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Brahma Vaivartha Purana observes Bhagwan Krishna as the supreme Parabrahma. Brahma Vaivartha Purana is considered by many scholars as the source of things Krishna and equivalent to Bhagavatha Purana in its supremacy. Brahma Vaivartha Purana is structured as follows: Brahma Khanda Prakrithi Khanda Ganapathi Khanda Sri Krishna Janana Khanda Prakrithi Khanda is the second part of Brahma Vaivartha Purana and outlines the mahatmya of the Prakrithi (Divine energy) that manifests from Sri Radha Devi as Saraswathi, Lakshmi and Durga. Prakrithi Khanda covers all the key aspects of Devi Bhagavatha Purana including Ganga’s history before becoming a river, History of sacred Tulasi, Tulasi’s marriage with Shankha Chuda, Emergence of Saligrama, Narration of Savitri, Yama’s dialogue with Savitri, and Savitri resuscitating her husband. Narrations of Lakshmi, Shashthi Devi, Manasa Devi, Radha Devi, Surabhi, and Durga. Prakrithi Khanda is the source of Saraswathi Stotra, Saraswathi Kavacha, Pruthvi Stotra, Radha Kavacha and the Durga Kavacha popularly known as Brahmanda Mohana.
The Hindu sacred order is guarded by the very gods who violate it and the demons who oppose it. This book is a who's who of such transgressive figures, both familiar and unfamiliar, showing their place within the Hindu order that they violate. It is also a reflection of the serious scholarly debate over the nature and composition of this Hindu order. The chapters range from pan-Hindu deities such as Bhairava and Virabhadra to guardian gods of specific regions and lineages and of different goddess cults. Chapters cover violent themes in SAaivite hagiography, the position of Brahmans in relation to cultic carnivorism, guardian heroes in folk epic, the deified dead, the royal mythology of a "criminal caste," and a wide-ranging overview of transgressive sacrality.
A nectarine compilation of Swami Akhandananda Saraswati Ji Maharaj's Discourses on his favourite text, Shrimad Bhagwat Mahapuran.
This dictionary is based on published texts and copies from unpublished manuscripts in Old and Middle Javanese. The vocabulary is arranged in Latin alphabetical order with the base-words as entries. Meaning and usage of the entries are illustrated by quotations from the whole range of the relevant literature. These are arranged in such a way that changes in usage or minor semantic developments can be traced. The reader can then see for himself how the interpretation given, often based on the context, was reached, and whether he agrees with it. In the case of rare words, or where a question mark indicates that there is a doubt about the correctness of the interpretation, many or even all the places where these words occur are given. In other cases what may seem a profusion of examples is provided because of the insight they give into the life and culture of early Java.
Brahma Vaivartha Purana observes Bhagwan Krishna as the supreme Parabrahma. Brahma Vaivartha Purana is considered by many scholars as the source of things Krishna and equivalent to Bhagavatha Purana in its supremacy. Brahma Vaivartha Purana is structured as follows: Brahma Khanda Prakrithi Khanda Ganapathi Khanda Sri Krishna Janana Khanda Sri Krishna Janana Khanda covers the most detailed account of Sri Krishna as Parabrahma and Sri Krishna’s avatara leela on earth. In this part of the Purana, the following are narrated: The divine river Viraja which forms the border between Vaikhunta and Go Loka, description of Goloka, Birth of Sri Krishna, Puja and Vratha of Sri Krishnashtami, Putana, Trinavartha’s attempts to harm Sri Krishna, Sakata Bhanjana, Marriage of Radha Krishna, Govardhana Uddhara, the Glory of aekadasi, Rasa kreeda and the Narrations of Siva and Parvati.
Menstruation across Cultures attempts to provide a detailed review of menstruation notions prevalent in India and in cultures from across the world. The world cultures covered in the book include Indic traditions like Hinduism, Buddhism, Jainism and Sikhism; ancient civilisations like Greece, Rome, Mesopotamia and Egypt; and Abrahamic religions of Judaism, Christianity, and Islam. Two themes of special focus in the book are: Impurity and Sacrality. While they are often understood as being opposed to each other, the book examines how they are treated as two sides of the same coin, when it comes to menstruation. This is especially true in Indic traditions and pre-Christian polytheistic traditions like Greco-Roman, Mesopotamian and Egyptian. Impurity and Sacrality complement each other to form a comprehensive worldview in these cultures. The book also examines how the understanding of impurity in Abrahamic religions differs from those of polytheistic cultures. As part of the examination of the sacrality attached to menstruation, a special focus has also been given to the deities of menstruation in polytheistic cultures and to what Ayurveda and Yoga say about this essential function in a woman’s physiology. Finally, a comparative study of menstrual notions prevalent in modernity is presented, along with a Do and Don’t dossier.
The Srimad Bhagavata (or Srimad Bhagavatam) is one of the few main Puranas and a great Book on Bhakti (devotion). It consists of 18000 verses and is regarded as an encyclopedia of spiritual philosophy.Attributed to the sage Vyasa the Bhagavata (also Bhagavatam) illustrates religious truths with stories of ancient India’s saints seers and kings. The book also deals in part with the life of Krishna (which makes the book especially sacred to the Vaishnavas). The set consists of four volumes each with Devanagri Sanskrit and English translation mainly in the lines of Sridhara’s interpretation. The verses are numbered. A thorough introduction explains the methodology and outlook of Pauranika literature in respect to space time nature and man.Prologues are also included with each Skanda to further the reader’s understanding of the text.
” Lord Shiva gets married to Sati, the daughter of Prajapati Daksh. Sati goes to Her father’s yajna uninvited, and burns Herself in the sacrificial fire as Daksha insults Lord Shiva and Her. Lord Shiva traverses the creation with Sati’s burnt body on His shoulders, dancing the Rudra Tandava. Lord Vishnu cuts the body into pieces by Sudarshana chakra, that scatter on Bharatvarsha in Bhooloka. Lord Shiva refuses to part with Sati, and establishes Himself along with each Pindi as Swayambhu Shivlinga. Demon Tarakasura attempts to steal the Devi Pindi, and consequently Lord Shiva appoints Kshetrapal Bhairav to protect each Shaktipeeth from evil, demonic forces. The Shaktipeeths are worshipped, and an unknown span of time passes. Bharatvarsha is attacked by the mlechhas. The temples are attacked, broken and plundered. The Shivlinga is broken, and the Bhairav temple is lost. The Pindi is not visible anymore, and the idea of the existence of the Swayambhu Shivlinga is forgotten. At some places, Goddess appears in the dream of devotees to look up a particular spot where She exists. So, Kalighat temple, Attahas Peeth and Kalkaji temple are rediscovered. As a thousand years pass, the memory of the Swayambhu Shivlinga is lost and forgotten. Mahadev remains bound with Sati Pindi as Swayambhu Shivlinga, and waits to be found and worshipped again at each of the Shaktipeeth temples. As the exact spots of the Swayambhu lingam wait to be rediscovered along with the Devi Pindi, the real Shaktipeeth temples await to welcome back the lost glory of ancient Vedic India and Her cultural magnificence. ”
In "the very best book about Hindu mythology that anyone has ever written" (The New Republic) Calasso plunges Western readers into the mind of ancient India. He begins with a mystery: Why is the most important god in the Rg Veda, the oldest of India's sacred texts, known by a secret name—"Ka," or Who? What ensues is not an explanation, but an unveiling. Here are the stories of the creation of mind and matter; of the origin of Death, of the first sexual union and the first parricide. We learn why Siva must carry his father's skull, why snakes have forked tongues, and why, as part of a certain sacrifice, the king's wife must copulate with a dead horse. A tour de force of scholarship and seduction, Ka is irresistible.