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With bibliography of globes made in the Low Countries, ca. 1525-1800.
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
“Typewriter expert and collector Anthony Casillo presents a visual homage to the device that revolutionized correspondence” (The Florida Times-Union). From the creation of the QWERTY keyboard to the world’s first portable typing machine, this handsome collection is a visual homage to the golden age of the typewriter. From the world’s first commercially successful typewriter—the Sholes & Glidden Type Writer of 1874—to the iconic electric models of the 1960s, eighty vintage devices are profiled in elegant photographs and fascinating text that highlights the design modifications, intricate details, and peculiar quirks that make each typewriter unique. From functional advances like noiseless machines to luxurious details such as mahogany covers and inlaid mother-of-pearl, a century of design innovation and experimentation is charted in these pages. Packed with visuals and rich with history, Typewriters is the essential story of a writing invention that changed the world. Includes a foreword by Tom Hanks Praise for Typewriters “A Love Letter to Vintage Typewriters.” —Wall Street Journal “This is sure to delight typewriter lovers and those interested in machine or design history.” —Library Journal
To what internal and external circumstances did Covens & Mortier owe its great expansion? How did they sell their maps and atlases? In which cartographic areas did innovation take place? What was the firm's position from an international point of view? Thanks to the results of an intensive ten-year research into the publishing activities of Covens & Mortier, these questions can finally be answered. In this richly illustrated book, the definitive research results are presented. Furthermore, an extensive carto-bibliography with original and derivative maps, published by Covens & Mortier, has been added.Volume 8 in the series Utrecht Studies in the History of Cartography, this work comes with a bibliography, indices, and several appendices on CD-ROM, including a genealogy of the families Covens & Mortier, estate inventories, catalogues of maps and copperplates, and references to Covens & Mortier in contemporary periodicals and booksellers' books. Illustrated with nearly 500 full-color images.
The Blaeu atlases.