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Like a moth to a flame...
This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems.
This book comprises eight essays concerned with the ethnography of Greece, and in particular of the village of Spartokhori on the small Ionian island of Meganisi, Lefkadha, where, between 1977 and 1980, the author conducted anthropological fieldwork. For the most part, the essays focus on aspects of family, kinship and gender as they were to be found in what was, in the 1970s, a remote, rural community. Greek society has, of course, undergone profound changes over the last forty years, and these essays thus serve to document a way of life that has now virtually disappeared. Importantly, however, they also deal with the transformation of rural Greek society as it was occurring at the time. The book will appeal to social anthropologists, sociologists and historians of Modern Greece, and to anyone interested in rural Mediterranean society.
The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.
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