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An undeniably celebratory and deeply troubling manifesto for the unrepentant bitch, this sharp-edged collection (of fiction, prose poetry, personal essays, photographs and illustrations) recognises femme as an identity in flux and in motion. Such critically acclaimed writers as Camilla Gibb, Sky Gilbert, Michelle Tea, Amber Hollibaugh and Anurima Banerji unapologetically refuse definitions while exploring their desire to make femininity fit their own queer frames. Darlings, drag queens, whores and action heroes... a femme by any other name is spectacular.
Visible: A Femmethology, the only two-volume anthology devoted to femme identity, calls the LGBTQI community on its prejudices and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femmedom.
Interpretations of Hollywood films of the 1950s and 1960s demonstrate how Cold War homophobia focused on the femme as the lesbian who posed the greatest threat to the nation.
This groundbreaking collection includes thirteen essays from historians, sociologists, and anthropologists who discuss transgendered females and same-sex desire among women in Asia, Latin America, Native North America, and Africa. Offering compelling evidence against the commonly accepted notion that non-Western women are generally passive victims of male domination and compulsory heterosexuality, these essays on lesbian desire in ancient and modern India, butch-femme social types in Indonesia and Peru, and the lesbian movement in Mexico dispel the myth that same-sex female desire is rooted in Western neo-imperialist culture.
The term "femme" originates from 1940s Western working-class lesbian bar culture, wherein femme referred to a feminine lesbian who was typically in a relationship with a butch lesbian. Expanding from this original meaning, femme has since emerged as a form of femininity reclaimed by queer and culturally marginalized folks. Importantly, femme has also evolved into a theoretical framework. Femme theory argues that "femme" constitutes a missing piece in queer and feminist discourses of femininity. Attending to this gap, femme theory centres queer femininities as a means of pushing against the deeply embedded masculinist orientation of queer and gender theory. Thus, femme theory offers tools to shift the way researchers and readers understand femininity as well as systems of gender and power more broadly. This book is an introduction to femme theory, showcasing how femme can be used as a theoretical framework across a variety of contexts and disciplines, such as Film & Media Studies, Psychology, Sociology, or Critical Disability Studies; from countries, including Canada, China, Guyana and the USA. Femme theory asks readers to reconsider how femininity is conceptualized, revealing some of the many taken for granted assumptions that are embedded within cultural discourses of gender, sexuality, and power. The chapters in this book were originally published as a special issue of the Journal of Lesbian Studies.
Queering Femininity focuses on femininity as a style of gender presentation and asks how (and whether) it can be refigured as a creative and queer style of the body. Drawing on a range of feminist texts and interviews with self-identifying queer femmes from the LGBTQ community, Hannah McCann argues that the tendency to evaluate femininity as only either oppressive or empowering limits our understanding of its possibilities. She considers the dynamic aspects of feminine embodiment that cannot simply be understood in terms of gender normativity and negotiates a path between understanding both the attachments people hold to particular gender identities and styles, and recognising the punitive realities of dominant gender norms and expectations. Topics covered range from second wave feminist critiques of beauty culture, to the importance of hair in queer femme presentation. This book offers students and researchers of Gender, Queer and Sexuality Studies a fresh new take on the often troubled relationship between feminism and femininity, a critical but generous reading that highlights the potential for an affirmative orientation that is not confined by the demands of identity politics.
Passing/Out adopts an inter-generational, inter-disciplinary, and inter-subjective approach to the closeting and revelation of sexual identity, exploring questions of embodiment, ethics and identity in relation to 'passing' or being 'out'. Presenting the latest theoretical and empirical work from scholars working across a range of disciplines including sociology, cultural and media studies, philosophy, gender studies, literary studies and history, this book discusses the nature and history of sexual identity and the manner in which identity functions within social relationships. In recognition of the transformative impact of queer theory upon the study of sexuality and identity, Passing/Out constructs a dialogue between the work of scholars whose intellectual careers began prior to the advent of queer theory and those whose work has been more immediately and directly shaped by this approach, with a view to breaking new ground in the field of identity. Shedding light on the meaning of 'passing' and 'outing' in relation to identity, this volume will be of interest to social scientists and scholars of the humanities working on questions of sexuality, identity, embodiment and ethics.
An exhibition catalogue for SPECULATIVE, presented by Los Angeles Contemporary Exhibitions in 2011. Curated and Edited by Christopher O'Leary and Zach Blas. This book also contains essays and works of fiction written by esteemed guests and the artists themselves. Features artists: Casey Alt, Zach Blas, Jeff Cain, Micha Cardenas, Xarene Eskandar, Michael Kontopoulos, Elle Mehrmand, Christopher O'Leary, Claudia Salamanca and Pinar Yoldas. Guest writers: Jack Halberstam, *Particle Group*, Scott Bukatman, Jordan Crandall, Pedro Lasch, Alexander Galloway and Sean Dockray.
Finland-Swedish writer Monika Fagerholm is one of the most important contemporary Nordic authors. Her experimental, puzzling and daring novels, such as Underbara kvinnor vid vatten (1994) and Den amerikanska flickan (2004), have attracted much critical attention. She has won several literary awards, including the Nordic prize from the Swedish Academy in 2016; her works have travelled across national and cultural borders as they have now been translated in USA, Europe, Eastern Europe and Russia. Fagerholm’s wild and visionary depictions of girlhood have long had an impact on the Nordic literary landscape; currently, she has many literary followers among young female writers and readers in Finland and Sweden. Novel Districts. Critical Readings of Monika Fagerholm is the first major study of Fagerholm’s works. In this edited volume, literary scholars explore the central themes and features that permeate Fagerholm’s works and introduce novel ways to understand and interpret her writings. The book begins with an introduction to her life, letters and the minority literature context of her writing and briefly describes the scholarship on Fagerholm’s works. After that, Finnish and Swedish scholars and experts on Fagerholm scrutinize her oeuvre in the light of up-to-date literary theory. The insights, theories and concepts of gender, feminist and girlhood studies as well as narratology, poststructuralism, posthumanism and reception studies are tested in close readings of Fagerholm’s works published between 1990 and 2012. Thus, the volume enhances and deepens the understanding of Fagerholm’s fiction and invites the attention of readers not yet familiar with her work. The articles demonstrate the multitude of ways in which literary and cultural conventions can be innovatively re-employed within 20th and 21th century literature to reveal new perspectives on contemporary Finnish and Nordic literature and ongoing cultural and social developments.
Queering Desire explores, with unprecedented interdisciplinary scope, contemporary configurations of lesbian, bi, queer women’s, and non-binary people’s experiences of identity and desire. Taking an intersectional feminist and trans-inclusive approach, and incorporating new and established identities such as non-binary, masculine of centre (MOC), butch, and femme, this collection examines how the changing landscape for gender and sexual identities impacts on queer culture in productive and transformative ways. Within queer studies, explorations of desire, longing, and eroticism have often neglected AFAB, transfeminine, and non-binary people’s experiences. Through 25 newly commissioned chapters, a diverse range of authors, from early career researchers to established scholars, stage conversations at the cutting edge of sexuality studies. Queering Desire advances our understanding of contemporary lesbian and queer desire from an inclusive perspective that is supportive of trans and non-binary identities. This innovative interdisciplinary collection is an excellent resource for scholars, undergraduate, and postgraduate students interested in gender, sexuality, and identity across a range of fields, such as queer studies, feminist theory, anthropology, media studies, sociology, psychology, history, and social theory. In foregrounding female and non-binary experiences, this book constitutes a timely intervention.