickets take classes like "How to Be Annoying in 4 Easy Steps." Some students struggle with the temptation to eat fellow classmates, while others deal with a mosquito nurse who always wants to draw blood, or attempt to make friends despite their own microscopic size. With funny illustrations by Julie Bayless, these humorous poems by award-winning author David L. Harrison are perfect for poetry fans and bug enthusiasts alike.
A whimsical tribute to naughty and mischievous insects features sixteen pieces by children's poets including Marilyn Singer, J. Patrick Lewis, and Rebecca Andrew Loescher, and includes such satirical entries as "Ode to a Dead Mosquito" and "Termite Tune."
Winner of the 2005 Stan and Tom Wick Poetry Prize "The image evoked by Intaglio, this first collection by Ariana-Sophia Kartsonis, rests on a paradox, one perhaps central to the poetic impulse itself: that design can be shaped by what is cut away, by the loss that surrounds it, so that what is missing creates the negative space which raises the figure in relief, presents it to sight, and touch. Relief: a word whose two meanings--one artistic and material, the other emotional and intangible, together suggest how art engraves meaning."--Eleanor Wilner, Judge "Intaglio is a remarkable new book by a haunting new voice. Freighted with music and beauty, even the simplest lines are memorable: 'There is this heron in a hush of lift / and my eyes are filled with it.' In the lift, there is also a lyric pressure, an inner intensity which evokes the best kind of madness: 'Let Nothing be that / which bitch-slaps the heart, / for the heart, like a hospital, / is a many-winged thing.' Kartsonis has offered up a vision both playful and painful, all of it lit with the eerie glow of her brilliance. What a lovely and terrifying offering. What an extraordinary introduction to this new poet."--Laura Kasischke "With Intaglio, Kartsonis carefully incises the sensuality of history onto the fleet attentions of the day. And onto loss, onto bereavement, she incises the incredible, now credible, luxuries of everlastingness. This is a formidable debut, lavish in its mind and loves." --Donald Revell