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Text in English, French, and German. some volumes have cover title: Marx/Engels Gesamtausgabe. some volumes published by: Berlin : Akademie Verlag. Statements of responsibility vary, e.g., Herausgegeben vom Institut fèur Geschichte der Arbeiterbewegung, Berlin, und vom Institut fèur Marxismus-Leninismus beim Zentralkomitee der Kommunistischen Partei der Sowjetunion; Herausgegeben von der Internationalen Marx-Engels-Stiftung, Amsterdam. Includes reissues of some volumes Errata slip inserted in some volumes Includes bibliographies and indexes.
Volume 12 is dedicated to founding editor Thomas P. Saine, and includes essays on Goethe's novels, plays, and poems, the Ilmpark, Bach, Ossian, Goethe reception, and Schiller. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. The book review section seeks likewise to evaluate a wide selection ofrecent publications on the period, and is important for all scholars of 18th-century literature. Volume 12 honors founding editor Thomas P. Saine with contributions from prominent scholars such as Ehrhard Bahr, Benjamin Bennett, Dieter Borchmeyer, Jane Brown, Jill Kowalik, Ruth Kluger, Meredith Lee, John McCarthy, Jeff Sammons, Helmut Schneider, Hans Vaget, and more. The volume includes essays on Goethe's novels, plays, and poems, the Ilmpark, Bach, Ossian, Goethe reception, and Schiller. Simon J. Richter is associate professor of German and Comparative Literature at the University of Pennsylvania. Book review editor Martha B. Helfer is associate professor of German at the University of Utah.
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
Die Beiträge dieses Sammelbands behandeln die spannungsreichen Bezüge zwischen Kierkegaards Existenzdenken und Schellings Philosophie des Absoluten. Die Autoren werfen nicht nur ein neues Licht auf das Verhältnis Kierkegaards zur (Spät-) Philosophie Schellings und zum Idealismus überhaupt. Vielmehr eröffnen sie systematische Perspektiven, die - für die Philosophie, die Theologie und die Geisteswissenschaften insgesamt - gerade auch für gegenwärtige Problemstellungen von großer Bedeutung sind.