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This book covers the varieties of 20th Century Silver coins, from the smallest threepence up to and including the cupro-nickel Crowns. There are 240+ pages of information and identifiers to enable the collector to swiftly and definitively identify their coins with 249 photographs showing the features that distinguish each type for a particular denomination and year.Not just the major varieties are covered, like the 1926 ordinary and modified effigy halfcrowns. Also included are the minor types. For instance, there are descriptions of the wide range of minor types found on coins in the 1920s. The book also covers the varieties of the decimal cupro-nickel coins.In writing this book, the author has investigated many sources of information concerning silver varieties and has brought together all the disparate information concerning them into one informative manual, which will be invaluable to the collector.A bargain start price and a 'must have' for any serious collector of silver coinage.
Despite its comparatively small size--just over 370 items, dating mainly from the 18th century--the collection of British silver in the Hermitage is renowned for its variety and quality. Over the course of the 18th and 19th centuries, the introduction of European dining habits and Russian Anglophilia contributed to the acquisition of large quantities of British silver. Most of the pieces were functional rather than decorative, such as dinner or toilet services specially commissioned by members of the imperial family and the aristocracy. Marking the 250th anniversary of the State Hermitage Museum, this catalogue offers a grand presentation of these glorious silver items, supported by new research and documents. In her introduction, Marina Lopato details the complexities of Russian and Hermitage history to set the scene for the objects. Sumptuous illustrations showcase the exceptional nature of the Hermitage's British silver, most evident in four monumental wine coolers that are among the best known pieces of British silver anywhere in the world. Published for the Paul Mellon Centre for Studies in British Art