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Mária Mádi (1898–1970) was a Roman Catholic Hungarian physician living in Budapest during World War II. Stuck in the city, she vowed to become a witness to events as they unfolded and began keeping a diary to chronicle her everyday life, as well as the lives of her Jewish neighbors, during what would be the darkest periods of the Holocaust. From the time Hungary declared war on the United States in December 1941 until she secured an immigrant’s visa to the US in late 1946, she wrote nearly daily in English, offering current-day readers one of the most complete pictures of ordinary life during the Holocaust in Hungary. In the form of letters to her American relatives, Mádi addressed a wide range of subjects, from the fate of small countries like Hungary caught between the major powers of Germany and the Soviet Union, to the Nazi pogrom against Budapest’s Jews, to family news and the price of food. Mádi’s family donated the entire collection of her diaries to the US Holocaust Memorial Museum. This edition transcribes a selection of Mádi’s writings focusing on the period of March 1944 to November 1945, from the Nazi invasion and occupation of Hungary, through the Battle of Budapest, to the ensuing Soviet occupation. While bearing witness to the catastrophe in Hungary, Mádi hid a Jewish family in her small flat from October 1944 to February 1945. She received a posthumous Righteous among Nations Medal from Yad Vashem, the World Holocaust Remembrance Center. Editorial commentary by James W. Oberly situates Mádi’s observations, and a critical introduction by the Holocaust scholar András Lénárt outlines the wider sociopolitical context in which her diaries gain meaning.
This collection brings together for the first time the dramatic responses to the Holocaust from two generations of Israel playwrights. Leah Goldberg, Aharon Megged, and Ben Zion Tomer survived the Holocaust and settled in Israel after the war. Their plays explore survival issues and the concepts of heroism and of good and evil in a candid, straightforward manner.
Structured to reflect a journey, this book begins with the play "James Joyce and the Israelites," the station from which the journey begins. The remaining chapters are a diary of a trip the author made to Israel. The 'stops' are the voices of six Israeli playwrights, interspersed with extracts from their plays.
A story of loss and survival. Germany’s invasion of Hungary in 1944 marked the end of a culture that had dominated Central Europe from the nineteenth century to the middle of the twentieth. In this poignant memoir, Charles Farkas offers a testament to this vanished way of life—its society, morality, personal integrity, wealth, traditions, and chivalry—as well as an eyewitness account of its destruction, begun at the hands of the Nazis and then completed under the heel of Soviet Communism. Farkas’s recollections of growing up in Budapest, a city whose grandeur embraced—indeed spanned—the Danube River; his vivid descriptions of everyday life in Hungary before, during, and after World War II; and his ultimate flight to freedom in the United States remind us that behind the larger historical events of the past century are the stories of the individual men and women who endured and, ultimately, survived them.
Arriving in America after World War II, Andrew Laszlo kept much of his Hungarian childhood a secret. Decades later, his wife Ann, convinced him to share the secret with his grown children. When Andrew was born in 1926, His middle-class family lived in Papa, a small town west of Budapest. It was a happy time. At age fifteen, Andrew was not allowed to join the Boy Scouts. His brother could not attend the university. The reason…. Their mother was Jewish. As Nazi inspired antisemitism grew, Andrew’s determination to survive was tested again and again. On March 19, 1944, Germany invaded Hungary. He wrote: “…as I warned you…Yes, from here on this account is going to get rough.” His family was relocated to the Ghetto and forced to wear the yellow Star of David. Andrew’s brother, Sandor, and then Andrew were conscripted into Hungarian Labor forces. His mother, father, grandmother and aunt were taken away. As the war dragged on, Andrew was sent to the Bergen-Belsen Concentration Camp. Years later; his children learned that Anne Frank was a prisoner in the camp at the same time. She perished before the war ended. The loss of his family deeply affected Andrew. At 20 years old, having nothing left, he escaped Russian occupied Hungary and made his way to post-war Germany. There, he filed an emigration petition for the United States. He arrived in New York Harbor on January 17, 1947. He carried his secret past locked in his heart…for 50 years. Andrew Laszlo went on to have a distinguished motion picture career. He was a cinematographer for over 50 movies and televisions series, including Shogun and Rambo, First Blood. He worked with many of the movie stars of his time. He traveled the world doing pictures and teaching the next generation of film makers.
A unique collection of five contemporary plays from 21st-century Hungary, translated into English for the first time. Written by some of Hungary's most highly prolific and commercially successful dramatic voices, these plays are being produced in their native Hungary by theatres that do not adhere to Viktor Orbán's values and offer a counterpoint to the commercial Boulevard Theatre scene of Budapest. Translator and theatre-maker Szilvi Naray-Davey champions these unheard voices through her performable and dramatically engaging translations. The plays are aimed at micro-budget productions and offer a special opportunity for students and small theatre companies alike to engage with these witty, politically irreverent plays, finally in English. Each of the selected playwrights has been in direct conflict with the Hungarian government and has been demonised by the state-controlled press. The five plays are thematically threaded together by their common use of strong leading female protagonists with an overarching theme of the family unit. Through the edited introduction the themes and feminine translation strategy discusses how the plays offer a microcosmic lens for understanding the paradox that today's Hungary exemplifies, making this a necessary study into the world of contemporary Hungary through drama.
This book describes the everyday life of a Soviet citizen besieged in the city of Leningrad and his subsequent service in the Red Army during the war and post-war occupation of Czechoslovakia and Hungary.