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Teyler’s Foundation in Haarlem and its ‘Book and Art Room’ of 1779, edited by Ellinoor Bergvelt and Debora Meijers, examines for the first time this remarkable institution in the context of scientific, museological, political, artistic, religious and philosophical developments.
Tussen 1899 en 1902 woedde in Zuid-Afrika een oorlog tussen de Boerenrepublieken en het Britse Rijk. Veel Nederlanders steunden in die tijd de Boeren. Dit uitte zich in een vloedgolf aan propagandamateriaal om een tegenwicht te bieden aan de Britse berichtgeving over de oorlog. Dit boek bevat een grondige analyse van de Nederlandse pro-Boeren-beweging vanaf haar begin in de jaren 1880. Kuitenbrouwer gaat in op de organisaties die de banden tussen Nederland en Zuid-Afrika trachtten aan te halen en zo belangrijke knooppunten werden in een internationaal netwerk. Aan de hand van bronnenmateriaal toont de auteur aan dat de propagandacampagne voor de Boeren nog lang nagalmde in de twintigste eeuw.0.
In The Early Dutch Sinologists Koos Kuiper gives a detailed account of the studies and work of the 24 Dutchmen trained as “interpreters” for the Netherlands Indies before 1900. Most began studying at Leiden University, then went to Amoy to study southern Chinese dialects. Their main functions were translating Dutch law into Chinese, advising the courts on Chinese law and checking Chinese accounts books, later also regulating coolie affairs. Actually their services were not always appreciated and there was not enough work for them; later many pursued other careers in the Indies administration or in scholarship. This study also analyses the three dictionaries they compiled. Based on a wealth of primary sources, it gives a fascinating picture of personal cross-cultural contacts.
The Anglo-Boer War (1899-1902) is one of the most intriguing conflicts of modern history. It has been labeled many things: the first media war, a precursor of the First and Second World Wars, the originator of apartheid. The difference in status and resources between the superpower Great Britain and two insignificant Boer republics in southern Africa was enormous. But, against all expectation, it took the British every effort and a huge sum of money to win the war, not least by unleashing a campaign of systematic terror against the civilian population. In The Boer War, winner of the Netherland's 2013 Libris History Prize and shortlisted for the 2013 AKO Literature Prize, the author brings a completely new perspective to this chapter of South African history, critically examining the involvement of the Netherlands in the war. Furthermore, unlike other accounts, Martin Bossenbroek explores the war primarily through the experiences of three men uniquely active during the bloody conflict. They are Willem Leyds, the Dutch lawyer who was to become South African Republic state secretary and eventual European envoy; Winston Churchill, then a British war reporter; and Deneys Reitz, a young Boer commando. The vivid and engaging experiences of these three men enable a more personal and nuanced story of the war to be told, and at the same time offer a fresh approach to a conflict that shaped the nation state of South Africa.
An examination of the impact of ideas of race and gender on late Victorian imperialism.
Set between Holland and a remote Indonesian island, this intimate magical realism novel offers “an offbeat narrative that has the timeless tone of a legend” (Time). “Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” —Cheryl Strayed, author of Wild The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.
The story of colonial collecting is complex and full of contradictions. Collectors often appreciated the 'other' cultures where they obtained collections, but at the same time they had a close relationship with the colonial authorities who were willing to subjugate societies with military violence. This book addresses colonial collecting with examples from the Dutch East Indies and, by means of comparison, with a discussion about collecting in British India. Since the 1990s the phenomenon of collecting has become an important part of anthropological discourse. This development touches upon the foundations of the discipline, since it throws light on how the white colonizers dealt with local cultures, and thus on how the formation of the anthropological discourse took place. The study of collecting can help us to develop an anthropology of intentionality, instrumentality and desire, as Anthony Shelton argues in one of the contributions to this book. Objects do not stop 'to live' when collected. Margaret Wiener discusses the magic of the kris, which is influential even in Europe, far from the context in which the magic is created. Other chapters treat in detail the military entanglement with collecting in the Dutch East Indies. There is also attention for ethnographic collecting in the context of scholarly activities, particularly in the chapter by Ruth Barnes. The broad picture of colonial collecting ,as presented in this book, includes an analysis of the appropriation of the Indonesian Hindu-Buddhist culture by means of collecting Javanese antiquities, detailed descriptions of colonial wars (North Sumatra, South Sulawesi, Bali and Lombok) and a discussion of the cultural heritage of the Ethische Politiek. With contributions by Ruth Barnes, Francine Brinkgreve, Hari Budiarti, Brian Durrans, Wahyu Ernawati, Pieter ter Keurs, Susan Legêne, Pauline Lunsingh Scheurleer, Anthony Shelton, Harm Stevens, David Stuart-Fox and Margaret Wiener.