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British Army Uniforms identifies the uniforms of each regiment of cavalry and infantry from 1751 to 1783, including those worn during the Seven Years' War and the American War of Independence. This lavishly illustrated book shows how the cut and colouring of the uniforms of the officers, the NCOs and the private soldiers changed over the course of more than thirty years. The survey is divided into four parts. Part one looks at the commonalities of cavalry uniforms and focuses on the uniforms that were appropriate to each regiment. Headwear and horse furniture are also considered. Part two contains a wealth of full-colour plates detailing the uniforms of the Household Cavalry, the Heavy Cavalry and Light Cavalry. Parts three and four cover infantry uniforms, including those of the regiments of Foot Guards, Infant of the Line, Fusiliers and Highland regiments.--Publisher description.
“Of great use to anyone interested in the 18th century British Army as well as illustrators and others who need detailed information.”—Classic Arms and Militaria Based on records and paintings of the time, this book identifies each cavalry and infantry regiment and illustrates changes in uniforms, their facing colors, and the nature and shape of lace worn by officers, NCOs and private soldiers from 1751 to 1783. Regiments that served in the American War of Independence are noted and the book includes more than 200 full-color plates of uniforms and distinctions. Divided into four sections, it not only details the cavalry and infantry uniforms of the period but also the tartans of the Highland regiments, some of which were short-lived, and the distinction of the Guards regiments. “A superb reference work, full of clearly researched details…it will be of value to family and military historians, re-enactors, figure painters, and wargamers.”—FGS Forum
During the Seven Years' War (1755–63), a number of independent light-infantry outfits served under British command and dedicated light companies were added to the British Army's regular infantry battalions. The light companies were disbanded after the war but the prominent role played by light infantry was not forgotten, and in 1771–72 light-infantry companies were reinstated in every regiment in the British Isles. Although William Howe formed a training camp at Salisbury in 1774 specifically to practise light-infantry doctrine, the outbreak of the American Revolution in 1775 found the British Army wanting, and the light companies were no different. After evacuating Boston in March 1776, Howe began to remodel and drill his army at Halifax, standardizing lighter uniform and emphasizing more open-order tactics. He also brigaded his light companies together into composite battalions, which went on to fight in almost every major engagement during the American Revolution. They spearheaded British assaults, using night-time surprise and relying upon the bayonet in engagements such as Paoli and Old Tappan. They also matched their regular and irregular opponents in bush-fighting, and at times fought in far-flung detachments alongside Native American and Loyalist allies on the frontier. Featuring specially commissioned full-colour artwork, this book offers a comprehensive guide to the formation, uniform, equipment, doctrines and tactics of these elite light infantry companies and battalions, and considers how, over the course of the war they developed a fearsome reputation, and exemplified the psychological characteristics exhibited by crack military units across history.
In the years immediately before the First World War, Archibald Haswell Miller, a young artist, travelled Europe to study painting. While he was there he indulged his other great interest the military. On his travels he observed first-hand the soldiers of the European Armies in the last days of the colourful and elaborate uniforms that were giving way to grey and khaki across the continent. Realising that this was a great military heritage that was slipping away he set out to record these splendid uniforms. In those uncertain days before the assassination of the Archduke Ferdinand in Sarajevo, Haswell Miller sketched and painted hundreds of figures, each wearing a different uniform, from the armies of Britain, Germany, France, Austria-Hungary, Belgium, Holland, Italy, Portugal, Russia, Spain and Sweden. Just before the First World War the paintings were exhibited in Leipzig, and it seemed they might be published. But when war broke out they were returned home and lay forgotten for nearly one hundred years. Now published together at last, they represent a unique record of the uniforms of the last great age of military dress. Accompanied by, in Haswell Miller's own words, 'notes and memories of the days before “the lights went out in Europe” in the year 1914', this is a book of great historical importance.
The book outlines how class is single most important factor in understanding the British army in the period of industrialisation. It challenges the 'ruffians officered by gentlemen' theory of most military histories and demonstrates how service in the ranks was not confined to 'the scum of the earth' but included a cross section of 'respectable' working class men. Common soldiers represent a huge unstudied occupational group. They worked as artisans, servants and dealers, displaying pre-enlistment working class attitudes and evidencing low level class conflict in numerous ways. Soldiers continued as members of the working class after discharge, with military service forming one phase of their careers and overall life experience. After training, most common soldiers had time on their hands and were allowed to work at a wide variety of jobs, analysed here for the first time. Many serving soldiers continued to work as regimental tradesmen, or skilled artificers. Others worked as officers' servants or were allowed to run small businesses, providing goods and services to their comrades. Some, especially the Non Commissioned Officers who actually ran the army, forged extraordinary careers which surpassed any opportunities in civilian life. All the soldiers studied retained much of their working class way of life. This was evidenced in a contract culture similar to that of the civilian trade unions. Within disciplined boundaries, army life resulted in all sorts of low level class conflict. The book explores these by covering drinking, desertion, feigned illness, self harm, strikes and go-slows. It further describes mutinies, back chat, looting, fraternisation, foreign service, suicide and even the shooting of unpopular officers.