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Brasch defends the accuracy of Harris's literary depiction of both American Black English and Reconstruction Georgia. Brasch also examines the nature of fame and places a variety of other social and political issues in the context of this major American writer.
The deep forest and broad savannah, the campsites, kraals, and villages—from this immense area south of the Sahara Desert the distinguished American folklorist Roger D. Abrahams has selected ninety-five tales that suggest both the diversity and the interconnectedness of the people who live there. The storytellers weave imaginative myths of creation and tales of epic deeds, chilling ghost stories, and ribald tales of mischief and magic in the animal and human realms. Abrahams renders these stories in a narrative voice that reverberates with the rhythms of tribal song and dance and the emotional language of universal concerns. With black-and-white drawings throughout Part of the Pantheon Fairy Tale and Folklore Library
"Angell and Pinn have selected a set of lively and significant examples of social protest literature from A.M.E. Church periodicals and demonstrated that these newspapers and journals represent a critically important location in which African Americans debated vital questions of the day."--Judith Weisenfeld, Barnard College Although the African Methodist Episcopal (A.M.E.) Church has long been acknowledged as a crucial institution in African American life during the nineteenth and twentieth centuries, relatively little attention has been given to the ways in which the church's publications influenced social awareness and protest among its members and others, both in the United States and abroad. Filling that gap, this volume brings together a rich sampling of A.M.E. literature addressing a variety of social issues and controversies. As the editors observe, the formation of independent black churches in the early nineteenth century was not just a religious act but a political one with ramifications extending into every area of life. The A.M.E. Church, as a leader among those new denominations, made the educational, moral, political, and social needs of black Americans a constant concern. Through its newspapers and magazines--including the A.M.E. Church Review and the Christian Recorder--the church produced a steady flow of news articles, editorials, and scholarly essays that articulated its positions, nurtured intellectual debate, and contributed to the ongoing struggle for racial equality. Drawing together writings from the Civil War era to the eve of World War II, this book is organized thematically. Each chapter presents a selection of A.M.E. sources on a particular topic: civil rights, education, black theology, African missions and emigrationism, women's identities, and socialism and the social gospel. Among the writers represented are such notable figures as W. E. B. Du Bois, Henry McNeal Turner, Ida B. Wells, Amanda Berry Smith, and Benjamin Tucker Tanner. An invaluable new resource for researchers and students, this book demonstrates both the variety and vitality of A.M.E. social and political thought. The Editors: Stephen W. Angell is associate professor of religion at Florida A&M University and author of Henry McNeal Turner and African-American Religion in the South. Anthony B. Pinn is associate professor of religious studies at Macalester College. He is the author of Why Lord? Suffering and Evil in Black Theology and Varieties of African American Religious Experience and editor of Making the Gospel Plain: The Writings of Bishop Reverdy C. Ransom.
Follow the adventures of crafty B'rer Rabbit and his friends in seven playful folktales with roots in traditional African stories. Told and retold for hundreds of years, this young-reader's version of these folktales retains the original humor and wisdom, com- plemented by spirited, full-color illustrations by Don Daily.
I am advised by my publishers that this book is to be included in their catalogue of humorous publications, and this friendly warning gives me an opportunity to say that however humorous it may be in effect, its intention is perfectly serious; and, even if it were otherwise, it seems to me that a volume written wholly in dialect must have its solemn, not to say melancholy, features. With respect to the Folk-Lore series, my purpose has been to preserve the legends themselves in their original simplicity, and to wed them permanently to the quaint dialect-if, indeed, it can be called a dialect-through the medium of which they have become a part of the domestic history of every Southern family; and I have endeavored to give to the whole a genuine flavor of the old plantation...
In contemporary race and sexuality studies, the topic of animality emerges almost exclusively in order to index the dehumanization that makes discrimination possible. Bestial Traces argues that a more fundamental disavowal of human animality conditions the bestialization of racial and sexual minorities. Hence, when conservative politicians equate homosexuality with bestiality, they betray an anxious effort to deny the animality inherent in all sexuality. Focusing on literary texts by Edgar Allan Poe, Joel Chandler Harris, Richard Wright, Philip Roth, and J. M. Coetzee, together with philosophical texts by Derrida, Heidegger, Agamben, Freud, and Nietzsche, Peterson maintains that the representation of social and political others as animals can be mitigated but never finally abolished. All forms of belonging inevitably exclude some others as "beasts." Though one might argue that absolute political equality and inclusion remain desirable, even if ultimately unattainable, ideals, Bestial Traces shows that, by maintaining such principles, we exacerbate rather than ameliorate violence because we fail to confront how discrimination and exclusion condition all social relations.