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Now available in one volume, three heartwarming novels from USA Today bestselling author Hope Ramsay. A Christmas Bride 'Tis the season in Shenandoah Falls, but widower David Lyndon has a bah-humbug approach to the holidays - until he's shown the spirit of the season by his daughter and her godmother, Willow. Paired up to plan a Christmas wedding for friends, David finds it harder and harder to stay immune to Willow's charms, especially when he sees how much joy she brings his daughter. After a simple kiss under the mistletoe turns into something more, David is hoping he can turn the magic of the holiday season into the love of a lifetime. A Small-Town Bride Amy Lyndon is tired of being the Poor Little Rich Girl of Shenandoah Falls. In her prominent family, she's the ordinary one. But when her father tries to marry her off, she knows it's finally time to stand up for herself, despite the consequences. When Amy shows up looking for work with his landscaping crew, Dusty McNeil thinks there's no way such a pampered princess will ever get her hands dirty. But as Amy proves him wrong, Dusty wonders whether a high-society woman like Amy can ever fall for a man like him. Here Comes the Bride Laurie Wilson never imagined being left at the altar by longtime boyfriend Brandon Kopp. In the aftermath, she does what any sensible woman would - she swigs champagne and considers keying his car. Until someone knocks on her door with a much better idea for revenge . . . Best man Andrew Lyndon decides to help Laurie feel better - and make Brandon jealous - by setting Laurie up on a string of "dates." But Andrew's plan works a little too well because suddenly he's the one falling for Laurie. Includes a sneak peek from the next book in the Chapel of Love series, The Bride Next Door. "Happiness is a new Hope Ramsay series." -- FreshFiction.com
The Power of Love tells the story of how love can give you the ability to do things you never thought you were ever capable of doing. Chance and Ann married at sixteen and had been married for almost fifty years when Ann became paralyzed and Chance became her full-time caregiver. This story tells of the efforts to find a cure for her illness and the struggles to keep Ann alive and to endure to have some kind of life again. Chance learned to care for his paralyzed wife. He did everything that was required to take care of her even though he never thought he could do such things. Only the power of love could do that. Against all odds they were able to celebrate their fiftieth wedding anniversary. They continued going from doctor to doctor and hospital to hospital to find a way to keep Ann alive. Finally, they had success with Barnes Jewish Hospital and the doctors from Washington University in St. Louis. The doctors were able to stabilize Anns condition and stop her disease from progressing further. Although Ann continued to be paralyzed, they found they were able to have somewhat of a normal life together even with her requiring twenty-four-hour-a-day care and with no hope of her ever being able to regaining her ability to stand or walk. Then without any warning, Ann suffered a cerebral hemorrhage and passed away, leaving Chance alone and lost. Chance and Anns good friend, Susan OHara, had lost her husband over eighteen years before Ann passed away. After Susan lost her husband she went to college and earned her degree, graduating summa cum laude. Susan vowed never to date again or ever get married since she never wanted to go through the anguish of losing another love. This story tells how two people who never expected to find love again discovered how the power of love could let them love again and begin a new life together. Their story gives hope to everyone who has ever lost their loved one.
This book is a collection of love after loss. It shows love, courage, strength and a will to learn to live with the new normal after child loss. It shows that just because one's world comes crashing down it doesn't mean that we have to do it alone. Each poem has a time and date stamp, so that other grieving parents know that it is all normal in grief. Grief doesn't have time when it comes and goes, it's like tidal wave that overtakes your heart. It is all normal, because it is all love. No parent should grieve alone, and I hope that this book gives the reader the comfort that was intended to provide. For those that haven't lived through loss, this is glimpse of our world for you to comprehend a little better. From one grieving mama to another, or just someone who cares about us.
The Semiotics of Love brings together work on early symbolism, literary practices, and contemporary communication on the theme of romance and the idea of love to forge an understanding of the semiotic-cultural side of romance. Moving beyond psychological and neuroscientific scholarly analyses of love, Marcel Danesi works to interrogate the cultural constructions of love across societies. This book analyzes romantic love from the general perspective of semiotics—that is, from its more generic interpretive angle, rather than its more technical one. The specific analytical lens used is based on the notion that we convert our feeling structures into sign structures (words, symbols) and sign-based constructions (texts, rituals, etc.), which then allow us to reflect upon something cognitively, rather than just experience it physically and emotionally.
A Love To Last a Lifetime… Seven years ago, Honey Kingston and Matt Logan had a passionate affair that ended abruptly when he left town to join the rodeo. And though the strong-willed beauty tried to forget Matt's warm gaze, she couldn't help but remember their love…each time she looked into her little boy's blue eyes. So when the former rodeo daredevil returned to town, Honey found herself engulfed in a whirlwind of deep-rooted emotions, unable to distance herself from the father her son so deserved. Would too many memories send Honey running—or could they rekindle a flame that once burned so brightly?
A warm and uplifting story of how a woman falls in love with a place and its people: a landscape, a community and a fragile way of life. A rural idyll: that's what Catherine is seeking when she sells her house in England and moves to a tiny hamlet in the Cévennes mountains. With her divorce in the past and her children grown, she is free to make a new start, and her dream is to set up in business as a seamstress. But this is a harsh and lonely place when you're no longer just here on holiday. There is French bureaucracy to contend with, not to mention the mountain weather, and the reserve of her neighbours, including the intriguing Patrick Castagnol. And that's before the arrival of Catherine's sister, Bryony...
The dark days of the war are over, but the family secrets they held are only just dawning. In the hot summer of 1949, a group of family and friends gather at Harry Denholm's country house in Kent. Meg and Dan Ranscombe, emerging from a scandal of their own making; Dan's godmother, Sonia; and her two young girls, Laura and Avril, only one of whom is Sonia's biological daughter. Amongst the heat, memories, and infatuations, a secret is revealed to Meg's son, Max, and soon a terrible tragedy unfolds that will have consequences for them all. Afterwards, Avril, Laura and Max must come of age in a society still reeling from the war, haunted by the choices of that fateful summer. Cold, entitled Avril will go to any lengths to take what is hers. Beautiful, naive Laura finds refuge and love in the London jazz clubs, but Max, with wealth and unrequited love, has the capacity to undo it all.
Who Wrote the Book of Love? is acclaimed novelist Lee Siegel's comedic chronicle of the sexual life of an American boy in Southern California in the 1950s. Starting at the beginning of the decade, in the year that Stalin announced that the Soviet Union had developed an atomic bomb, the book opens with a child's first memory of himself. Closing at the end of the decade, when Pat Boone's guide to dating, 'Twixt Twelve and Twenty, topped the bestseller list, the book culminates just moments before the boy experiences for the first time what he had learned from a book read to him by his mother was called "coitus or sexual intercourse or sometimes, less formally, just making love." Between the initial overwhelmingly erotic recollection and the final climactic moment, all is sex—beguiling and intractable, naughty and sweet. Who Wrote the Book of Love? is about the subversive sexual imaginations of children. And, as such, it is about the origins of love. Vignettes from the author's childhood provide the material for the construction of what is at once comic fiction, imaginative historical reportage, and an ironically nostalgic confession. The book evokes the tone and tempo of a decade during which America was blatantly happy, wholesome, and confident, and yet, at the same time, deeply fearful of communism and nuclear holocaust. Siegel recounts both the cheer and the paranoia of the period and the ways in which those sentiments informed wondering about sex and falling in love. "Part of my plan," Mark Twain wrote in The Adventures of Tom Sawyer, "has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked." With the same motive, Lee Siegel has written what Twain might have composed had he been Jewish, raised in Beverly Hills in the 1950s, and joyously obsessed with sex and love.
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.