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Brush Up Your Poetry! with this fascinating companion to the history of English Poetry as presented through a history of phrases known to us all, and the poems supplying their less widely known origins.
How many pieces of paper land on your desk each day, or emails in your inbox? Your readers – the people you communicate with at work – are no different. So how can you make your communication stand out from the pile and get the job done? Whether you’re crafting a short and sweet email or bidding for a crucial project, Business Writing For Dummies is the only guide you need. Inside you’ll find: The basic principles of how to write well How to avoid the common pitfalls that immediately turn a reader off Crucial tips for self-editing and revision techniques to heighten your impact Lots of practical advice and examples covering a range of different types of communication, including emails, letters, major business documents such as reports and proposals, promotional materials, web copy and blogs - even tweets The global touch - understand the key differences in written communication around the world, and how to tailor your writing for international audiences
Brush Up Your Japanese is self-described as "The book that gives the finishing touches to one's knowledge of Japanese."
A former United States Poet Laureate shares secrets about viewing the world from a poet's perspective, explaining how "jabberwalking" poets draw inspiration from everything they experience to express themselves in creative ways.
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
A collection of over thirty poems by American poet Kimiko Hahn in which she explores her various identities.
Poems are made to read OUT LOUD! A wittily illustrated anthology of poems, designed to be read aloud. 20 poems by the award winning â??Joseph Coelho will arm children with techniques for lifting poetry off the page and performing with confidence. Perfect for confident children and shy readers alike, this book teaches all sorts of clever ways to performing poetry. Children will learn 20 techniques for reading aloud by trying out 20 funny and thoughtful original poems by the much loved and award winning performance poet, Joseph Coelho. There are tongue twisters, poems to project, poems to whisper, poems to make you laugh. There are poems to perform to a whole class and others to whisper in somebody's ear. Richly textured, warm and stylish illustration by Daniel Gray-Barnett bring each page to life. "Poetry for children is dead. Really? Not when there are young poets like Joseph Coelho" ~ Books for Keeps
Poetry. "ALMA ALMANAC is a stunningly original collection of poems about landscape, place, and memory. It is a lyrical scrapbook of skies, weather, stars, myths, recipes, rituals, and spells. From it, one can learn 'How to Haunt,' how 'To Preserve November,' and even find 'Instructions for Assembling a Bento Box Memorial.' In addition to the more traditional poems, the book is 'illustrated' with a series of short descriptions of objects, photos, and remembered sounds. These stark fragments, labeled and numbered like catalogue items, give a sense of the poet as curator, arranging, displaying, and creating her own museum of personal effects. Rather than narrating what they're supposed to mean, I admire the restraint of simply letting these powerful details speak for themselves. I can guarantee this book is very pleasurable to read, as sensual as 'the spectrum of apple colors' and as insistent as an audio cassette of a woman's voice that 'whispers the same five words again and again. Promise me you won't forget.'"--Elaine Equi "Sarah Ann Winn knows 'darkness dilates, / never swallows us whole' and that the weight of memory is not its only force. ALMA ALMANAC is a guidebook for the conditions of its dark dilations; its instructions are accompanied by notes, beatitudes, mix tapes, imaginary figures, and lost wonders. These poems offer orientation by reaching into our desires and our imaginations. These beautiful lyrics slow and expand time, their layered rhythms 'unstung / by speed,' and initiate us not into miracle fantasies but into the visionary possible."--Mary Szybist "In Sarah Ann Winn's ALMA ALMANAC, I am struck by the absolute radiance of these poems. They are at once a documentary and a reverie, with amazing knowledge of, and reverence for, the world they offer the reader. It is a rich world, what Guy Davenport calls 'the geography of imagination,' where each thing rhymes with another, where each burden's echo is a blessing, a surprise, and a delight. Winn has found in the almanac a perfect form for the hybridity of her ambitious, intimate, and moving project."--Eric Pankey "ALMA ALMANAC is a book you'll want to share with everyone, reading out your favorite passages at breakfast and only barely suppressing the urge to point out images to strangers on the subway. Sarah Ann Winn's sparkling and melancholy, tender and tough-minded, wistful and generous first full poetry collection is full to bursting with ode and elegy, music and objects-lakes, loons, nebulae, Easter baskets and x-rays, ghosts and government cheese, a moth mistaken for a mother and a mother for a moth, who 'will not fly again once you touch her.' That last item may remind you of Elizabeth Bishop's enigmatic Man-Moth. Now and again, you may sense Bishop's presence-that rich self- forgetful imagination-in Winn's 'awful but cheerful' glimpses of immensity. But don't get me wrong! Sarah Winn's is a new exciting voice, unmistakably her own. I can't wait to see what she'll do next!"--Jennifer Atkinson
You're no idiot, of course. You've read poetry that has touched your heart, and you'd like to improve your own writing technique. But even though you have loads of inspiration, you're discovering that good instruction can be as elusive as a good metaphor. Don't let your Muse leave you! With loads of smart advice and helpful exercises, The Complete Idiot's Guide® to Writing Poetry will help you compose powerful, emotion-packed poems that you can be proud of. In this Complete Idiot's Guide®, you get: --Simple explanations of the building blocks of poetry—metaphor, imagery, symbolism, repetition, and more. --A step-by-step guide to the poetic process—from your first inspiration to your poem's last stanza. --Easy-to-follow guidelines for writing sonnets, sestinas, narrative poems, and more!
Shortlisted for the Laugh Out Loud Awards - the UK's only prize for funny children's books A brilliant collection of poems by an exciting young poet, this book is perfect, whether you like poetry or not! 'When you read this book, the windows will burp and the grass will turn blue. That's how magic these poems are.' Michael Rosen Packed full of silly, funny, or downright hilarious poems (with a few serious ones mixed in) this brilliant collection from exciting young poet, Joshua Seigal is perfect for fans of Michael Rosen and anyone else who needs a giggle. If you like poetry, you'll like this book. And if you don't like poetry you'll LOVE it! With poems on every topic from the power of books to the joys of fried chicken, this collection is a fabulous mix of Joshua Seigal's subversive humour and insight into the world of children. With hilarious doodle style illustrations by Chris Piascik, if you don't like poetry after reading this, there's probably something wrong with you! Book band: Grey - Ideal for Age 8 - 9