Download Free Buffy The Vampire Slayer Carnival Of Souls Book in PDF and EPUB Free Download. You can read online Buffy The Vampire Slayer Carnival Of Souls and write the review.

SOMETHING WICKED EVIL THIS WAY COMES. There's something troubling about Professor Caligari's Traveling Carnival. Perhaps it's that no one can recall the arrival of its hard-to-miss caravan of old-style wagons, countless performers, and horse-drawn carts. Maybe it's the creepy calliope music that tirelessly beckons visitors. Let's face it, an enigma that chooses Sunnydale nearly guarantees it's up to more than wholesome family entertainment. After a visit to the carnival's Hall of Mirrors, a once-shy pair of homely sophomore twins parades the halls of Sunnydale High like diva supermodels on a runway. Intuiting the twins' abrupt personality change as more than a self-confidence boost, Buffy -- joined by Angel, Giles, and the rest of the Scoobies -- decides to investigate the suspicious carnival firsthand. But soon it's apparent that the price of admission is higher than she imagined. Those who enter the carnival's attractions exit...changed. Each of the gang soon shows extreme displays of vice. Willow is wracked with envy. Cordelia's greed consumes her. Xander unleashes his gluttony. Angel reveals a lusty new persona. And a dark anger rises in Giles. But it's Buffy's now-blinding pride that threatens to overpower her, and in the process destroy those she loves....
In every generation, there is a Chosen One. A slayer destined to protect the human race. She alone must fight the demons of hell. She alone must risk her life to stop the spread of evil. Buffy is the Chosen One. A night at the fair becomes a night of terror for Buffy and her friends when their personalities start matching the amusements in the park in Buffy the Vampire Slayer: Carnival of Souls. In One Thing or Your Mother, Buffy must face a fear worse than her typical demon: children. In Blooded, Willow accidentally turns her body into a vessel for the spirit of an ancient warrior—and he’s out for revenge.
This bibliographic guide covers the “Buffyverse”—the fictional worlds of the acclaimed television series Buffy the Vampire Slayer (1997–2003) and its spinoff Angel (1999–2004), as well as the original Buffy feature film of 1992. It is the largest and most inclusive work of its kind. The author organizes and describes both the original texts of the Buffyverse (episodes, DVDs, novels, comic books, games, and more) and the secondary materials created about the shows, including books, essays, articles, documentaries, dissertations, fan production and websites. This vast and diverse collection of information about these two seminal shows and their feature-film forebear provides an accessible, authoritative and comprehensive survey of the subject.
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
The year's darkest tales of terror Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Neil Gaiman, Brian Keene, Elizabeth Massie, Glen Hirshberg, Peter Atkins and Tanith Lee. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.
It's tough being a teenage Slayer. On the verge of failing her junior year -- thanks to annoying Principal Snyder, who seems to be acting even stranger than usual lately -- Buffy agrees to meet with a tutor. Not helping her studies is the fact that lately she's been exhausted, waking up each morning feeling more tired than she did the night before. To make matters even worse, she's tasked with investigating the disappearance of a child...a little girl who happens to have gone missing mere hours before a child vampire surfaced in Sunnydale, accompanied by a wheelchair-bound male who fits Spike's description perfectly. Fighting off exhaustion and uneasy at the prospect of staking a child vamp, Buffy learns that Principal Snyder is the target of a sleep-deprivation spell that has taken over Sunnydale. Putting aside her fear that her tutor is out to get her, and hoping that the sleeping spell is affecting both humans and demons, Buffy investigates Snyder's odd behavior. She follows him to his childhood home to discover that he has arranged to have his abusive mother banished to the demon dimension. Meanwhile, Drusilla, who has been playing mother figure to the child vampire, is learning how difficult it is to be a parent. As sleep takes hold of the citizens of Sunnydale, Buffy begins to realize that unless she breaks the spell soon, the nightmare is just beginning.
Buffy thought she'd finished the Master when she dusted him. But in Sunnydale things have a way of coming back. . . . The Master may be dead, but he is not forgotten. One of the vampire lord's devotees sets out to alter the past so that he can resurrect the Master without Buffy's meddling. When he conjures up a portal to transport his minions through time, the vampires are poised to murder the most powerful slayers in history! It is up to the Scoobies to stop the Master's followers before they break the chain of slayers. Giles, Xander, Willow, and Buffy pursue the vamps back in time through the portal to save the slayers of the past. They must track the bloodsuckers from the French Revolution to the American Civil War without getting detected -- or worse! But you can't change the past without changing the present. . . .
The term “cult film” may be difficult to define, but one thing is certain: A cult film is any movie that has developed a rabid following for one reason or another. From highly influential works of pop art like Eraserhead and Faster, Pussycat! Kill! Kill! to trash masterpieces such as Miami Connection and Fateful Findings, thousands of movies have earned recognition as cult classics over the years, and new movies rise to cult status every year. So how do viewers searching for the best or most important cult films decide where to start? In 100 Greatest Cult Films, Christopher J. Olson highlights the most provocative, intriguing, entertaining, and controversial films produced over the last century. The movies included here have either earned reputations as bona fide cult classics or have in some way impacted our understanding of cult cinema, often transcending traditional notions of “good” and “bad” while featuring memorable characters, unforgettably shocking scenes, and exceptionally quotable dialogue. With detailed arguments for why these films deserve to be considered among the greatest of all time, Olson provides readers fodder for debate and a jumping-off point for future watching. A thought-provoking and accessible look at dozens of cinematic “treasures,” this resource includes valuable information on the films, creators, and institutions that have shaped cult cinema. Ultimately, The 100 Greatest Cult Films offers readers—from casual cinephiles, film scholars, and avid fans alike—a chance to discover or re-discover some of the most memorable films of all time.
Since the beginning of time, the demonic races have gathered every century to resolve conflicts among them and to determine the course of their future. This centennial event was called the Dark Congress. In the second century b.c., however, the Dark Congress failed to resolve their conflicts. Instead, the Congress ignited into a war that drove wedges between the various demon races from that time until now. And all of it began as a result of Kandida, the great North African river demon, being nearly killed by forces in the Congress and magically entombed in the riverbank. But now, Kandida is free, and for the first time in centuries, the Dark Congress is being called again. All demon races and other varieties of supernatural creatures have been called to gather at the Hellmouth in Providence, Rhode Island. Some gather in hopes of resolution, some in favor of war, and Kandida is tasked to broker a treaty and guide the Congress to peace, wherein everyone might simply agree to disagree. And so the demons gather under a banner of a truce. But the demons still harbor many bitter disagreements with one another. The Congress must have an arbiter of these conflicts, and that someone is Buffy Summers. Buffy is horrified and disgusted to be included. After all, she is not a demon...is she? She knows so little about her powers that she cannot say for certain where they truly spring from. How can she spend so much time wallowing in the darkness without becoming part of it? Can she possibly agree to a truce with all the horrors of the world, and allow them to come Providence without any attempt to stop them? And does she have a choice?
As if Ring Day weren't enough to make Buffy Summers anxious (she can't even afford one of the less expensive silver bands), the Slayer has her hands full trying to figure out why an average split-level house in Sunnydale has all the vampires spooked. When she arrives at the library to discuss this new development with Giles, a package he's received from an old folklorist in Russia reveals what's going on: The stars are properly aligned for an attempt to resurrect Koschei the Deathless, a long-dead evil sorcerer. So while her classmates are busy choosing rings to demonstrate their school spirit, Buffy must figure out how to keep someone from reviving Koschei and, should she need to resort to plan B, how to kill him again. A little investigating soon leads Buffy and the gang to the necromancer who originally killed the sorcerer, an immortal Russian sorceress named Yulia Dryanushkina, who can control vampires (which explains their reluctance to pass by her place of residence). When the crew pays Yulia a visit, she assures them that with Willow's assistance, she would be able to kill the sorcerer again should he be revived. Neither Buffy nor Willow are particularly comfortable with aligning themselves with the necromancer, but they have no other choice when, twenty-four hours later, the vampires start behaving strangely . . . and half the senior class goes missing.