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The latest in the 2G Architecture series focuses on the Parisian based practice Bruther. Bruther is a French architectural studio based in Paris. Stéphanie Bru and Alexandre Theriot opened their office in 2007, at the very beginning of what capitalists call a 'crisis' and Marxists might define as new round of 'primitive accumulation and dispossession'. Having grown up and trained during the heyday of the French welfare state and inspired by the optimism of the early European Union, Bru and Theriot are well aware of the pressure that the political shift to the right, social inequality and insecurity about the future of Europe are exerting on public institutions. Bruther stands for a specific architecture, adapted to the needs of each project in order to offer maximal living conditions. Adaptability and evolutivity of the building are fundamentals in the office practice. Since 2007, Bruther have developed national and international projects such as Cultural and Sport Center Saint-Blaise (2014), Helsinki Central Library (2013) and New Generation Research Center (2015).
The death of a runaway could spark a revolt... Devon, 1318. Peter Bruther, who works the land for his lord, Sir William Beauscyr, is fed up with his life of near-slavery, and has run away. Brutal punishments usually fall on the heads of runaways, but Bruther uses a legal loophole: on Dartmoor, tin miners enjoy special protection from prosecution. They are accountable only to the king. Brother swiftly sets himself up as a miner on the moors: safe... or so he thinks. Beauscyr and his two feuding sons are furious to learn they have no legal claim on their wayward man, and demand justice from Bailiff Simon Puttock. They fear more runaways. But other miners resent Bruther’s appearance, too, and they do not want their profitable extortion and protection racket destabilised. Before dissent can spread to other serfs working for Beauscyr, Bruther is found hanging from a tree. Simon, assisted by former Knight Templar Sir Baldwin Furnshill, finds himself investigating cold-blooded murder, and there is no shortage of suspects... An action-packed historical mystery perfect for fans of Susanna Gregory, C. J. Sansom and Rory Clements. Praise for Michael Jecks ‘Michael Jecks is a national treasure’ Scotland on Sunday ‘Marvellously portrayed’ C. J. Sansom
This book represents the most comprehensive study of women's letters and letter-writing during the early modern period so far undertaken, and acts as an important corrective to traditional ways of reading and discussing letters as private, elite, male, and non-political. Based on over 3,000 manuscript letters, it shows that letter-writing was a larger and more socially diversified area of female activity than has been hitherto assumed. In that letters constitute the largest body of extant sixteenth-century women's writing, the book initiates a reassessment of women's education and literacy in the period. As indicators of literacy, letters yield physical evidence of rudimentary writing activity and abilities, document 'higher' forms of female literacy, and highlight women's mastery of formal rhetorical and epistolary conventions. The book also stresses that letters are unparalleled as intimate and immediate records of family relationships, and as media for personal and self-reflective forms of female expression. Read as documents that inscribe social and gender relations, letters shed light on the complex range of women's personal relationships, as female power and authority fluctuated, negotiated on an individual basis. Furthermore, correspondence highlights the important political roles played by early modern women. Female letter-writers were integral in cultivating and maintaining patronage and kinship networks; they were active as suitors for crown favour, and operated as political intermediaries and patrons in their own right, using letters to elicit influence. Letters thus help to locate differing forms of female power within the family, locality and occasionally on the wider political stage, and offer invaluable primary evidence from which to reconstruct the lives of early modern women.
This sprawling Civil War novel vividly explores the collapse of the Confederacy as General Sherman marches on the South Carolina capital. Fear and brutality grip Columbia, South Carolina, in the winter of 1865 as General William Tecumseh Sherman continues his march to the sea and advances on the capital city where secession began. John Mark Sibley-Jones’s By the Red Glare takes us into the lives of representative citizens—black and white, men and women, Confederates and Unionists, civilians and combatants, freed and shackled, sane and insane—on the eve of historic destruction. The Columbia hospital is overcrowded with wounded soldiers from both sides and old animosities threaten an outbreak of violence in this place of healing. Less than two miles from the hospital stands the Lunatic Asylum, whose yard is occupied by hundreds of prisoners—some of whom are plotting a risky escape. In the heart of the city, Confederate leaders gather with General James Chesnut to plan a battle strategy, only to hear cannon fire announcing the arrival of Sherman’s troops. Foreword by historian Marion B. Lucas, author of Sherman and the Burning of Columbia