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In order to break a curse, I am supposed to marry a sea monster. I won't be guilted into doing it. Why should I wreck my life for a stranger? Instead, I leave on a cruise and get bitch-slapped by fate. The first night aboard, not only do I get wasted, I accidentally wind up married to the multi-armed beast I'd sworn to avoid.
New York Times bestseller An uproarious tale of romance, heartbreak, and tentacled mayhem inspired by the classic Jane Austen novel—from the publisher of Pride and Prejudice and Zombies Sense and Sensibility and Sea Monsters expands the original text of the beloved Jane Austen novel with all-new scenes of giant lobsters, rampaging octopi, two-headed sea serpents, and other biological monstrosities. As our story opens, the Dashwood sisters are evicted from their childhood home and sent to live on a mysterious island full of savage creatures and dark secrets. While sensible Elinor falls in love with Edward Ferrars, her romantic sister Marianne is courted by both the handsome Willoughby and the hideous man-monster Colonel Brandon. Can the Dashwood sisters triumph over meddlesome matriarchs and unscrupulous rogues to find true love? Or will they fall prey to the tentacles that are forever snapping at their heels? This masterful portrait of Regency England blends Jane Austen’s biting social commentary with ultraviolent depictions of sea monsters biting. It’s survival of the fittest—and only the swiftest swimmers will find true love!
Get ready for some zany romance on the high seas with Lucifer acting as your matchmaking host. Includes three previously published titles in one handy collection for your reading-and giggling-pleasure. Jane Davey’s Locket : Jane’s being dragged on a cruise by her grandma, who also thought it was a good idea to cast a love spell on her locket. Maybe that explains why she finds herself falling for a lion shifter. Bride of the Sea Monster : Watch out for those umbrella drinks. Not even one day at sea, and Sasha ends up accidentally married to a sea monster. Old Demon and the Sea Witch : A long time ago, Shax loved a sea witch, but was too dumb to admit it. It’s time for a second chance. A cruise through the tropics seems like the perfect place to rekindle things. Part of the Welcome to Hell series. Paranormal Romantic Comedy with Lucifer, demons, witches, shapeshifters, and even a sea monster (kraken!)
In 1923 recently widowed Megan Colbin believes that in death her late abusive husband did one good deed for her unlike what he did to her in life; he left her a cottage near allegedly cursed Findloss, Scotland. A storm buried the coastal village under tons of sand only fifty years later, Findloss resurfaced with all its buildings intact, but not a soul or human remains anywhere. Lachlan arrives from seemingly the sea and introduces himself to Megan. He explains he is a Selkie warrior who is on a mission to prevent a nasty peer from causing havoc on land and at sea; and he is also seeking the human female whose heart has called him. As the widow and the Selkie investigate, they learn Megan's husband and his family were implicated in a wizard's evil that needs to be destroyed before more innocent people under the sea and on the coast die.
If you were God, writing a book you wanted men to understand, would you write it in such a way that men would have to make up meaning in order to understand it, or would you write it in such a way that those that seek to understand could actually come to a knowledge of its truth (Mt 7:7)? The present commentary takes the position that God wrote Revelation such that with sufficient effort and intellectual honesty, readers can understand it. Certainly God uses symbols in Revelation, but when He does, He provides inspired interpretations of the symbols. This commentary seeks to avoid the mistakes of the views that use the symbolical approach to Revelation (preterist, continuous historical, spiritualist, and idealist). These approaches suffer from two basic flaws: assuming the text is symbolical when it is not and making up meaning regarding the text based on stream of consciousness word association, much as one would do looking at Rorschach inkblots. This commentary seeks to avoid telling God what He should have said and strives to understand what God actually meant. Of all the existing approaches to understanding Revelation, this commentary is most closely aligned with the dispensationalist (premillennialist/Left Behind) view in that it views Revelation from a literalist perspective. It is different from the typical dispensationalist schema in that it views the seven seals as the powers of the Lamb, understands the exercise of the powers of the seven seals to be simultaneous processes, and casts chapters 8-22 as three parallel prophecies of the Lamb's power over the course of the histories of Israel, the nations, and the saints. This commentary also makes use of many of the non-canonical works that provide insight into the spirit world and detail regarding the end of the present age.
This book is a compilation of visions and dreams of the thousand-year reign of Christ on Earth. It is a breathtaking example of God pouring out His Spirit in this age. Join the Bride on her journey. This unparalleled vision of adventure and hope will bring your walk with the Lord more meaning. It will bring you a sense of purpose as you look into His eyes and feel your hand in His. The stunning details and layered meanings that these visions hold will leave you wanting to read this book over and over. This story of the King's bride falling in love with Him will shape your faith and rock you to your core. It will transport you to a time that will give you hope and set your path straight in what you need to do now. Born in St. Augustine, Florida, Amy Fleming now lives out side of Charleston, South Carolina with her husband, two beautiful children and mother. She holds a degree in education and has studied theology for over 12 years. She has worked as a teacher in both inner-city public schools and a private, Christian school. She seeks to spread the message of God's love and healing through her personal life, intercession, and sharing the dreams and visions she has been gifted with.
When an ugly sea monster came to ask for love, she ran away! Stepping on a beautiful prince, she loved him! Who knew that when the prince became a vampire, she would still marry him! The she-fish pestered her to go home and be her wife! All sorts of demons and devils gathered together to discuss which family she should go to! Heavens, didn't she just have a dream of crossing over? How could she encounter some abnormal princes!
Theatre was made for children. With their fertile imaginations and their honest ability to be carried away by a story, they are the best audiences that directors, actors, and playwrights could ever hope to encounter. They also represent the future of the arts. Theatre for Children is a collection of new and classic plays for children. Adapted from some of the most beloved stories in children's literature, such as Roald Dahl's The Witches, The Great Gilly Hopkins, and Dr. Seuss' How the Grinch Stole Christmas, as well as original plays, this anthology brings together new and overlooked plays that children are sure to love. Theatre for Children is an invaluable resource for directors, teachers, and students of theatre. Foreword Country Mouse and the Missing Lunch Mystery by Sandra Fenichel Asher Ernie's Incredible Illucinations by Alan Ayckbourn Two Donuts by Jose Cruz González Dr. Seuss' How the Grinch Stole Christmas by Timothy Mason and Mel Marvin A Laura Ingalls Wilder Christmas by Laurie Brooks Braille: The Early Life of Louis Braille by Lola H. and Coleman A. Jennings Bless Cricket, Crest Toothpaste, and Tommy Tune by Linda Daugherty The Great Gilly Hopkins by David Paterson and Steve Liebman The Witches by David Wood Mississippi Pinocchio by Mary Surface and David Maddox The Wolf and Its Shadows by Sandra Fenichel Asher Ezigbo, The Spirit Child by Max Bush and Adaora Nzelibe Schmiedl Inuk and the Sun by Henry Beissel A Village Fable by James Still The Witch of Blackbird Pond by Y York