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"In South Sweden the third millennium BC is characterised by coastal settlements of marine hunter-gatherers known as the Pitted Ware culture, and inland settlements of the Battle Axe culture. This thesis outlines the history of research of the Middle Neolithic B in general and that of the pottery and burial practices in particular."--Publisher's description.
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own human temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the “pots play jokes, make babies, give power, and hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.
In Excavations at the Seila Pyramid and Fag el-Gamous Cemetery, the excavation team provides crucial information about the Old Kingdom and Graeco-Roman Egypt. While both periods have been heavily studied, Kerry Muhlestein and his contributors provide new archaeological information that will help shape thinking about these eras. The construction and ritual features of the early Fourth Dynasty Seila Pyramid represents innovations that would influence royal funerary cult for hundreds of years. Similarly, as one of the largest excavated cemeteries of Egypt, Fag el-Gamous helps paint a picture of multi-cultural life in the Fayoum of Egypt during the Ptolemaic and Roman periods. Excavations there provide a statistically impactful understanding of funerary customs under the influence of new cultures and religion.
Werewolf Histories is the first academic book in English to address European werewolf history and folklore from antiquity to the twentieth century. It covers the most important werewolf territories, ranging from Scandinavia to Germany, France and Italy, and from Croatia to Estonia.
Ash, bone, and memories are all that remains after cremation. Yet for societies and communities, the act of cremation after death is highly symbolic, rich with complex meaning, touching on what it means to be human. In the process of transforming the dead, the family, the community, and society as a whole create and partake in cultural symbolism. Cremation is a key area of archaeological research, but its complexity has been underappreciated and undertheorized. Transformation by Fire offers a fresh assessment of archaeological research on this widespread social practice. Editors Ian Kuijt, Colin P. Quinn, and Gabriel Cooney’s volume examines cremation by documenting the material signatures of cremation events and processes, as well as its transformative impact on social relations and concepts of the body. Indeed, examining why and how people chose to cremate their dead serves as an important means of understanding how people in the past dealt with death, the body, and the social world. The contributors develop new perspectives on cremation as important mortuary practices and social transformations. Varying attitudes and beliefs on cremation and other forms of burial within the same cultural paradigm help us understand what constitutes the body and what occurs during its fiery transformation. In addition, they explore issues and interpretive perspectives in the archaeological study of cremation within and between different cultural contexts. The global and comparative perspectives on cremation render the book a unique contribution to the literature of anthropological and mortuary archaeology.
Archaeology often struggles in envisioning real people behind the world of material objects it studies. Even when dealing with skeletal remains archaeologists routinely reduce them to long lists of figures and attributes. Such a fragmentation of past subjects and their bodies, if analytically necessary, is hardly satisfactory. While material culture is the main archaeological proxy to real people in the past, the absence of past bodies has been chronic in archaeological writings. At the same time, these past bodies in archaeology are omnipresent. Bodily matters are tangible in the archaeological record in a way most other theoretical centralities never appear to be. Ancient bodies surround us, in representations, in burials, in the remains of food preparation, cooking and consumption, in hands holding tools, in joint efforts of many individual bodies who built architecture and monuments. This collection of papers is a reaction to decades of the body's invisibility. It raises the body as the central topic in the study of past societies, researching its appearance in a wide variety of regional contexts and across vast spans of archaeological time. Contributions in this volume range from the deep Epi-Palaeolithic past of the Near East, through the European Neolithic and Bronze Age, Classical Greece and Late Medieval England, to pre-Columbian Central America, post-contact North America, and the most recent conflicts in the Balkans. In all these case studies, the materiality of the body is centre stage. Possibilities are highlighted for future study: by putting the body at the forefront of these archaeological studies an attempt is made to provoke the imagination and map out new territories.
Traces the history of North Carolina pottery from the nineteenth century to the present day, demonstrating the intriguing historic and aesthetic relationships that link pots produced in North Carolina to pottery traditions in Europe and Asia, in New England, and in the neighboring state of South Carolina.
To whom does the past belong? Is the archeologist who discovers a lost tomb a sort of hero -- or a villain? If someone steals a relic from a museum and returns it to the ruin it came from, is she a thief? Written in his trademark lyrical style, Craig Childs's riveting new book is a ghost story -- an intense, impassioned investigation into the nature of the past and the things we leave behind. We visit lonesome desert canyons and fancy Fifth Avenue art galleries, journey throughout the Americas, Asia, the past and the present. The result is a brilliant book about man and nature, remnants and memory, a dashing tale of crime and detection.
Ancient Scandinavia provides a comprehensive overview of the archaeological history of Denmark, Norway, and Sweden.
Covering the approximately 6,500 years from the beginning of the Late Mesolithic to the transition to the Bronze Age, Mats Larsson takes the reader on a journey through the development of Swedish prehistoric society and culture set against the backdrop of climatic and landscape change. Using examples selected from a wealth of archaeological sites, artefacts and palaeo-environmental studies he explores a series of chronological themes: such as how the relationship between land and water influenced people’s lives in many ways and the development of often long-distance cultural and exchange networks, as reflected in the occurrence of ‘foreign’ stone axes, flint, copper and pottery. He describes how innovations, such as the introduction of agriculture, spread rapidly during the Neolithic, incorporating characteristics of extensive northern European cultural groups, beginning with the Funnel Beaker Culture with its array of distinctive objects, settlements and burial monuments, while retaining some specific regional and local expressions in material culture. Later, certain characteristics of the Pitted Ware Culture, such as specific types of pottery decoration, were taken up in some areas while the emergence of some regional groups can be seen as a step in the ideological and social changes that led to what we today call the Battle Axe Culture. Towards the end of the Stone Age the battle axe was replaced by the dagger as a symbol of the male warrior as a more stable society emerged in many parts of the country, concentrated around large farms with longhouses. It was only at this late stage that agriculture and the raising of livestock gained a firm hold, and the landscape was opened up permanently.