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In a land of legends The Loner has nothing to prove. That's usually when violence finds its way to him. . . Vengeance Will Be Mine For a posse chasing a murderous band of outlaws, a quiet kid with a lightning fast gun is good company. And when the outlaws turn around and attack the posse, The Loner doesn't have a choice: he's now caught up in a running gun battle across West Texas. The Loner knows the men he's fighting are bad to the bone--led by a merciless killer named Warren Latch. But what about the guys on his side? As men on both sides of the fight bite the dust, the Loner has fewer allies and no way out. That's when a beautiful bounty hunter appears on the scene--to lead the way into another vendetta, another betrayal, and one final, bloody fight to the death. . .
Thorn wants vengeance on all those who have wronged him - It's a long list. Beaten, battered and damned near broken; with a bounty on his head so large he’s tempted to turn himself in, the Black Thorn finds himself on trial for the crime of being him. Despite the impending probability of death he has but one thought on his mind; taking revenge against the Arbiter who took his eye. In order to carry out his vengeance Thorn must first escape Sarth and recruit a new crew, each one with their own designs on revenge. A dark epic fantasy full of zealous witch hunters, roving warlords, dark magic, and demons. Perfect for fans of Joe Abercrombie and Brent Weeks.
JOHNSTONE COUNTRY. VENGEANCE IS HERE. A good man like Perley Gates knows that when you race with the devil, you’d better cross the finish line first—or you won’t finish at all . . . They rode into town like the Four Horsemen of the Apocalypse. Four armed outlaws bringing their own brand of hell to Paris, Texas. First they rob the First National Bank. Then they take a woman hostage as insurance. When Perley Gates learns that local waitress Becky Morris is in the hands of these tough customers, he rides alone to get her back. Problem is, the outlaws are heading toward the Red River—straight into Indian Territory. That’s where the ranch hands draw the line. But Perley won’t give up. He manages to rescue the girl, but not before killing the gang’s leader. Now he’s incurred the wrath of the other three . . . The race is on. Come hell or high water, Perley has to get Becky across the Red River—before three vengeful devils make it flow with their blood . . . Live Free. Read Hard.
One-man war on smuggling, other crimes on the border.
Legendary national bestselling Western authors William W. Johnstone and J.A. Johnstone return with a blistering second installment in the new Stoneface Finnegan series. JOHNSTONE COUNTRY. WHERE PEACE COMES FROM THE BARREL OF A GUN. Whether serving justice as a Pinkerton agent or serving drinks as a saloonkeeper, Stoneface Finnegan always lines up his shots to kill . . . GONE TO DEADWOOD The Pinkertons believe Rollie “Stoneface” Finnegan was the best agent to ever wear the badge. So does dewy-eyed Pinkerton hopeful and sleuth-in-training Tish Gray, who’s just arrived in Boar Gulch. As co-owner of Boar Gulch’s Last Drop Saloon, Stoneface is content slinging booze into guts instead of bullets. But when his partner Jubal “Pops” Tennyson needs help to rescue his daughter, Stoneface saddles up to take a hard ride into hell. Their destination is Deadwood, Dakota Territory, the notorious mining town and outlaw haven where folks can dig up a gold fortune or dig their own grave. Pops’ daughter is being held captive by the infamous Al Swearengen, owner of the Gem Theater, supplying whiskey, wagering, and women to the desperate, the destitute, and the dangerous.As naïve, young Tish goes undercover at the Gem to find Pops’ daughter, Stoneface and his partner are pinned down in the Black Hills by every trigger-happy gunslinger looking to collect the dead-or-alive bounty on Stoneface’s head . . . Live Free. Read Hard.
We call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice. What, if anything, distinguishes punishment at the hands of the government from a victim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in Payback: The Case for Revenge—revenge is, in fact, indistinguishable from justice. Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion. Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf. Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture—including Hamlet, The Godfather, and Braveheart—Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced. Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shakespeare to The Sopranos. It liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury. Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.
"In the course of his study of vengeance as a moral concept, French exposes important distinctions between types of moral theories (karmic and non-karmic) and between people who are morally handicapped and those who are morally challenged. He examines concepts relevant to vengeance, such as honor, moral authority, and evil, and issues such as the rationality of revenge and proportionality in punishment."--BOOK JACKET.
Bounty hunter Lou Prophet escorts a killer to be hanged—and himself into trouble in this western from Peter Brandvold. Lou Prophet is in mixed company these days. He doesn’t mind being close to his pretty pistol-packing partner, Louisa Bonaventure. Known as the Vengeance Queen, she has his back—and dare he say it, part of his heart. But accompanying the vile outlaw Blanco Metalious back to Nugget Town to see him hang isn’t exactly Lou’s idea of a good time… Then a young girl claiming amnesia after getting caught in the crossfire during Blanco’s capture joins their posse. But her ease on the trails belies her innocence. Before Prophet can deal with her, Sam “Man Killin’” Metalious enters the picture, aiming to free his son before he hangs. But no way is that going to happen under Prophet’s watch…
In a post-apocalyptic "Lost Vegas," a young gunslinger named Jess December enlists the help of a mysterious samurai cowboy to avenge the murder of her sister. However, the gang they'll be going against has powers that go way beyond just gunpowder and steel. To get revenge, they may have to become just as blood-thirsty as the monsters they're facing.