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A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.
This book is a tribute to the rivalry the New York Rangers had with the Boston Bruins during the decade that Emile Francis ran the club. Growing up, these two teams are what defined hockey for me and the team was not simply a city or a sweater or a jersey, it was the players. As Mr. Francis himself told me, "Every time we played it was a war. That was the greatest rivalry I've ever seen." I wrote this book for the fans of both teams, hoping that it would bring back some great memories from a time when the game was a lot different than it is today.
There is no greater reward for a hockey player than winning the Stanley Cup. The Ultimate Prize chronicles the evolution of the sport from the first recorded game played in 1875 to the 2002 Champion Detroit Red Wings. Photographs and statistics of teams, coaches, players, owners, and hockey executives are listed year by year. Facts, legends, and lore will engross the reader. Unique among team sports trophies, the Stanley Cup has been called "the people's trophy." It travels the globe making public appearances up to 300 days of the year. The names of the men (and some women!) who have won it are engraved right on the Cup itself. Hockey players of all ages dream not just of winning the championship but of actually hoisting the glittering silver trophy high above their heads. It is one of sport's ultimate icons and perhaps the world's best-known piece of folk art. Included in The Ultimate Prize are chapters on Stanley Cup heroes, top play-off moments, and the history of the Stanley family. Did you know that Lord Stanley never watched a team that won his trophy, nor ever played the game himself? All seven of his sons played hockey as a team and were outstanding athletes. Daughter Isobel Stanley played the game, too. In truth, the Stanley family is every bit as responsible for the "Stanley Cup legacy" as his Lordship himself. The Ultimate Prize—misspelled player and team names, wrong names, erroneous years won, and even double listing of players. Every hockey fan or sports enthusiast will want a copy of this treasure.
Although Lee is descended from two NHL players, he is an ordinary player. How can he keep up the family tradition?
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.