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Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art
This book is the first to catalogue in one volume all of abstract artist Brice Marden's work From the 1990s, and includes, unlike other publications on the artist, marvelous large details of the pieces, which give the reader a better perspective of what the works are like in actual size. Marden's alternately fluid and tensile abstractions and patterned motifs represent a lifetime's worth of thought about art. The book is published to accompany a major travelling exhibition on Marden's work organized by the Dallas Museum of Art.
The catalogue for the exhibition of the great American painter at the Istituto Nazionale della Grafica in Rome in December 2001, with text by the curator Mario Codognato. The 70 works selected by the famously reclusive artist provide a unique insight into his collected oeuvre. Marden's dedication to paint as a medium marks him as a singular figure in contemporary art; his remarkable and intrinsic use of colour makes him a pioneer among artists who seek other mediums to express themselves. His belief in the use of paint in the modern era has made him a major figure in the American minimalist art movement, with retrospectives in New York, Paris and London. His work is recognised in permanent collections worldwide.
Catalog of an exhibition held November 7-December 24, 2015 at Matthew Marks Gallery, New York City, and January 23-April 9, 2016 at Matthew Marks Gallery, Los Angeles.
Catalog of an exhibition held at Matthew Marks Gallery, New York, N.Y., Oct. 29-Dec. 23, 2010.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This magnificent volume marks the fiftieth anniversary of this museum and art school housed in buildings designed by world-renowned architects Eliel Saarinen, I.M. Pei, and Richard Meier. Illustrated essays cover the history of the Center and its distinguished architecture. Colorplates and commentary present more than 100 masterpieces of 20th-century art and tribal arts.
Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint. The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impression of every print the Press has ever produced. Also included are over 2000 working proofs and preparatory sketches. Now, in collaboration with the National Gallery of Art, the Fine Arts Museums of San Francisco has organized an exhibition of these distinctive prints. Chronicling Crown Point Press's dedication to artistic quality and commitment to innovation in printmaking technique and subject matter, this book also presents Kathan Brown's notable contributions in transforming the printmaking landscape of the twentieth century. Published in association with The Fine Arts Museums of San Francisco
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.