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During the California Gold Rush, amateur and professional boxing almost immediately gained a strong foothold in northern California, as the gold fields and mining camps provided both employment and a venue for these athletes. In these times, many of the world's best fighters made their way to the canvas squares of the Pacific coast where San Francisco served as the locus of championship title bouts that even today remain legendary. This volume spotlights such greats as Gentleman Jim Corbett, Joe Choynski, Jack Johnson, Battling Nelson, Stanley Ketchel, and 1904 Olympic heavyweight champion Sam Berger. Somrack explores San Francisco's boxing scene through the years, but also focuses in on weight classifications and ring records.
During the early years of the 20th century, San Francisco promoters served up boxing's grandest spectacles. On February 22, 1910, a crowd of more than 15,000 braved chilly, rainy conditions to witness one such match, pitting lightweight champion "Battling" Nelson against Ad Wolgast. That epic battle came to stand virtually unchallenged as the most brutal fight of all time. This volume recaptures that historic fight while vividly illuminating the geographic, historic, and political forces that made it all possible. In chronicling these colorful boxers and their vibrant era, this work also reveals the dangers faced by workman pugilists like Nelson and Wolgast, making their tale, at its heart, a cautionary one.
Built on all new information recently unearthed, this stylishly written and illustrated "timeline archive" of art, sex, obscenity, gender, culture wars, homophobia, pop culture, and the gay mafia, will get 21st-century readers and researchers up to speed fast on the serious fun of who did what to whom when and why.
The Excelsior District traditionally has not been among San Francisco's "spotlight" neighborhoods, yet this area is an important residential and commercial zone that is home to some 30,000 residents. These rolling hills south of San Francisco's better-known districts are now covered with row upon row of houses, streets, and apartments. But places like the Excelsior were once sparsely populated, agrarian, and even rural. This volume of vintage photographs chronicles the Excelsior's intriguing journey from rugged swamp and farmland to the busy cosmopolitan neighborhood we know today. It is a tale of determined immigrant families putting down roots in a challenging locale and overcoming adversity to stake out a permanent enclave in this famed city. It is also a story of large-scale construction and reclamation to tame the rugged outskirts of San Francisco.
Fourth book in the Cape Weather Mystery Series! If you're gonna box an octopus, best bring some extra arms... At the height of tourist season, an armored car drives off a crowded pier and sinks to the bottom of San Francisco Bay. By the time divers find the wreck, the cash is gone and the driver has vanished. The police are convinced it's an inside job, but local merchant Vera Young, whose boyfriend drove the armored car, claims it was much more than a simple heist. Vera swears the missing driver is innocent and wants him found before the police can throw him in jail. San Francisco detective Cape Weathers reluctantly takes the case but warns Vera that her boyfriend is likely guilty—or dead. What starts as a manhunt uncovers a criminal conspiracy of money laundering, illegal drug testing, and a network of corporations willing to do anything to protect their stock price. It's a case that Cape, the witty PI, can't get his arms around. And while his relationship with Vera is getting complicated, the list of people who want him dead is getting longer. Boxing the Octopus is a runaway tour of San Francisco's underworld which reminds us that when things get out of hand, having eight arms is always better than two. These quick-paced, often humorous San Francisco mysteries are: Perfect for fans of Laura Lippman and Thomas Perry For readers who enjoy private detective and California based mysteries
Schuler, whose boxing career began in 1898, became a popular referee, and, beginning while working at the Post Office, ran weekly boxing matches at the Dreamland Rink (originally at Steiner and Sutter Streets) in San Francisco, from 1908 until 1930. The rink or auditorium was rebuilt in 1928 at Post and Steiner Streets, and became the famous Winterland Club. There are a few pieces from 1930 that are laid in, not mounted, the latest mentioning Schuler's heart attack. An extensive clipping collection mostly 1908-14, with some from 1920s and as late as 1930, including also original letters of thanks from dignitaries, and a letter of introduction from San Francisco Mayor Rolph. Some flyers and programs. Starting around 1918 there are some clippings evidencing Shuler's attempt to revive wrestling shows (including one with women wrestlers). Many of the bouts featured bantam and light-weight boxers; Victor McLaglen appears in 1910; the later black Army Champion Rufus Williams appears (k.o'ed by Sailor Bowers in 1911), Mexican Joe Rivers also appears in 1911, to much publicity. The final few pages carry clippings about a sensational 1910 Schuler family lawsuit.--
In Heavyweight, Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the “shadow archive” of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, shedemonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body—existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.
Winner of TransportiCA’s September Book Club Award 2018 On 17 October 1989 one the largest earthquakes to occur in California since the San Francisco earthquake of April 1906 struck Northern California. Damage was extensive, none more so than the partial collapse of the San Francisco–Oakland Bay Bridge’s eastern span, a vital link used by hundreds of thousands of Californians every day. The bridge was closed for a month for repairs and then reopened to traffic. But what ensued over the next 25 years is the extraordinary story that Karen Trapenberg Frick tells here. It is a cautionary tale to which any governing authority embarking on a megaproject should pay heed. She describes the process by which the bridge was eventually replaced as an exercise in shadowboxing which pitted the combined talents and shortcomings, partnerships and jealousies, ingenuity and obtuseness, generosity and parsimony of the State’s and the region’s leading elected officials, engineers, architects and other members of the governing elites against a collectively imagined future catastrophe of unknown proportions. In so doing she highlights three key questions: If safety was the reason to replace the bridge, why did it take almost 25 years to do so? How did an original estimate of $250 million in 1995 soar to $6.5 billion by 2014? And why was such a complex design chosen? Her final chapter – part epilogue, part reflection – provides recommendations to improve megaproject delivery and design.
By 1867 black San Franciscans had gained access to public transportation. In 1869 they were granted the right to vote by the state of California. In 1875 they fought for desegregated schools and won. Yet in 1957, Willie Mays was initially denied the opportunity to purchase a home in an exclusive San Francisco neighborhood because he was black. In Black San Francisco, Albert Broussard explores race relations in a city where whites, for the most part, were outwardly civil to blacks while denying them employment opportunities and political power. Understanding the texture of the racial caste system, he argues, is critical to understanding why blacks made so little progress in employment, housing, and politics despite the absence of segregation laws. When it came to racial equality in the early twentieth century, Broussard argues, the liberal progressive image of San Francisco was largely a facade. Illustrating how black San Franciscans struggled to achieve equality in the same manner as their counterparts in the Midwest and East, he challenges the rhetoric of progress and opportunity with evidence of the reality of inequality for black San Franciscans. Black San Francisco is considerably broader in scope than any previous study of African-Americans in the West. It provides extensive coverage of the city's black community during the Great Depression and the New Deal, details civil rights activities from 1915 to 1954, and provides extensive biographical material on local black leaders. In his reconstruction of the plight of San Francisco's black citizens, Broussard reveals a population that, despite its small size before 1940, did not accept second-class citizenship passively yet remained nonviolent into the 1960s. He also shows how World War II was a watershed for Black San Francisco, bringing thousands of southern migrants to the bay area to work in the war industries. These migrants, in tandem with native black residents, formed coalitions with white liberals to attack racial inequality more vigorously and successfully than at any previous time in San Francisco's history.