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As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie landscape. Seventy-five years ago, a new type of monster burst onto the screen in an all-time classic movie, and though she appeared for only a few scant minutes at the very end of the film, she was instantly and forever stamped in viewer's minds as one of the leading horror icons in cinema history: The Bride of Frankenstein.
As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie landscape. Seventy-five years ago, a new type of monster burst onto the screen in an all-time classic movie, and though she appeared for only a few scant minutes at the very end of the film, she was instantly and forever stamped in viewer's minds as one of the leading horror icons in cinema history: The Bride of Frankenstein.
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.
From the vaults of the Ackerman Archives. Contains: production background; a press book; biography notes on cast and crew; complete shooting script; rare photos; and behind the scene photos.
We know the facts of Mary Shelley’s life in some detail—the death of her mother, Mary Wollstonecraft, within days of her birth; the upbringing in the house of her father, William Godwin, in a house full of radical thinkers, poets, philosophers, and writers; her elopement, at the age of seventeen, with Percy Shelley; the years of peripatetic travel across Europe that followed. But there has been no literary biography written this century, and previous books have ignored the real person—what she actually thought and felt and why she did what she did—despite the fact that Mary and her group of second-generation Romantics were extremely interested in the psychological aspect of life.In this probing narrative, Fiona Sampson pursues Mary Shelley through her turbulent life, much as Victor Frankenstein tracked his monster across the arctic wastes. Sampson has written a book that finally answers the question of how it was that a nineteen-year-old came to write a novel so dark, mysterious, anguished, and psychologically astute that it continues to resonate two centuries later. No previous biographer has ever truly considered this question, let alone answered it.
Few families enjoy such a remarkable reputation for their contribution to the literature and intellectual life of Britain as the Godwins and the Shelleys. Yet this reputation was shaped in a subtle way by the selective release of literary manuscripts into the public realm and the suppression of others.This book explores the lives and posthumous reputations of Percy Bysshe Shelley, his wife Mary Shelley, and Mary's parents, William Godwin and Mary Wollstonecraft. It tells the story of how Mary Shelley, haunted by the past, directly sought to enhance the public's appreciation of her husband and parents by the selective publication of relevant manuscripts. It also explains how she passed on this legacy to her son, Sir Percy Florence Shelley and his wife, Jane, Lady Shelley. As guardian of the archive until giving part of it to the Bodleian in 1893-4, Lady Shelley too helped shape the posthumous reputations of these important writers.Drawing on the Bodleian Library's outstanding collections of letters, literary manuscripts, rare printed books and pamphlets, portraits and relics, including Shelley's working notebooks, a letter from Keats to Shelley, William Godwin's diary, and the original manuscripts of Mary Shelley's Frankenstein, Stephen Hebron charts the history of a family blessed with genius but marred by tragedy.The final chapter by Elizabeth C. Denlinger of the New York Public Library explores the material relating to the Shelley family that slipped beyond the family's control. Reproducing many of the archive documents and Shelley relics, this highly illustrated book accompanies an exhibition at the Bodleian Library, Dove Cottage, Grasmere and the New York Public Library.
British horror classic with a foreward by Walter James Miller and an afterward by Harold Bloom.
For every athlete or sports fanatic who knows she's just as good as the guys. This is for fans of The Running Dream by Wendelin Van Draanen, Grace, Gold, and Glory by Gabrielle Douglass and Breakaway: Beyond the Goal by Alex Morgan. The summer before Caleb and Tessa enter high school, friendship has blossomed into a relationship . . . and their playful sports days are coming to an end. Caleb is getting ready to try out for the football team, and Tessa is training for cross-country. But all their structured plans derail in the final flag game when they lose. Tessa doesn’t want to end her career as a loser. She really enjoys playing, and if she’s being honest, she likes it even more than running cross-country. So what if she decided to play football instead? What would happen between her and Caleb? Or between her two best friends, who are counting on her to try out for cross-country with them? And will her parents be upset that she’s decided to take her hobby to the next level? This summer Caleb and Tessa figure out just what it means to be a boyfriend, girlfriend, teammate, best friend, and someone worth cheering for. “A great next choice for readers who have enjoyed Catherine Gilbert Murdock’s Dairy Queen and Miranda Kenneally’s Catching Jordan.”—SLJ “Fast-paced football action, realistic family drama, and sweet romance…[will have] readers looking for girl-powered sports stories…find[ing] plenty to like.”—Booklist “Tessa's ferocious competitiveness is appealing.”—Kirkus Reviews “[The Football Girl] serve[s] to illuminate the appropriately complicated emotions both of a young romance and of pursuing a dream. Heldring writes with insight and restraint.”—The Horn Book