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"This book collects the comic book series B.P.R.D. hell on earth: the return of the master #1-#5, originally published by Dark Horse Comics"
As Liz Sherman fights for her life in Utah, the BPRD plans an assault into the no man's land that used to be New York City, and the young psychic Fenix faces a monster-worshiping cult at the Salton Sea. Collects B.P.R.D. Hell on Earth #110–#115. * Art by Eisner winner Tyler Crook (The Sixth Gun). * From the pages of Hellboy! "A strong jumping on point for this series."—IGN
As Liz Sherman fights for her life in Utah, the BPRD plans an assault into the no man's land that used to be New York City, and the young psychic Fenix faces a monster-worshiping cult at the Salton Sea. Collects B.P.R.D. Hell on Earth #110–#115. * Art by Eisner winner Tyler Crook (The Sixth Gun). * From the pages of Hellboy! "A strong jumping on point for this series."—IGN
A story that began in the first issue of Hellboy concludes with the B.P.R.D. team set to permanently wipe out the subterranean colony of frog monsters that have been a story-driving plague. With Memnan Saa dead, agents Liz and Abe take on the powerful King of Fear—who ultimately reveals that it is, in fact, the B.P.R.D. members themselves who will lead the world to apocalypse, not the supernatural monsters, demons, or colossal squidbots. • Collects B.P.R.D.: King of Fear issues #1-#5.
A riveting Hitchcockian thriller from the screenwriter of THE CROW. Elias McCabe is having one hell of a night: He gets kidnapped at gunpoint by a professional hit man and is forced to shoot blackmail photos of a prominent politician. Things go wrong with the shoot… very wrong. When the night is over, Elias is scared to death … and ten thousand dollars richer. If he keeps his mouth shut. But he doesn’t — and now the hit man has targeted him for payback. As a desperate amateur in the games of death, Elias is up against a seasoned pro. As his entire life slides into the abyss, he has to stay alive by inventing new ways, moment-by-moment, to avoid, misdirect, and finally confront his ever-more-determined murderer as corpses and collateral damage stack up coast-to-coast in their wake.
Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
Crucial texts, many available in English for the first time, written before and during the Bolshevik Revolution by the radical biopolitical utopianists of Russian Cosmism. Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely new art or philosophy but a new world. Cosmism went the furthest in its visions of transformation, calling for the end of death, the resuscitation of the dead, and free movement in cosmic space. This volume collects crucial texts, many available in English for the first time, by the radical biopolitical utopianists of Russian Cosmism. Cosmism was developed by the Russian philosopher Nikolai Fedorov in the late nineteenth century; he believed that humans had an ethical obligation not only to care for the sick but to cure death using science and technology; outer space was the territory of both immortal life and infinite resources. After the revolution, a new generation pursued Fedorov's vision. Cosmist ideas inspired visual artists, poets, filmmakers, theater directors, novelists (Tolstoy and Dostoevsky read Fedorov's writings), architects, and composers, and influenced Soviet politics and technology. In the 1930s, Stalin quashed Cosmism, jailing or executing many members of the movement. Today, when the philosophical imagination has again become entangled with scientific and technological imagination, the works of the Russian Cosmists seem newly relevant. Contributors Alexander Bogdanov, Alexander Chizhevsky, Nikolai Fedorov, Boris Groys, Valerian Muravyev, Alexander Svyatogor, Konstantin Tsiolkovsky, Anton Vidokle, Brian Kuan Wood A copublication with e-flux, New York
The finale! After fifteen years of B.P.R.D. comics, the series reaches its explosive conclusion!
v. 2: "America's monster problem explodes, society crumbles, and Liz Sherman rejoins the fight, as Nazis seek to bring Rasputin back to finish what he started when he first conjured Hellboy!"--
Following the deadly events of The Return of the Master, the zombie director of the Russian occult sciences division leads the B.P.R.D. to go head to head with demons from Hell. Meanwhile, Johann commands a rescue mission to locate the missing agents from The Abyss of Time. What they find is an army of mutated humans. Collects B.P.R.D. Hell on Earth #105-109. * Art by Peter Snejbjerg (Abe Sapien: The Abyssal Plain, A God Somewhere) and Laurence Campbell (Marvel Universe vs. Wolverine, Punisher MAX).