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British Romantic Poets Critical Assessments Is A Selection Of Some Of Best Critical Writings Available On The British Romantic Period Of English Literary History. It Includes Such Eminent Critics As Cleanth Brooks, Douglas Bush, L.D. Salinger, C.M. Bowra And Humphry House. Two Essays, Each By Morse Peckham And Shiv K. Kumar, Have Been Written Specially For This Book.It Is Hoped That This Book Will Be Of Great Interest To All Students Of Advanced English Literature.
More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
The Reputation Of Wordsworth, Once Regarded As The Most Important Exponent Of English Romanticism, Has, Strangely, Been Quite Controversial, And The Critical Reception Of His Poetry Had Many Ups And Downs. If Arnold Considers Him One Of The Chief Glories Of English Poetry Byron Considers Him As A Hireling Poet And A Prince Of Dullness, And It Is A Fact That Never In His Lifetime Wordsworth Came Near To Such Popularity As That Of Scott Or Byron. Yet, Southey Whom Wordsworth Succeeded As Poet Laureate Held That A Greater Poet Than Wordsworth There Never Has Been Or Will Be. Tennyson Was Grateful To Wordsworth For What He Had Learned From Him And Kept His Admiration For Him On Record In His Verse.It Will Be Salutary To Revisit Wordsworth, With The Benefit Of Hindsight, Through The Essays Included In This Volume Most Of Which Were Written More Than Hundred Years Ago, And Draw Our Independent Conclusions. The Students And Teachers Of English Literature Will Certainly Find These Historically Valuable Essays, Some Of Which Are Not Easily Accessible These Days, Very Useful And Exciting, And A Scholar On Wordsworth Can Least Afford To Ignore Them.Contents: Wordsworth S Life: An Outline, Coleridge On Wordsworth, Hazlitt On Wordsworth, De Quincey On Wordsworth, Arnold On Wordsworth, Morley On Wordsworth, Herford On Wordsworth, Elton On Wordsworth.
A Guide To English Literature Embraces A Wide Spectrum Of Literary Works In The Field Of The English Novel, Drama And Poetry. It Is Meant To Enhance The Enjoyment And Understanding Of English Literature Through The Critical Discussion Of Particular Works Of A Large Number Of Writers Including Shakespeare, Marlowe, Metaphysicals, Milton, Dryden, Pope, Wordsworth, Coleridge, Keats, Emily Bronte, Hardy, Eliot, Virginia Woolf, E.M. Forster, Hemingway And Mulk Raj Anand.
A critical look at three fundamental Romantic poets from a leading scholar of British romanticism
Thomas Stearns Eliot, A Universal Poet And Dramatist, And Nobel Laureate, Was One Of The Most Daring Innovators Of The 20Th Century Poetry. He Achieved The Most Dominant Position In Poetry And Literary Criticism In The English-Speaking World.T.S. Eliot Represents The High Water-Mark Of The Modernist Movement In European Literature Which Affected Art And Culture Not Only Within The English-Speaking World, Or The European Lands, But Around The Four Corners Of The Globe. He Was A Poet, A Dramatist And A Critic Of Literature And Society.He Dominated The Literary And Cultural Scene During Most Of The Twentieth Century. Though The World Is Now Said To Have Entered Into, What Is Usually Called, The Post-Modernist Stage, Yet Modernism Is Still Relevant. Whether Post-Modernism Is Considered To Be A Break With, Or The Continuation Of, Modernism, The Latter Occupies A Central Place In The Whole Dialectics Of The Cultural Movement Of The 20Th Century.The Present Volume Is An In-Depth Critical Study Of The Whole Oeuvre Of T.S. Eliot By Diverse Hands. This Is A Must For The Students, Teachers, Scholars Of Culture And Modern English Literature.
Anita Desai And Her Novels Have Been An Enigma For Decades. Scholars, Critics, Researchers And Students Have Never Stopped Marvelling About Supremacy Of Idea Over Matter In The Works Of This Gifted Novelist. The Philosophical Mood, The Realization Of A Grand Design, The Presence Of Unsaid, Unarticulated Realities All These Have Forever Teased The Mind Of The Discerning Reader. In The Present Volume, Anita Desai Has Been Extensively And Intensely Probed. As The Reader Will See, The Thrust Has Been More On Psychological And Intellectual Facets Of Her Fiction, Rather Than Social, Cultural Or Physical Areas. This Is The Trend Of Criticism These Days And It Is Rightly So. The Fine Subtleties, The Small But Significant Turn Of Events, The Role Of Place In The Formation Of Mental Scene, The Vitality Of Characters, The Force Of Their Personalities, The Intricate Web Of Relationships All These Have Been Examined And Expressed In Words That Are At Once Easy To Understand As Well As Graceful To Aesthetic Sense.
Since Its First Publication In February 1897 Herford S The Age Of Wordsworth Has Remained And Continues To Remain A Basic Book On European Romanticism In General And The English Romanticism In Particular. The Second Edition Was Printed In The Same Year A Few Months Later, In November 1897, And The Third Edition (Revised) Was Brought Out In The Year 1899. Since Then The Book Has Been Reprinted Many Times, And That Is A Standing Testimony To The Immense Popularity And Usefulness Of The Book.In The Preface To The First Edition Herford Wrote In December 1895, About A Year Before The Actual Publication Of The Book: The Task Of Presenting This Vast And Complex Literature With Some Semblance Of Order And Unity Has Been No Light One. But The Enormous Popularity Of The Book For Over A Century Is A Glowing Testimony To His Remarkable Success In Performing The Arduous Task He Had Set Upon Himself. His Analysis Of Romanticism, Which Is The Organizing Conception Of This Book Is As Sharp As It Is Illuminating And Offers A Clear Idea Of The Various Phases Of European Romanticism, A Movement That Swept Over Europe From Roughly The Middle Of The Eighteenth Century To The Middle Of The Nineteenth Century. What Deserves Special Mention Is The Fact That All Along Herford Assiduously Maintains The Distinction Between Literary History And Biography.While The Book Is Indispensable For Any Student Of English Literature, The Students Of The History Of Thought And Culture Studies Will Also Find This Luminous Book Delightfully Readable And Interesting.
In this interdisciplinary work, philosophers from different specialisms connect with the notion of the wild today and interrogate how it is mediated through the culture of the Anthropocene. They make use of empirical material like specific artworks, films and other cultural works related to the term 'wild' to consider the aesthetic experience of nature, focusing on the untamed, the boundless, the unwieldy, or the unpredictable; in other words, aspects of nature that are mediated by culture. This book maps out the wide range of ways in which we experience the wildness of nature aesthetically, relating both to immediate experience as well as to experience mediated through cultural expression. A variety of subjects are relevant in this context, including aesthetics, art history, theology, human geography, film studies, and architecture. A theme that is pursued throughout the book is the wild in connection with ecology and its experience of nature as both a constructive and destructive force.