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"Antoine-Louis Barye (1796-1875), called by Gautier "le Michel-Ange de la Menagerie," is a sculptor whose star continues to rise both among critic-historians and among private collectors. Major museums--notably the Louvre, the Metropolitan, and the Walters--constantly add to their holdings of his work, while auction prices rose fivefold in the 1970's. Barye's relationship to contemporary sculptors and his influence on succeeding generations also are increasingly recognized. His art, in the author's words, "embodies the yearning and turmoil, the triumphs and anguish" of the Romantic Age. Bayre's work combines scientific precision (especially zoological), technical skill (particularly with bronze), and--despite his apparent thoroughgoing realism--composition approaching abstract expressionism. An introductory chapter tells what little is known of Barye's life: his friendship with Delacroix, his apprenticeship under the goldsmith to Napoleon I, his absorption of both the romanticism of Hugo and the positivism of Comte, his allegories for the royal house of Orleans, his association with Napoleon III in creating the New Louvre, and his tutelage of Rodin in the technique of animal sculpture. The bulk of the book presents a chronological critique of Barye's oeuvre, incorporating a complete catalog. It therefore serves not only as a study in artistic evolution but also as a handbook for curator and connoisseur."--Publisher's description.
An illustrated encyclopedia with 1000 photos of over 700 nineteenth century French sculptors including Rodin, Barye, d'Angers and Carpeaux, with biographies, listings of works (with size and foundry when known), museum pieces in France and elsewhere, and recent sales. Also provides an overview of 19th century bronze sculpture, the foundries that cast the bronzes, and methods used to cast works.
The volume offered by the Barye Monument Association to those interested in the fund for a monumnet to Antoine Louis Barye at Paris is the memorial of a very uncommon event. The United States has no sentimental feeling with regard to France as the fatherland, like that which a large number of American cherish toward Great Britain and Ireland. Bonds of amity were knit in the past, and others have been formed since France became a republic ; but the difference of tongue more than offsets these. Therefore great merit must exist in the artist whose work exercises enough fascination to set Americans on the task of gathering funds for a monument that is to stand three thousand miles away across the ocean. It is often said that art has no country. But when, before this, has a foreign land raised a monument to a sculptor of modern times? -- Preface note.
"'The American West in Bronze, 1850-1925' is the first full-scale exhibition to explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes, which have been so popular with audiences then and now. Both the exhibition and this accompanying catalogue offer a fresh look at the multifaceted roles played by these sculptors in creating three-dimensional interpretations of western life, whether based on historical fact, mythologized fiction, or most often, something in-between. Examples by such archetypal representatives of the West as Frederic Remington and Charles M. Russell are complemented by the work of sculptors such as James Earle Fraser and Paul Manship, who contributed to the popularity of the American bronze statuette even though their western subjects were less frequent." -- Publisher's description.
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Tells the stories behind Baltimore's monuments. From the twentieth-century sculpture of the Inner Harbor's Baltimore Renaissance to the nineteenth-century splendor of Mount Vernon Place, this work invites us to see Baltimore in a fresh perspective.
Superbly illustrated, this book not only describes the work of
More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process. From the foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out is a literary biography of sculptor Bob Scriver, written by his wife, Mary Strachan Scriver. Bob Scriver is best known for his work in bronze and for his pivotal role in the rise of "cowboy art." Living and working on the Montana Blackfeet Reservation, Scriver created a bronze foundry, a museum, and a studio - an atelier based on classical methods, but with local Blackfeet artisans. His importance in the still-developing genre of "western art" cannot be overstated. Mary Strachan Scriver lived and worked with Boba Scriver for over a decade and was instrumental in his rise to international acclaim. Working alongside her husband, she became intimately familiar with the man, his work, and his process. Her frank, uncensored, and highly entertaining biography reveals details that give the reader a unique picture of Scriver both as man and as artist. Bronze Inside and Out also provides a fascinating look into the practice of bronze casting, cleverly structuring the story of Bob Scriver's life according to the steps in this complicated and temperamental process.