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Seizing the space opened by the early 1990s democratization movement, Muslim women are carving an active, influential, but often-overlooked role for themselves during a time of great change. Engaging Modernity provides a compelling portrait of Muslim women in Niger as they confronted the challenges and opportunities of the late twentieth century. Based on thorough scholarly research and extensive fieldwork—including a wealth of interviews—Ousseina Alidou’s work offers insights into the meaning of modernity for Muslim women in Niger. Mixing biography with sociological data, social theory and linguistic analysis, this is a multilayered vision of political Islam, education, popular culture, and war and its aftermath. Alidou offers a gripping look at one of the Muslim world’s most powerful untold stories. Runner-up, Aidoo-Snyder Book Prize, Women’s Caucus of the African Studies Association, 2007
This book will present three main themes of African women: African feminism, women and work, and women and politics, to inform readers of the current debates, to encourage new thinking on these issues, and to indicate areas for needed research.
Vols. 1-22 include the section "Recent publications upon economics".
Reprint of the original, first published in 1871.
Black France, White Europe illuminates the deeply entangled history of European integration and African decolonization. Emily Marker maps the horizons of belonging in postwar France as leaders contemplated the inclusion of France's old African empire in the new Europe-in-the-making. European integration intensified longstanding structural contradictions of French colonial rule in Africa: Would Black Africans and Black African Muslims be French? If so, would they then also be European? What would that mean for republican France and united Europe more broadly? Marker examines these questions through the lens of youth, amid a surprising array of youth and education initiatives to stimulate imperial renewal and European integration from the ground up. She explores how education reforms and programs promoting solidarity between French and African youth collided with transnational efforts to make young people in Western Europe feel more European. She connects a particular postwar vision for European unity—which coded Europe as both white and raceless, Christian and secular—to crucial decisions about what should be taught in African classrooms and how many scholarships to provide young Africans to study and train in France. That vision of Europe also informed French responses to African student activism for racial and religious equality, which ultimately turned many young francophone Africans away from France irrevocably. Black France, White Europe shows that the interconnected history of colonial and European youth initiatives is key to explaining why, despite efforts to strengthen ties with its African colonies in the 1940s and 1950s, France became more European during those years.
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'Like Olga Tokarczuk, Šnajder has written a novel about a Europe that has lost its diversity and has been destroyed by fascism, communism and, in recent times, nationalism ... a modern epic' Le Monde 'A masterpiece' La Repubblica The very next day processions of young men, some still children, began to move around the little town of Nuštar, with drums providing a steady rhythm ... These young men came from German families, Germans living outside the Reich, Volksdeutsche. Some stayed in their houses, some were shut up in the storeroom by their mothers, but as time went on more and more of them followed the drumming ... 1769. A hungry year in Germany. Kempf the ancestor departs his homeland with his compatriots in search of a brighter future. Years pass and generations of Germans make Slavonia their home. But in 1940, when Europe is at war once more, this minority, the Volksdeutsch, are called to fight for the Reich, for a land now foreign to them. Among their ranks is Georg Kempf, the narrator's father. Forcibly conscripted into the Waffen SS, he deserts, aware of the danger that this involves. At the end of the war, he falls in love with a committed partisan called Vera despite the unimaginable: if they had met earlier, each one would have had to kill the other. The Brass Age, Slobodan Šnajder's masterpiece, is both a family saga and a powerful historical novel about the destiny of those shackled by history, and the generations doomed to inherit the contradictory fates of their forebears. Šnajder looks to his own biography to capture two hundred years of conflict and dividing ideology. In the process, he reconstructs a world that fell apart.