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John Georgiadis was leader (concertmaster) of the London Symphony Orchestra from 1965 to 1979 which gave him the opportunity to work with many of the world's most celebrated conductors. In the mid '70s he decided to attempt a conducting career himself which, after eight years study with the legendary Sergiu Celibidache, took him all around the world working with various orchestras. The story follows John's life, starting with him learning to play the violin at the age of six, his student yers and throughout his professional life as both violinist and conductor up to the present day. -- page 4 of cover.
An illustrated handbook of baton-twirling moves and practices designed to improve baton twirling skills.
Aphrodite Wigglesmith is a thirteen-year-old prodigy. After a fast track through Harvard, she's back at her old middle school to teach remedial math and prove a bold theory: anyone can be a genius with the right instruction. Enter Mindy, a ditzy baton twirler who knows more about hair roots than square roots. What could she possibly learn from such a frumpy nerd, except maybe what not to wear? But somewhere between studying and shopping, the two girls start to become friends. They're an unlikely pair, but in this uproarious middle-grade comedy, wacky is the norm and anything is possible - just like middle school.
The lives of four high school seniors intersect weeks before a meteor is set to pass through Earth's orbit, with a 66.6% chance of striking and destroying all life on the planet.
Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy's great displeasure. By the time he was forty, Brusilow had sold his violin and formed his own chamber orchestra in Philadelphia with more than a hundred performances per year. For three years he was conductor of the Dallas Symphony, until he went on to shape the orchestral programs at Southern Methodist University and the University of North Texas. Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating and unique view of American classical music during an important era, as well as an inspiring story of a working-class immigrant child making good in a tough arena.