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Portraits, sometimes crude in their realism or gripping in the sense of a living person, were one of the great achievements of Roman Art. The collection of one hundred portraits in the Getty Museum is one of the largest in the world. Dr. Frel surveys the history of Roman portrait art in an often controversial introduction on the purpose of portraits in Roman life and society, continuing his arguments through the catalogue analyses of the individual pieces. The occasion for the book was a loan exhibition of the portraits to the Philbrook Art Center in Tulsa. This lavishly illustrated book presents a discussion of the principal views and the uses of the portrait in ancient times. The photographs include unusual views of the back and profiles of many portraits to show the care with which they were created and their damages and reworking over the centuries. The catalogue also includes five portraits that are late evocations of the antique and outright forgeries.
Portrait sculptures are among the most vibrant records of ancient Greek and Roman culture. They represent people of all ages and social strata: revered poets and philosophers, emperors and their family members, military heroes, local dignitaries, ordinary citizens, and young children. The Met's distinguished collection of Greek and Roman portraits in stone and bronze is published in its entirety for the first time in this volume. Paul Zanker, a leading authority on Roman sculpture today, has brought his exceptional knowledge to the study of these portraits; in presenting them, he brings the ancient world to life for contemporary audiences. Each work is lavishly illustrated, meticulously described, and placed in its historical and cultural context. The lives and achievement of significant figures are discussed in the framework of the political, social, and practical circumstances that influenced their portrait's forms and styles—from the unvarnished realism of the late Republican period to the idealizing and progressively abstract tendencies that followed. Analyses of marble portraits recarved into new likenesses after their original subjects were forgotten or officially repudiated provide especially compelling insights. Observations on fashions in hairstyling, which typically originated with the Imperial family and spread as fast as the rulers' latest portraits could be distributed, not only edify and amuse but also link the Romans' motives and appetite for imitation to our own. More than a collection catalogue, Roman Portraits is a thorough and multifaceted survey of ancient portraiture. Charting the evolution of this art from its origins in ancient Greece, it renews our appreciation of an connection to these imposing, timeless works.
Guides the reader through a complete, step-by-step tour of the watercolor materials and methods needed to create expressive, masterful portraits.
A boy named Jake takes a voyage to a vast forest called “Seafall Forest” in East Midlands for his spring break. But his spring break converts into the wildest escapade of his life. A creepy girl named Sadie roams Seafall Forest unbeknownst to Jake. She will like to show Jake annihilation. Jake had heard that word before from a wicked man named Pablo, in August 2009 when he was in a mansion. Since Jake believes Pablo goes to Seafall Forest, Jake has a bad feeling of what lurks in the forest. Jake explores Seafall Forest on his own to locate his missing grandparents, José and Joanne; it’s a formidable task for him to do on his own. A Stun Baton became his only defensive weapon while he travels the forest. Actions transpire one morning; on account of the horrifying event, Jake resolves to cancel traversing Seafall Forest. That’s until one of his friends from school shows up and explores the forest amongst him where danger befalls.
This expanded edition of Wendy Ewald's now-rare book, first published in 1985, offers a view of the rural south over the past thirty five years. It includes pictures and stories by eight of Ewald's students, now grownups. Their visions, old and new, illuminate the present and the past.
Mosaic Fine Art Portraits, a collection from some of the finest contemporary mosaic artists worldwide, is the first book in a series that presents mosaic art as fine art. The five featured artists discuss the philosophy that drives their work, their discovery of mosaic art, and their personal journeys as artists. The book includes a gallery of sixty-four mosaic portraits by contemporary artists and an insightful introduction by the prominent mosaic artist George Fishman. Mosaic Fine Art Portraits is an art book not to be missed.
"First Third" is Jay Beasley's beginning collection of songs and poems. It is a fresh poetic take on surrealism, storytelling, and romance. The poems are memorable, thought-provoking, and passionate as they take the reader from the internal life of memory to the world around us.