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British Goblins - Welsh Folk-lore, Fairy Mythology, Legends and Traditions. British Goblins does a good job at its stated purpose - collecting and loosely categorizing Welsh Folklore of every category, ranging from the reasons behind certain customs and superstitions of daily life, to descriptions and associated stories of various faeries, goblins, and giants, to descriptions of apparitions and the view of the afterlife, to more fantastic things, like dragons, standing stones, and magic wells and stones. Although a somewhat anecdotal approach is taken, the author has in fact preserved a good deal of information that might have otherwise been lost.
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With regard to other divisions of the field of folklore, the views of scholars differ, but in the realm of faerie these differences are reconciled; it is agreed that fairy tales are relics of the ancient mythology; and the philosophers stroll hand in hand harmoniously. This is as it should be, in a realm about which cluster such delightful memories of the most poetic period of life-childhood, before scepticism has crept in as ignorance slinks out. The knowledge which introduced scepticism is infinitely more valuable than the faith it displaced; but, in spite of that, there be few among us who have not felt evanescent regrets for the displacement by the foi scientifique of the old faith in fairies. There was something so peculiarly fascinating in that old belief, that "once upon a time" the world was less practical in its facts than now, less commonplace and humdrum, less subject to the inexorable laws of gravitation, optics, and the like. What dramas it has yielded! What poems, what dreams, what delights!
William Wirt Sikes (November 23, 1836 - August 18, 1883) was an American journalist and writer, perhaps best known today for his writings on Welsh folklore and customs.William Wirt Sikes was born in Watertown, New York, the son of William Johnson Sikes, a prominent local physician. He was the seventh of eleven children, of whom only six survived to adulthood. Sikes himself was seriously ill as a child and almost lost his hearing, so he was largely educated at home. At fourteen he went to work for a printer and learned how to set type. He supported himself thereafter by typesetting, contributing to local newspapers, and giving temperance lectures.In 1856 he was working at the Utica Morning Herald as a typesetter and contributor. He published a book of stories and poems, A Book for the Winter-Evening Fireside, in 1858. He spent time in Chicago working at newspapers there, and around 1860 worked on a paper called City and Country in Nyack, New York. In 1862 he was given the job of canal inspector in Chicago for the state-owned Illinois and Michigan Canal. While in Chicago he was separated from his wife, by mutual consent; they divorced in 1870.
The collection Croatian Tales of Long Ago is considered to be a masterpiece and features a series of newly written fairy tales heavily inspired by motifs taken from ancient Slavic mythology of pre-Christian Croatia. Croatian Tales of Long Ago are seen as one of the most typical examples of the writing style of Ivana Brlić-Mažuranić. The book has been compared by literary critics to Hans Christian Andersen and J. R. R. Tolkien due to the way it combines original fantasy plots with folk mythology.
A collection of 83 short fairy tales, including; The Lady of the Lake; Arthur in the Cave; The Curse of Pantannas; The Drowning of the Bottom Hundred; Elidyr's Sojurn in Fairy-Land; Rhys and Llywelyn; Lowri Dafydd Earns a Purse of Gold; The Llanfabon Changeling; Why the Red Dragon is the Emblem of Wales; Llyn Cwm Llwch; The Adventures of Three Farmers; Cadwaladr and His Goat; The Fairy Wife; Einion and the Lady of the Greenwood; The Green Isles of the Ocean; March's Ears; The Fairy Harp; Guto Bach and the Fairies; Ianto's Chase; The Stray Cow, and many more.