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BUCK BAXTER, LOVE DETECTIVE Welcome to Wilde City, 1924. From the romance of the Rainbow Palace atop the Wilde City Tower, to the dazzling debauchery of the gentlemen's parlor The Velvet Viper-from the history surrounding the sinister convent on the hill better known Hell's Bells, to the lantern-lit opium barge, The Peking Empress, run by the mystical Madame Chang-could gin-swigging, pot-smoking gumshoe Buck Baxter be about to unravel the greatest mystery of them all... The mystery of love? BUCK BAXTER AND THE DISAPPEARING DIVAS Something sinister is occurring at the Maharaja Majestic Theater on Broadville Boulevard. The domineering actress, Dominique Darlington, has vanished without a trace, the opening night of the theater's new production of The Snake Charmer's Slave is now in jeopardy, and six suspects are about to have the pleasure of meeting Buck Baxter, Private Detective, as he investigates whether there's a killer on the loose... or a phantom at the opera?
Hard-boiled 1920s private detective Buck Baxter has a new romance to kindle with playboy Holden Hart while at the same time trying to solve a new murder mystery at a seemingly cursed theater on Broadville. But if he doesn't solve this case in time, Buck and Holden might be taking their final bows. Something sinister is occurring at the Maharaja Majestic Theatre on Broadville Boulevard. The domineering actress, Dominique Duprey, has vanished without a trace, the opening night of the theatre's new production of The Snake Charmer's Slave is now in jeopardy, and six suspects are about to have the pleasure of meeting Buck Baxter, Private Detective, as he investigates whether there's a killer on the loose... or a phantom at the opera? Could it be the handsome leading man, Errol Hemingway, who's responsible for the disappearance of his leading lady... or perhaps it's that sweet, doe-eyed understudy Olivia Overton? Is it the theatre owner himself, the tall and mysterious Raja Khan who has committed the crime... or the show's investor, the autocratic aristocrat Serafina Somerset? Or is it possible that the meek and mild stage manager Stanley Small, or the flamboyant and frustrated director Barnabas Blake, is guilty? And what of Buck's romance with playboy millionaire Holden Hart? Will Buck get a backstage pass to access all areas of his one true love... or will this be the final curtain for Buck and Holden? Follow the clues, and you might just solve... the mystery of the disappearing divas! Buck Baxter and the Disappearing Divas is the second adventure in the Buck Baxter Mysteries. It is a campy, noir, 28k-word detective mystery featuring a tough and troubled leading man, a heartthrob love interest with secrets of his own and a hilarious cast of supporting characters. Enter a world of prohibition, gangsters, speakeasies, jazz clubs, star-crossed romance, brooding heroes and a mystery with a twist.
Something sinister is occurring at the Maharaja Majestic Theatre on Broadville Boulevard. The domineering actress, Dominique Darlington, has vanished without a trace, the opening night of the theatre's new production of The Snake Charmer's Slave is now in jeopardy, and six suspects are about to have the pleasure of meeting Buck Baxter, Private Detective, as he investigates whether there's a killer on the loose... or a phantom at the opera? Could it be the handsome leading man, Errol Hemingway, who's responsible for the disappearance of his leading lady... or perhaps it's that sweet, doe-eyed understudy Olivia Overton? Is it the theatre owner himself, the tall and mysterious Raja Khan who has committed the crime... or the show's investor, the autocratic aristocrat Serafina Somerset? Or is it possible that the meek and mild stage manager Stanley Small, or the flamboyant and frustrated director Barnabas Blake, is guilty? And what of Buck's romance with playboy millionaire Holden Hart? Will Buck get a backstage pass to access all areas of his one true love... or will this be the final curtain for Buck and Holden? Follow the clues, and you might just solve... the mystery of the disappearing divas!
Somewhere in the world is a statue so sinful that a secret sect of the Church wants it destroyed at any cost. Somewhere in the Turkish desert, in the streets of London, and in the depths of Venice, are the clues to find it. And, somewhere in the hearts of five sexy, daring, thrill-seeking gay men, is the courage and die-hard determination to unravel one of the greatest mysteries of all time. Meet Luca da Roma, an Italian model and expert in art, both ancient and modern; Dr. Eden Santiago, Brazilian biologist, physician and genetic engineer; Shane Houston, a Texas cowboy and an expert in cartography; Will Hunter, a San Diego college student and football star, majoring in ancient history; and Shane Stone, an adventurer-for-hire from New York and the newest member of Professor Fathom's team of hot gay adventure seekers.
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
"Commissioned for and sponsored by the National Film Preservation Board."
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available.
With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.
Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...