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She ascended the thrones of England, Scotland and Ireland in 1702, at age thirty-seven, Britain’s last Stuart monarch, and five years later united two of her realms, England and Scotland, as a sovereign state, creating the Kingdom of Great Britain. She had a history of personal misfortune, overcoming ill health (she suffered from crippling arthritis; by the time she became Queen she was a virtual invalid) and living through seventeen miscarriages, stillbirths, and premature births in seventeen years. By the end of her comparatively short twelve-year reign, Britain had emerged as a great power; the succession of outstanding victories won by her general, John Churchill, the Duke of Marlborough, had humbled France and laid the foundations for Britain’s future naval and colonial supremacy. While the Queen’s military was performing dazzling exploits on the continent, her own attention—indeed her realm—rested on a more intimate conflict: the female friendship on which her happiness had for decades depended and which became for her a source of utter torment. At the core of Anne Somerset’s riveting new biography, published to great acclaim in England (“Definitive”—London Evening Standard; “Wonderfully pacy and absorbing”—Daily Mail), is a portrait of this deeply emotional, complex bond between two very different women: Queen Anne—reserved, stolid, shrewd; and Sarah Churchill, Duchess of Marlborough, wife of the Queen’s great general—beautiful, willful, outspoken, whose acerbic wit was equally matched by her fearsome temper. Against a fraught background—the revolution that deposed Anne’s father, James II, and brought her to power . . . religious differences (she was born Protestant—her parents’ conversion to Catholicism had grave implications—and she grew up so suspicious of the Roman church that she considered its doctrines “wicked and dangerous”) . . . violently partisan politics (Whigs versus Tories) . . . a war with France that lasted for almost her entire reign . . . the constant threat of foreign invasion and civil war—the much-admired historian, author of Elizabeth I (“Exhilarating”—The Spectator; “Ample, stylish, eloquent”—The Washington Post Book World), tells the extraordinary story of how Sarah goaded and provoked the Queen beyond endurance, and, after the withdrawal of Anne’s favor, how her replacement, Sarah’s cousin, the feline Abigail Masham, became the ubiquitous royal confidante and, so Sarah whispered to growing scandal, the object of the Queen's sexual infatuation. To write this remarkably rich and passionate biography, Somerset, winner of the Elizabeth Longford Prize for Historical Biography, has made use of royal archives, parliamentary records, personal correspondence and previously unpublished material. Queen Anne is history on a large scale—a revelation of a centuries-overlooked monarch.
British Politics in the Age of Anne is a book that anyone with an interest in the period will wish to possess: completely authoritative, yet as attractive to the student and the general reader as to the specialist. The author has both revised the text and written a substantial new introduction to this edition. Geoffrey Holmes reveals how little the structure and contents of politics under Queen Anne had in common with the connexion-ridden scene of the mid-eighteenth century, as portrayed by Namier. He depicts a period of fierce and genuine party conflict, in which society at many levels was divided by great issues of principle and policy. Through frequent and hotly-contested elections and long parliamentary campaigns both Whigs and Tories enjoyed triumphs and suffered disasters. And while struggling against one another, each had to contend with internal factions and pressure-groups, the divisive thrust of personal ambitions and the hostility of the queen to single party rule. British politics in the Age of Anne is more than a major work of analysis and a historiographical landmark. By liberal use of quotation, eye for detail, sense of atmosphere and vivid character sketches of both leading and lesser personae, Professor Holmes recreates the unique political life of the high Augustan age.
NATIONAL BESTSELLER • "How did our democracy go wrong? This extraordinary document ... is Applebaum's answer." —Timothy Snyder, author of On Tyranny The Pulitzer Prize–winning historian explains, with electrifying clarity, why elites in democracies around the world are turning toward nationalism and authoritarianism. From the United States and Britain to continental Europe and beyond, liberal democracy is under siege, while authoritarianism is on the rise. In Twilight of Democracy, Anne Applebaum, an award-winning historian of Soviet atrocities who was one of the first American journalists to raise an alarm about antidemocratic trends in the West, explains the lure of nationalism and autocracy. In this captivating essay, she contends that political systems with radically simple beliefs are inherently appealing, especially when they benefit the loyal to the exclusion of everyone else. Elegantly written and urgently argued, Twilight of Democracy is a brilliant dissection of a world-shaking shift and a stirring glimpse of the road back to democratic values.
This account examines some of the areas of women's political activity in Britain from the Glorious Revolution to the election of the first female Prime Minister in 1979. It shows how women had worked in a variety of arenas and organizations before the suffrage campaign and explores the directions their political activity took afterwards.
Literature and Party Politics at the Accession of Queen Anne is the first detailed study of the final Stuart succession crisis. It demonstrates for the first time the centrality of debates about royal succession to the literature and political culture of the early eighteenth century. Using previously neglected, misunderstood, and newly discovered material, Joseph Hone shows that arguments about Anne's right to the throne were crucial to the construction of nascent party political identities. Literary texts were the principal vehicle through which contemporaries debated the new queen's legitimacy. This book sheds fresh light on canonical authors such as Daniel Defoe, Alexander Pope, and Joseph Addison by setting their writing alongside the work of lesser known but nonetheless important figures such as John Tutchin, William Pittis, Nahum Tate, John Dennis, Henry Sacheverell, Charles Leslie, and other anonymous and pseudonymous authors. Through close historical analysis, it shows how this new generation of poets, preachers, and pamphleteers transformed older models of succession writing by Milton, Dryden, and others, and imbued conventional genres such as panegyric and satire with their own distinctive poetics. By immersing the major authors in their milieu, and reconstructing the political and material contexts in which those authors wrote, Literature and Party Politics demonstrates the vitality of debates about royal succession in early eighteenth-century culture.
The Stuart Age provides an accessible introduction to many major themes of the period including: the causes of the English Civil War, the nature of the English Revolution; the aims and achievements of Oliver Cromwell; the continuation of religious passion in the politics of Restoration England; and the impact on Britain of the Glorious Revolution. In it Coward also covers the relevant history of Scotland and Ireland and gives comprehensive treatment of economic, social, intellectual, as well as political and religious history.
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
A discussion of the fascinating interplay between communication, politics and religion in early modern England suggesting a new framework for the politics of print culture. This book challenges the idea that the loss of pre-publication licensing in 1695 unleashed a free press on an unsuspecting political class, setting England on the path to modernity. England did not move from a position of complete control of the press to one of complete freedom. Instead, it moved from pre-publication censorship to post-publication restraint. Political and religious authorities and their agents continued to shape and manipulate information. Authors, printers, publishers and book agents were continually harassed. The book trade reacted by practicing self-censorship. At times of political calm, government and the book trade colluded in a policy of policing rather than punishment. The Restraint of the Press in England problematizes the notion of the birth of modernity, a moment claimed by many prominent scholars to have taken place at the transition from the seventeenth into the eighteenth century. What emerges from this study is not a steady move to liberalism, democracy or modernity. Rather, after 1695, England was a religious and politically fractured society, in which ideas of the sovereignty of the people and the power of public opinion were being established and argued about.
The 70 years of late Stuart and early Hanoverian Britain following 1680 were a crucial period in British politics and society, seeing the growth both of political parties and of stability. This collection of original essays provides a coherent account of Britain in the 'First Age of Party'.