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A guide that chronicles the history and architecture of one the area's most famous icons. More than 30 vintage photos, maps and a fact sheet make this an invaluable guide for tourists. Written by John Conlin and published by the Landmark Society of the Niagara Frontier, the guide also includes chapters on Niagara Square and Art Deco style.
NEW YORK TIMES NOTABLE BOOK • “Breathtaking . . . a remarkable blend of murder mystery, love story, political intrigue, and tragedy of manners.”—USA Today The year is 1901. Buffalo, New York, is poised for glory. With its booming industry and newly electrified streets, Buffalo is a model for the century just beginning. Louisa Barrett has made this dazzling city her home. Headmistress of Buffalo’s most prestigious school, Louisa is at ease in a world of men, protected by the titans of her city. But nothing prepares her for a startling discovery: evidence of a murder tied to the city’s cathedral-like power plant at nearby Niagara Falls. This shocking crime—followed by another mysterious death—will ignite an explosive chain of events. For in this city of seething intrigue and dazzling progress, a battle rages among politicians, power brokers, and industrialists for control of Niagara. And one extraordinary woman in their midst must protect a dark secret that implicates them all. . . .
Buffalo's rich architectural and planning heritage has attracted the attention of several prominent historians, whose work here is accompanied by over 250 illustrations and photographs. For its size, the city of Buffalo, New York, possesses a remarkable number and variety of architectural masterpieces from the late nineteenth and early twentieth centuries: Adler and Sullivan's Prudential building, H. H. Richardson's massive Buffalo State Hospital, Richard Upjohn's Sr. Paul's Episcopal Cathedral, five prairie houses by Frank Lloyd Wright, and building by Daniel Burnham, Albert Kahn, and the firms of McKim, Mead, and White, and Lockwood, Green and Company, among others. These structures by prominent "outsiders" served to spur the efforts of local architects, builders, and craftsmen, and all of them built within the context of the city-wide park and parkway system designed by Frederick Law Olmsted. In addition, the city and its environs exhibit representative works by more recent architects, among them Eero and Eliel Saarinen, Walther Gropius, Marcel Breuer, Paul Rudloph, Minoru Yamasaki, and the firm of Skidmore, Owings, and Merrill. Buffalo's rich architectural and planning heritage has attracted the attention of several prominent historians, capable of the challenge of evaluating its significance. Reyner Banham is one of the world's leading authorities on the theory and practice of architecture, and he has written extensively on design in the industrial age (and Buffalo's innovative manufacturing plants and grain elevators are important exemplars of such design). Charles Beveridge, whose essay covers the park and parkway system, is editor of the Olmsted papers at The American University. And Henry Russell Hitchcock is the dean of American architectural historians, and the organizer of a 1940 exhibition on Buffalo's built environment. Their essays are followed by seven sections that delineate the city's neighborhoods, each provided with a map, neighborhood history, and a full complement of photographs with descriptive building captions. An eighth section, "Lost Buffalo," describes demolished buildings, chief among them Wright's great Larkin administration building, while the remaining sections venture out of town, exploring Erie and Niagara Counties, other parts of Western New York, and southern Ontario.
City Hall is the first book to feature striking contemporary images of the most architecturally significant city halls in the United States. This diverse collection includes New York, the oldest; Philadelphia, once the tallest building in the world; and Boston, the first major brutalist building in the United States. Organized chronologically, the book traces the evolution of American civic architecture from the early 19th century to the present day and represents diverse styles such as Federalist, art deco, and modern. Architects, current and former mayors, historians, and preservationists tell the story about how each city hall came to be, what it says about its city, and why it's important architecturally. With a foreword by noted historian Douglas Brinkley and an essay by architectural writer Thomas Mellins, City Hall spotlights these often underappreciated civic buildings and affirms architecture's unique power to express democratic ideals and inspire civic engagement.
“Offbeat, disturbing, and sometimes darkly comical” crime stories set in upstate New York by Joyce Carol Oates, Lawrence Block, S.J. Rozan, and more (Kirkus Reviews). Buffalo is still the second-largest metropolis in New York State, but in recent years its designation as the Queen City has been elbowed aside by a name that’s pure noir: The City of No Illusions. Presidents came from here—and in 1901 while visiting the Pan-American Exposition, a president was killed here by a man who checked into a hotel under a name that translates as Nobody. As Buffalo saw its prosperity wane, those on the outside could only see harsh winters and Rust Belt grit, chicken wings, and sports teams that came agonizingly close. This collection of crime stories is both a treasure for mystery fans and an atmospheric tour of this moody, gritty city. Featuring brand-new stories by Joyce Carol Oates, Lawrence Block, Ed Park, Gary Earl Ross, Kim Chinquee, Christina Milletti, Tom Fontana, Dimitri Anastasopoulos, Lissa Marie Redmond, S.J. Rozan, John Wray, Brooke Costello, and Connie Porter. “From the Irish enclave of South Buffalo and a Niagara Street bar to a costly house in Nottingham Terrace and a once-grand Gothic structure in Elmwood Village, Buffalo’s past and present come to life . . . by authors who really know their city.” —Kirkus Reviews “Contributors include several mystery heavyweights. . . . Those curious about the criminal side of the second-biggest city in New York will be rewarded.” —Publishers Weekly “Each story represents a different neighborhood and cross-section of the city, and the resulting collection feels like a vivid, comprehensive tour of a distinctive place, administered by locals. There’s nothing quite like noir to shine a light, after all.” —Los Angeles Review of Books “Original short stories by established local authors with flawless credentials . . . .Together, the stories cover cityscapes well-known to Buffalonians—to name a few, Elmwood Avenue, Niagara Street, Black Rock, North Park, Delaware Park, and Allentown. Local landmarks Peace Bridge and the Anchor Bar made it in there, too.” —Examiner “Superb.” —The Buffalo News
Brings the paranormal beings and places of the Iroquois folklore tradition to life through historic and contemporary accounts of otherworldly encounters • Recounts stories of shapeshifting witches, giant flying heads, enchanted masks, ethereal lights, talking animals, Little People, spirit-choirs, potent curses, and haunted hills, roads, and battlefields • Includes accounts of miraculous healings by shamans and medicine people such as Mad Bear and Ted Williams • Shows how these traditions can help one see the richness of the world and help those who have lost the chants of their own ancestors With a rich history reaching back more than one thousand years, the six nations of the Iroquois Confederacy--the Mohawk, the Oneida, the Onondaga, the Cayuga, the Seneca, and the Tuscarora--are considered to be the most avid storytellers on earth with a collection of tales so vast it would dwarf those of any other society. Covering nearly the whole of New York State from the Hudson and Mohawk River Valleys westward across the Finger Lakes region to Niagara Falls and Salamanca, this mystical culture’s supernatural tradition is the psychic bedrock of the Northeast, yet their treasury of tales and beliefs is largely unknown and their most powerful sacred sites unrecognized. Assembling the lore and beliefs of this guarded spiritual legacy, Michael Bastine and Mason Winfield share the stories they have collected of both historic and contemporary encounters with beings and places of Iroquois legend: shapeshifting witches, strange forest creatures, ethereal lights, vampire zombies, cursed areas, dark magicians, talking animals, enchanted masks, and haunted hills, roads, and battlefields as well as accounts of miraculous healings by medicine people such as Mad Bear and Ted Williams. Grounding their tales with a history of the Haundenosaunee, the People of the Long House, the authors show how the supernatural beings, places, and customs of the Iroquois live on in contemporary paranormal experience, still surfacing as startling and sometimes inspiring reports of otherworldly creatures, haunted sites, after-death messages, and mystical visions. Providing a link with America’s oldest spiritual roots, these stories help us more deeply know the nature and super-nature around us as well as offer spiritual insights for those who can no longer hear the chants of their own ancestors.
The weekly source of African American political and entertainment news.
100 Years of Buffalo Broadcasting is a look at the stories of the people, places, and events that have entertained and informed generations of Western New Yorkers over the airwaves and under our pillows, into our cars, into our living rooms, and into our hearts as a part of what makes us Buffalonians.