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Los Angeles has been regarded as one of the greatest boxing cities in the world for more than a century. With a large fan base, Los Angeles has also been the home of many of the best and most exciting boxers. In Boxing in the Los Angeles Area, authors Tracy Callis and Chuck Johnston provide an overview of one of the greatest pugilistic hotbeds in the world from 1880 to 2005. This comprehensive history covers the top boxers of the area who became famous both locally and worldwide such as Jim Jeffries, Solomon "Solly" Smith, "Mexican" Joe Rivers, Armando Muniz, Oscar De La Hoya, and "Sugar" Shane Mosley. Boxing in the Los Angeles Area also reviews some of the areas most notable bouts such as Tommy Burns winning the heavyweight title from Marvin Hart in 1906, Shane Mosley winning the welterweight title from Oscar De La Hoya in 2000, and Ad Wolgast retaining the lightweight title in a bout with "Mexican" Joe Rivers in 1912. Written by boxing historians and members of the International Boxing Research Organization, Boxing in the Los Angeles Area includes many photos while providing a thorough history of the boxing world in one of the greatest boxing cities.
Welcome to the colorful, flamboyant, and wonderful world of Mexican American boxing in Los Angeles. From the minute they stepped into the ring, Mexican American fighters have electrified fans with their explosiveness and courage. These historical images bring to life a sociological culture consisting of knockouts, the Main Street Gym, the Olympic Auditorium, neighborhood rivalries, Mexican idols, posters, and promoters. Like a winding thread, the Golden Boy Art Aragon bobs and weaves throughout the book. From Mexican Joe Rivers to Oscar De La Hoya, the true stories of their sensational ring wars are told while keeping alive the spirit and legacy of Mexican American boxing from the greater Los Angeles area.
Many West Coast Latino boxers have entered and departed the ring, their anecdotes left behind like another stain on the mat. Latino boxing stories have floated around for ages without the benefit of being passed down from generation to generation. Buried tales and colorful narratives of beloved Mexican ring idols such as Ruben Olivares, Mando Ramos, Carlos Zarate, Danny "Little Red" Lopez, Bobby Chacon, Carlos Palomino, and Alberto Davila are showcased in these pages, their stories revived because no champion deserves to be forgotten. Other overlooked heroes and one-hit wonders of the golden era of Southland boxing (1940s-1970s) will also be saluted, along with the bygone contenders of the barrio who never saw their name in neon lights.
The violent sport of boxing shaped and was shaped by notions of Mexican national identity during the twentieth century. This book reveals how boxing and boxers became sources of national pride and sparked debates on what it meant to be Mexican, masculine, and modern. The success of world-champion Mexican boxers played a key role in the rise of Los Angeles as the center of pugilistic activity in the United States. This international success made the fighters potent symbols of a Mexican culture that was cosmopolitan, nationalist, and masculine. With research in archives on both sides of the border, the author uses their life stories to trace the history and meaning of Mexican boxing.
For award-winning poet James Fujinami Moore, the past is never past. In this brutal debut, sensual, political, and imagined worlds collide, tracing a history of diaspora and trauma that asks: what do we do in the aftermath of violence, and why do we long to inflict it? From Vegas boxing rings and the restless sands of Manzanar to the scrolling horrors of a Facebook feed, Moore's poems trace over intimate details with surprising humor, fierce eroticism, and a restless eye.
In the late 1980s Wacquant, a white, French-born, French and American sociology graduate student, entered the Woodlawn gym on 63rd Street in Chicago and began training as a boxer. This text invites us to follow Wacquant's immersion into the everyday world of Chicago's boxers.
A beautifully crafted memoir about fathers and sons, masculinity, and the lengths we sometimes go to in order to confront our past "[A] lucidly written memoir . . . Coffin’s triumph lies in ridding the language of his father, a language that compelled him to dwell in a house he did not recognize." —Matthew Janney, The Los Angeles Review of Books While lifting weights in the Seldon Jackson College gymnasium on a rainy autumn night, Jaed Coffin heard the distinctive whacking sound of sparring boxers down the hall. A year out of college, he had been biding his time as a tutor at a local high school in Sitka, Alaska, without any particular life plan. That evening, Coffin joined a ragtag boxing club. For the first time, he felt like he fit in. Coffin washed up in Alaska after a forty-day solo kayaking journey. Born to an American father and a Thai mother who had met during the Vietnam War, Coffin never felt particularly comfortable growing up in his rural Vermont town. Following his parents’ prickly divorce and a childhood spent drifting between his father’s new white family and his mother’s Thai roots, Coffin didn’t know who he was, much less what path his life should follow. His father’s notions about what it meant to be a man—formed by King Arthur legends and calcified in the military—did nothing to help. After college, he took to the road, working odd jobs and sleeping in his car before heading north. Despite feeling initially terrified, Coffin learns to fight. His coach, Victor “the Savage,” invites him to participate in the monthly Roughhouse Friday competition, where men contend for the title of best boxer in southeast Alaska. With every successive match, Coffin realizes that he isn’t just fighting for the championship belt; he is also learning to confront the anger he feels about a past he never knew how to make sense of. Deeply honest and vulnerable, Roughhouse Friday is a meditation on violence and abandonment, masculinity, and our inescapable longing for love. It suggests that sometimes the truth of what’s inside you comes only if you push yourself to the extreme.
Fat City is a vivid novel of allegiance and defeat, of the potent promise of the good life and the desperation and drink that waylay those whom it eludes. Stockton, California is the setting: the Lido Gym, the Hotel Coma, Main Street lunchrooms and dingy bars, days like long twilights in houses obscured by untrimmed shrubs and black walnut trees. When two men meet in the ring -- the retired boxer Billy Tully and the newcomer Ernie Munger - their brief bout sets into motion their hidden fates, initiating young Ernie into the company of men and luring Tully back into training. In a dispassionate and composed voice, Gardner narrates their swings of fortune, and the plodding optimism of their manager Ruben Luna, as he watches the most promising boys one by one succumb to some undefined weakness; still, "There was always someone who wanted to fight."