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It's a big love poem to creepy-crawlies. Over 13 endearing, graceful, and witty essays, Hubbel delves into different orders of insects.
In this fascinating book, Hubbell journeys into the remarkable lives of the little-known creatures that really run the world--the animals without backbones, including one of the most elusive and enigmatic of all, "Aphrodite" the sea mouse.
In Philanthropy Under Fire, author Howard Husock defends the American tradition of independent philanthropy from significant political and intellectual challenges which threaten it today. Although the U.S. continues to be the most charitable nation in the world, serious efforts seek to discourage traditional, personal charitable giving by changing the tax code, and directing philanthropy toward causes chosen by government. Some voices seek to narrow the very definition of philanthropy to include only direct redistribution of income from rich to poor. In contrast, Mr. Husock broadly defends philanthropy’s causes—from the food pantry to the art museum to the university science lab—as both a source of effective new ideas and as a core aspect of democracy and liberty. In a new and original argument, he asserts that having broad impact does not require a marriage of philanthropy and government. Instead, he says, private programs growing out of the values held by their leaders—and imbued with those values—can have a wide impact through their influence on society’s norms. In this sense, the good that private philanthropy does for American society can far transcend the good that it does for its immediate recipients.
An informal history of sensational, scientific, silly, satisfying, and startling attractions based on seventeenth, eighteenth, and nineteenth-century broadsides from Ricky Jay's extraordinary collection.
When her 30-year marriage broke up, Hubbell retreated to the country where she found solace in the natural world.
Praise for BROADSIDES "Pace the pitching black deck with a sleepless Admiral Nelson the night before battle bestows eternal rest and peerless immortality upon him; envision with Mahan the storm-tossed and ever-watchful ships-of-the-line that kept England secure from invasion; wonder in awe at Collingwood's dedication in working himself to death after Trafalgar elevated him to primary responsibility for England's imperial safety in the Mediterranean. All of this and more awaits the reader who will sail through these pages, every one of which is etched with the indelible expertise and boundless enthusiasm of Nathan Miller, master of naval history."--Kenneth J. Hagan, Professor of History and Museum Director Emeritus, U.S. Naval Academy, Professor of Strategy, U.S. Naval War College "This is not just inspired naval history--the personal lives of the seafarers themselves, from cabin boy to admiral, are given generous treatment."--The Times (London) "A wealth of detail...Descriptions of dreadful living conditions aboard cramped wooden vessels give way to bloody decks after close combat....A solid introduction to a turbulent era at sea."--Publishers Weekly "[As] a companion to the popular nautical novels of C. S. Forester and Patrick O'Brian--it succeeds brilliantly."--Daily Telegraph (London) "The descriptions of the great sea commanders and their battles display all the craft of the gifted writer....Read Broadsides for enjoyment as a well-informed, action-packed naval narrative."--The Christ Church Press
Her Read: A Graphic Poem is a hybrid text at once poetry and visual art. In the tradition of reusing canvases, Steinorth takes a seminal text, The Meaning of Art by Herbert Read and with the liberal use of correction fluid, scalpel and embroidery floss, transforms the book from art criticism into feminist verse. Though the maternal body appears with frequency in Read’s illustrated text which spans from prehistory to the modern age, he includes zero female artists. Her Read: A Graphic Poem is an excavation of buried voices, a reclamation of bodies framed in gilt and an homage to those whose arts remain unsung.
Appeals to ''human dignity'' are at the core of many of the most contentious social and political issues of our time. But these appeals suggest different and at times even contradictory ways of understanding the term. Is dignity something we all share equally therefore the reason we all ought to be treated as equals? Or is dignity what distinguishes some greater and more admirable human beings from the rest? What notion of human dignity should inform our private judgments and our public life? In Neither Beast Nor God, Gilbert Meilaender elaborates the philosophical, social, theological, and political implications of the question of dignity, and suggests a path through the thicket. A noted theologian and a prominent voice in America's bioethics debates, Meilaender traces the ways in which notions of dignity shape societies, families, and individual lives. He incisively cuts through some of the common confusions that cloud our thinking on kehy moral and ethical questions. The dignity of humanity and the dignity of the person, he argues, are distinct but deeply connected - and only by grasping them both can we find our way to a meaningful understanding of the human condition.
This is a surreal time for freedom of speech. While the legal protections of the First Amendment remain strong, the culture is obsessed with punishing individuals for allegedly offensive utterances. And academia - already an institution in which free speech is in decline - has grown still more intolerant, with high-profile "disinvitation" efforts against well-known speakers and demands for professors to provide "trigger warnings" in class. In this Broadside, Greg Lukianoff argues that the threats to free speech go well beyond political correctness or liberal groupthink. As global populations increasingly expect not just physical comfort but also intellectual comfort, threats to freedom of speech are only going to become more intense. To fight back, we must understand this trend and see how students and average citizens alike are increasingly demanding freedom from speech.