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National literary histories based on internally homogeneous native traditions have significantly contributed to the construction of national identities, especially in multicultural East-Central Europe, the region between the German and Russian hegemonic cultural powers stretching from the Baltic states to the Balkans. History of the Literary Cultures of East-Central Europe, which covers the last two hundred years, reconceptualizes these literary traditions by de-emphasizing the national myths and by highlighting analogies and points of contact, as well as hybrid and marginal phenomena that traditional national histories have ignored or deliberately suppressed. The four volumes of the History configure the literatures from five angles: (1) key political events, (2) literary periods and genres, (3) cities and regions, (4) literary institutions, and (5) real and imaginary figures. The first volume, which includes the first two of these dimensions, is a collaborative effort of more than fifty contributors from Eastern and Western Europe, the US, and Canada.The four volumes of the History comprise the first volume in the new subseries on Literary Cultures.
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Story of a young girl and her family, which migrates from Hungary to France in the 1920s, and of their struggles to integrate with the new environment in Paris.
"This work explores the attitudes and ideologies of the late nineteenth and early twentieth century Marxist and social democratic intellectuals toward Zionism, anti-Semitism, Jewish socialist movements, and the nature and future of Jewry."-- publisher description.
When Evan Nazarenus returns from a teaching post at the summer school in Nebraska, he cannot wait for a couple of blissful weeks spent with his wife and two children in Clovis, a small town where his brother has a summer house. But soon after they arrive for the long awaited holiday, Swan, Evan's wife, announces that she is expecting a child ... who is not fathered by Evan. This news shocks and hurts Evan deeply, but for his children's sake he decides to keep it to himself through the holidays they dreamt of for so long. But a family secret of such calibre is difficult to hide and the curious small-town neighbours begin to notice that something is amiss with the couple. The Laughing Matter, first published in 1953, is a disturbing family drama set against the landscape of a small Californian town, with a close-knit community who embrace new-comers with the curiosity of those hungry for gossip. William Saroyan draws his characters with immense sensitivity for human erring and self-inflicted suffering.
Set between Holland and a remote Indonesian island, this intimate magical realism novel offers “an offbeat narrative that has the timeless tone of a legend” (Time). “Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” —Cheryl Strayed, author of Wild The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.
Ex-DEA agent Jesse Warden has seen enough of the inside of a solitary confinement cell to last him a lifetime. Or two lifetimes, which is the sentence he's serving after being convicted of a crime he was planning to commit, but never did. So when an old buddy shows up with a deal that could spring him from his hell behind bars, he's ready to listen. To gain his freedom, Jesse must infiltrate a dangerous and reclusive religious cult that has been stockpiling weapons and eliminating those sent to investigate. From the moment he arrives in the Idaho mountain town where the cult is centered, Jesse finds every aspect of life dictated by the group's eerie, imposing leader. Pitted against not only the cult but the feds who sent him, Jesse feels control of his own life slipping away, and must make a final, desperate attempt to regain it—or die trying.
The two decades since the last authoritative general history of Dutch Jews was published have seen such substantial developments in historical understanding that new assessment has become an imperative. This volume offers an indispensable survey from a contemporary viewpoint that reflects the new preoccupations of European historiography and allows the history of Dutch Jewry to be more integrated with that of other European Jewish histories. Historians from both older and newer generations shed significant light on all eras, providing fresh detail that reflects changed emphases and perspectives. In addition to such traditional subjects as the Jewish community’s relationship with the wider society and its internal structure, its leaders, and its international affiliations, new topics explored include the socio-economic aspects of Dutch Jewish life seen in the context of the integration of minorities more widely; a reassessment of the Holocaust years and consideration of the place of Holocaust memorialization in community life; and the impact of multiculturalist currents on Jews and Jewish politics. Memory studies, diaspora studies, postcolonial studies, and digital humanities all play their part in providing the fullest possible picture. This wide-ranging scholarship is complemented by a generous plate section with eighty fully captioned colour illustrations.