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Bootsie is the sweetest Himalayan cat until she feels threatened by other cats. Then there's trouble! When Bootsie uses her boot-like black paws to box other guests at Tabby Towers, the hosts warn that she may need to check out early!
Frankie the Bengal cat has run away from Tabby Towers, and the hunt for him is on. After a wild search, the hotel hosts discover that sometimes even cats need time to relax and go fishing!
Queen Lizzie's Pizza Palace is ready to open, but its starring feline attraction - a sphynx cat named Lizzie - won't stop leaping on the counter. Her owner's checked her into Tabby Towers in hopes of keeping her paws off the pepperoni!
Separated from his owner, a little girl in need of life-saving surgery, Darcy is one sad ragdoll cat. But the folks at Tabby Towers hope to cheer him up by making him the star in a magic show. All's well until the disappearing trick really makes Darcy disappear!
Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.
It was about as hard as hard could ever be growing up in Raleigh, North Carolina, especially for colored people. Obidella Johnson hated the word colored. She had to admit that it was better than being called Nigra. Her family had it better than most folks. Her mama was a pastry chef at La Fountain Bleu and made good money, which would have been fine if their daddy, a preacher, hadnt run away with the head of the usher board and their mother hadnt turned to drink to ease her pain. Obidella was thankful that her mama didnt drink during the day. She waited until she got off from work before touching a drop. It fell on Obidella to care for her little brother and sister and keep the house clean. She was also thankful that her mamas boss, Mr. Dave Mills, the richest white man in North Carolina, was in love with her mama and looked the other way. Obidella prayed every day that God would send her daddy back home to take care of them. But God said no. He had other plans for the Johnson familyparticularly Obidella.
Los Angeles has been regarded as one of the greatest boxing cities in the world for more than a century. With a large fan base, Los Angeles has also been the home of many of the best and most exciting boxers. In Boxing in the Los Angeles Area, authors Tracy Callis and Chuck Johnston provide an overview of one of the greatest pugilistic hotbeds in the world from 1880 to 2005. This comprehensive history covers the top boxers of the area who became famous both locally and worldwide such as Jim Jeffries, Solomon "Solly" Smith, "Mexican" Joe Rivers, Armando Muniz, Oscar De La Hoya, and "Sugar" Shane Mosley. Boxing in the Los Angeles Area also reviews some of the areas most notable bouts such as Tommy Burns winning the heavyweight title from Marvin Hart in 1906, Shane Mosley winning the welterweight title from Oscar De La Hoya in 2000, and Ad Wolgast retaining the lightweight title in a bout with "Mexican" Joe Rivers in 1912. Written by boxing historians and members of the International Boxing Research Organization, Boxing in the Los Angeles Area includes many photos while providing a thorough history of the boxing world in one of the greatest boxing cities.
Bootsie is the sweetest Himalayan cat _ until she feels threatened by other cats. Then there's trouble! When Bootsie uses her boot-like black paws to box other guests at Tabby Towers, the hosts warn that she may need to check out early!
The Black Cultural Front describes how the social and political movements that grew out of the Depression facilitated the left turn of several African American artists and writers. The Communist-led John Reed Clubs brought together Black and white writers in writing collectives. The efforts of the Congress of Industrial Organizations (CIO) to recruit Black workers inspired growing interest in the labor movement. One of the most concerted efforts was made by the National Negro Congress (NNC), a coalition of civil rights and labor organizations, which held cultural panels at its national conferences, fought segregation in the culture industries, promoted cultural education, and involved writers and artists in staging mass rallies during World War II. The formation of a black cultural front is examined by looking at the works of poet Langston Hughes, novelist Chester Himes, and cartoonist Ollie Harrington. While none of them were card-carrying members of the Communist Party, they all participated in the Left at one point in their careers. Interestingly, they all turned to creating popular culture in order to reach the black masses who were captivated by the movies, radio, newspapers, and detective novels. There are chapters on the Hughes’ “Simple” stories, Himes’ detective fiction, and Harrington’s Bootsie cartoons. Collectively, the experience of these three figures contributes to the story of a “long” movement for African American freedom that flourished during the 1930s, 1940s, and 1950s. Yet this book also stresses the impact that McCarthyism had on dismantling the Black Left and how it affected everyone involved. Each was radicalized at a different moment and for varied reasons. Each suffered for their past allegiances, whether fleeing to the haven of the “Black Bank” in Paris or staying home and facing the House Un-American Activities Committee (HUAC). Yet the lasting influence of the Depression in their work was evident for the rest of their lives.
Achievement engenders pride, and the most significant accomplishments involving people, places, and events in black history are gathered in Black Firsts: 4,000 Ground-Breaking and Pioneering Events.