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For too many years American workers have been cut off from their own roots. When children go to school, they learn little about the people who work in factories and offices, their movements and their efforts for a better life. What is hidden from them is their own legacy, the heritage of culture and struggle handed on from other generations of working people. This book represents a new approach to history. It attempts to pass on that history from one group of workers to other workers, especially as workers and unions are at a crossroads, facing deteriorating conditions and even the permanent loss of jobs. But workers have faced these problems before, and surmounted them. This book can help all understand that our collective history helps us to face the challenges of the present and ones yet unknown of tomorrow. -- Publisher description.
In this ode to Connecticut's Naugatuck River Valley, vibrant photos and moving poetry relate the region's legendary industrial history and ponder its legacy. The story begins in 1802, when two metalworking families joined forces to manufacture brass. Business soared during the War of 1812 with the demand for buttons, and soon brass parts became essential in the age of steam and electricity. As large-scale brass manufacturing grew across what became known as Brass Valley, mill towns along the river, such as Torrington and Waterbury, developed into thriving cultural centers. This continued until 2014, when the last plant closed, and the tradition of soot-covered workers charging generations-old furnaces came to an end. This poignant elegy captures the glowing metal flying through the air at the Ansonia foundry in its final days, as well as abandoned opera houses and train tracks, the vestiges of a dying infrastructure and American way of life.
Grass Valley was named for its spring-fed meadows, but its history springs from deep below the soil. An immeasurable wealth of gold lay in ancient river courses, embedded in quartz, or scattered capriciously in surface gravel. Vibrantly entrepreneurial since its inception, Grass Valley echoed with the roar of stamp mills crushing gold-bearing quartz 24 hours a day, every day, for decades. Its mines produced $350 million, and millions more are thought to be buried beneath the modern city. Grass Valley's wealth drew flamboyant stars like Lola Montez and gold-camp-urchin-turned-star Lotta Crabtree. It was here that philosopher Josiah Royce was born and Cherokee writer Yellow Bird (John Rollin Ridge) lived his final days. Grass Valley was often the subject of Alonzo Delano's tales of the gold rush, and more recently, it was the setting and inspiration for Wallace Stegner's best seller Angle of Repose.
Chiefly concerned with 1980s and 1990s.
The internet is the most effective weapon the government has ever built. In this fascinating book, investigative reporter Yasha Levine uncovers the secret origins of the internet, tracing it back to a Pentagon counterinsurgency surveillance project. A visionary intelligence officer, William Godel, realized that the key to winning the war in Vietnam was not outgunning the enemy, but using new information technology to understand their motives and anticipate their movements. This idea -- using computers to spy on people and groups perceived as a threat, both at home and abroad -- drove ARPA to develop the internet in the 1960s, and continues to be at the heart of the modern internet we all know and use today. As Levine shows, surveillance wasn't something that suddenly appeared on the internet; it was woven into the fabric of the technology. But this isn't just a story about the NSA or other domestic programs run by the government. As the book spins forward in time, Levine examines the private surveillance business that powers tech-industry giants like Google, Facebook, and Amazon, revealing how these companies spy on their users for profit, all while doing double duty as military and intelligence contractors. Levine shows that the military and Silicon Valley are effectively inseparable: a military-digital complex that permeates everything connected to the internet, even coopting and weaponizing the antigovernment privacy movement that sprang up in the wake of Edward Snowden. With deep research, skilled storytelling, and provocative arguments, Surveillance Valley will change the way you think about the news -- and the device on which you read it.
An overview of mining giant Phelps Dodge, examining the company's 165-year history within the context of American technological and social history.
In recent years, history has been increasingly popularized through television docudramas, history museums, paperback historical novels, grassroots community history projects, and other public representations of historical knowledge. This collection of lively and accessible essays is the first examination of the rapidly growing field called "public history." Based in part on articles written for the Radical History Review, these eighteen original essays take a sometimes irreverent look at how history is presented to the public in such diverse settings as children's books, Colonial Williamsburg, and the Statue of Liberty, Presenting the Past is organized into three areas which consider the role of mass media ("Packaging the Past"), the affects of applied history ("Professionalizing the Past") and the importance of grassroots efforts to shape historical consciousness ("Politicizing the Past"). The first section examines the large-scale production and dissemination of popular history by mass culture. The contributors criticize many of these Hollywood and Madison Avenue productions that promote historical amnesia or affirm dominant values and institutions. In "Professionalizing the Past," the authors show how non-university based professional historians have also affected popular historical consciousness through their work in museums, historic preservation, corporations, and government agencies. Finally, the book considers what has been labeled "people's history"--oral history projects, slide shows, films, and local exhibits--and assesses its attempts to reach such diverse constituents as workers, ethnic groups, women, and gays. Of essential interest to students of history, Presenting the Past also explains to the general reader how Americans have come to view themselves, their ancestors, and their heritage through the influence of mass media, popular culture, and "public history." Author note: Susan Porter Benson is Associate Professor and Chair of History at Bristol Community College in Massachusetts. Stephen Brier is Director of the American Social History Project and Senior Research Scholar at the Graduate Center, City University of New York. Roy Rosenzweig is Associate Professor of History and Director of the Oral History Program at George Mason University in Virginia.
Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles. In the first part of The Power of Place, Hayden outlines the elements of a social history of urban space to connect people's lives and livelihoods to the urban landscape as it changes over time. She then explores how communities and professionals can tap the power of historic urban landscapes to nurture public memory. The second part documents a decade of research and practice by The Power of Place, a nonprofit organization Hayden founded in downtown Los Angeles. Through public meetings, walking tours, artists's books, and permanent public sculpture, as well as architectural preservation, teams of historians, designers, planners, and artists worked together to understand, preserve, and commemorate urban landscape history as African American, Latina, and Asian American families have experienced it. One project celebrates the urban homestead of Biddy Mason, an African American ex-slave and midwife active betwen 1856 and 1891. Another reinterprets the Embassy Theater where Rose Pesotta, Luisa Moreno, and Josefina Fierro de Bright organized Latina dressmakers and cannery workers in the 1930s and 1940s. A third chapter tells the story of a historic district where Japanese American family businesses flourished from the 1890s to the 1940s. Each project deals with bitter memories—slavery, repatriation, internment—but shows how citizens survived and persevered to build an urban life for themselves, their families, and their communities. Drawing on many similar efforts around the United States, from New York to Charleston, Seattle to Cincinnati, Hayden finds a broad new movement across urban preservation, public history, and public art to accept American diversity at the heart of the vernacular urban landscape. She provides dozens of models for creative urban history projects in cities and towns across the country.