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A voluptuous novel of imposture, emotional deformity, feral children, and the dangers of taking in that little boy lost.
Praise for Rikki Ducornet: “A novelist whose vocabulary sweats with a kind of lyrical heat.” —New York Times “Ducornet—surrealist, absurdist, pure anarchist at times—is one of our most accomplished writers, adept at seizing on the perfect details and writing with emotion and cool detachment simultaneously. I love her style because it is penetrating and precise but also sensual without being overwrought. You experience a Ducornet novel with all of your senses.” —Jeff VanderMeer “Linguistically explosive. . . . One of the most interesting American writers around.” —The Nation “Ducornet celebrates the playful and rebellious nature of art, and the anarchic ability of the imagination to subvert physical limitations.” —Times Literary Supplement A feral boy comes of age on a campus decadent with starched sheets, sweating cocktails, and homemade jams. Stub is the cause of that missing sweater, the pie that disappeared off the cooling rack. Then Stub meets Billy, who takes him in, and Asthma, who enchants him, and all is found, then lost. A fragrant, voluptuous novel of imposture, misplaced affection, and emotional deformity. An artist and writer, Rikki Ducornet has illustrated books by Robert Coover, Jorge Luis Borges, Forrest Gander, and Joanna Howard. Her paintings have been exhibited widely, including, most recently, at the Pierre Menard Gallery in Cambridge, Massachusetts, and the Salvador Allende Museum in Santiago, Chile.
John Bright was one of the greatest British statesmen of the nineteenth century. In a series of Punch cartoons in 1878, Bright featured alongside Disraeli and Gladstone as among the most influential politicians of the age. However, his profound contribution to British politics and society has been virtually forgotten in the modern world. Bright played a critical role in many of the most important political movements of the Victorian era, from the repeal of the Corn Laws to Home Rule. In his great campaign leading up to the Reform Act 1867, he fought for parliamentary reform on behalf of the working class and for the abolition of newspaper taxes. Internationally renowned as an orator, he was a dedicated opponent of slavery and champion of the North in the American Civil War. His testimonial for Abraham Lincoln's re-election was found in the President's pocket on his assassination. He was vigorously opposed to the Crimean War and campaigned against the oppression of the Irish tenantry and colonial subjects throughout the Empire. Fiercely independent, he eventually split from the Liberal Party over Home Rule, becoming a Liberal Unionist. In this new biography, the first for over 30 years, Bill Cash provides an incisive and engaging portrait of a man who influenced the politics of his generation more than virtually any other, with important implications for the present day.
Brief history of Hereford cattle: v. 1, p. 359-375.
"Virginia Scharff's wonderfully readable account of women in motion complicates and enriches our understanding of the nineteenth and twentieth century Wests. Her gendered remapping of the regional landscape explodes traditional notions of western movement. All students of women and gender, travel and place, the West and America, would do well to read this excellent book."--David M. Wrobel, author of Promised Lands: Promotion, Memory, and the Creation of the American West "Virginia Scharff claims for women what has long been central to the masculine mythology of the West--free movement and its many gifts, real and imagined. Her book is as exhilarating and as intellectually and emotionally expansive as our enduring dream of flight across the American land."--Elliott West, author of The Contested Plains: Indians, Goldseekers, & the Rush to Colorado "Brilliant is not a word that is often a part of my critical vocabulary, but brilliantly is how Twenty Thousand Roads begins. When writing of Sacagawea and Susan Magoffin, Virginia Scharff shows vividly how a single life can be a source of sophisticated cultural analysis without becoming an academic artifact or an object of condescension."--Richard White, author of It's Your Misfortune and None of My Own: A New History of the American West
Leading a life of crime in a back-alley region of the Thirteen Lands's finest city, the Warden discovers a murdered child and is catapulted back to his former life as a secret police agent before embarking on a dangerous game of deception between his former supervisor and dangerous underworld bosses. A first novel. 40,000 first printing.
In February 1868 Benjamin Disraeli became the fortieth prime minister of Great Britain. The tenth volume of the Benjamin Disraeli Letters series is devoted exclusively to Disraeli’s copious correspondence during that momentous year. The volume contains 648 of Disraeli’s letters, 510 of them never before published and all copiously annotated – often with the other side of the correspondence included. This volume constitutes a unique record of Disraeli’s rise to power and of the inner workings of the Victorian political scene, all of it recorded in intimate detail. A vast project which the Times Literary Supplement has called “a monument to scholarship,” the Benjamin Disraeli Letters volumes are an essential resource for the study of nineteenth-century politics, history, literature, and the arts.
divCollege years—when ideas collide, literature intrigues and inspires, lasting passions are first fired—can stamp a young writer for life. This extraordinary book contains the work of dozens of writers whose experiences at Yale over the past three centuries exerted a powerful force on their writing lives. Formed and nurtured by the unique intellectual community of the university, writers as diverse as Noah Webster and Gloria Naylor emerged from Yale to make their own fresh contributions to our nation’s remarkable literary heritage. From the galaxy of authors Yale has produced, J. D. McClatchy selects a rich and varied sample. He includes sermons, essays, poems, short stories, and excerpts from novels. The book opens with a section devoted to the work of four great teachers of writing at Yale in recent decades: John Hersey, Robert Penn Warren, John Hollander, and Robert Stone. The middle and most generous section of the volume focuses on writers who have been working since the end of the Second World War. Each of these selections casts a strong light on its author and his or her work. In the final section, McClatchy draws on the work of earlier literary figures from James Fenimore Cooper to Thornton Wilder, in many cases retrieving little-known material. A stroll through the pages of this bountiful anthology, dazzling in the diversity of its offerings, will appeal to any reader. Each of the authors was challenged and inspired by Yale. In this volume, each in turn challenges and inspires us. Among the authors and poets in this volume: Jonathan Edwards, Sinclair Lewis, Cole Porter, Robert Penn Warren, Brendan Gill, Robert K. Massie, William F. Buckley, Jr., Calvin Trillin, Paul Monette, Garry B. Trudeau, Claire Messud, Chang-rae Lee /DIV