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Chris Boudreaux was a man who was fortunate to have developed a blue print for his adult life at the early age of 21. His ambitious goals of marrying his high school sweetheart coupled with his intense desire to purchase a small home out in the country were necessary events he felt he needed to achieve to complete his vision of true happiness. Unfortunately, his life turns topsy turvy when a demonic ghost suddenly appears making his everyday life miserable and long-term happiness uncertain. After careful consideration, Chris decides to confront his mean spirited ghost and, in effect, tries his best to make the life of his ghost equally miserable and disconcerting. Will Chris's desire to seek revenge with a demonic ghost destroy his life? Or will he gain personal satisfaction and peace of mind having combated an unwelcomed and unexpected evil entity? Read on and be enthralled.
A blistering follow-up to Turf War, Peanut's Revenge opens with the release of criminal kingpin Big Ed Tatum from jail after the only witness to his crime is murdered. What's his first task as a free man? To track down his rival Silky, who soon turns up dead. Silky's woman, Melody Bordeaux (aka Peanut), vows revenge. But complications arise when Peanut's adored little sister Crystal falls in love with Big Ed. Peanut follows Big Ed to his parents' house where he stores his stash of drugs, money, and guns. Working on a parallel track are police team Johnson and Hernandez. As always, Jackson paints an unforgettable picture of the mean streets and lost souls of the urban underworld in his distinctive style. What makes this entry stand out from its predecessors is Jackson's sizzling portrait of a female protagonist who will do whatever it takes to avenge the death of the man she loved.
Clara and Zac thought they were headed for their happily ever after, until a break-up slathered in betrayal left them both jaded and vindictive. Twelve years have passed since they left Wyoming, and during that time Clara found her calling at a prestigious PR firm in California while Zac moved to New Orleans to join his Boudreaux cousins at Bayou Enterprises. They thought they could forget each other and move on ... until a local charity auction in their hometown of Snowy Creek sets Zac up for the ultimate revenge. If he wins, Clara will be at his mercy, forced to work for him for one full week. Tantalized by the sweet taste of revenge, he eagerly ups the ante to claim his prize. But what starts out as a week of filthy manual labor and bitter rivalry leads to a shocking revelation. Someone has been plotting for over a decade to keep Clara and Zac apart. Can the pair band together to uncover who? Or will their rift from the past continue to ruin their chance at a blissful future?
Sergeant Bett Smythe and Lieutenant Gale Rains are building a life together, despite the risks in the tightly closeted world of the Women’s Army Corps. When another couple, Captain Kathleen Hartley and Lieutenant Victoria Whitman, invite Bett and Rain to a dinner party, they’re introduced to the lesbian underground on the base. Kat and Whit have had a turbulent relationship, and as a budding friendship deepens, Kat’s attraction to Rain threatens both couples’ futures. When Whit’s friend is accused of sexually assaulting a recruit, the ensuing investigation impacts them all, professionally and personally. As the Battle of the Bulge rages overseas, the bounds of love and friendship are tested. Whit will do almost anything to preserve what she has with Kat, but who is the real threat? And can Bett protect her relationship from the very real dangers close to heart and home?
Flannery O'Connor, Tim Gautreaux, and Walker Percy, are all Catholic writers from the South-and seem to embody very fully both parts of that label. Yet as quickly becomes clear in their writing, their fiction employs markedly different tones and modes of addressing their audience. O'Connor seems intent on shocking her reader, whom she anticipates will be hostile to her deepest beliefs. Gautreaux gently and humorously engages his reader, inviting his expected sympathetic audience to embrace the characters' needed moral growth. Percy satirically lampoons an array of social ills and failings in the Church, as he tries to get his audience laughing with him while he makes his deadly serious point about the flaws he finds in the church and larger culture. Why do these three writers assume such divergent images of their audience? Why do texts by three writers who each embrace their Southern locale and their Catholic beliefs seem to have so little in common? To answer these questions, Nisly helps readers understand these authors' fiction by examining the role that place and time had in shaping each author's idea of an audience-and, by extension, his or her manner of addressing that audience. More specifically, Nisly focuses on each author's experience of Catholic community and each author's placement in relation to the Second Vatican Council. Linking together biographical information and a reading of their fiction, Nisly argues that O'Connor's, Gautreaux's, and Percy's sense of audience has been shaped in significant ways by each author's own local experience of Catholicism in his or her home region as well as the larger, global changes of Vatican II that transformed Roman Catholicism.
Winner of the 2018 Chicago Folklore Prize and Winner of the 2018 Opie Prize Jeanne Soileau, a teacher in New Orleans and south Louisiana for more than forty years, examines how children’s folklore, especially among African Americans, has changed. From the tumult of integration to the present, her experience afforded unique opportunities to observe children as they played. With integration in New Orleans during the 1960s, Soileau notes how children began to play with one another almost immediately. Children taught each other play routines, chants, jokes, jump-rope rhymes, cheers, taunts, and teases—all the folk games that happen in normal play on the street and playground. When adults—the judges and attorneys, the parents, and the politicians—haggled and shouted, children began to hold hands in a circle, fall down together to “Ring around the Rosie,” and tease each other in new and creative ways. Children’s ability to adapt can be seen not only in their response to social change, but in how they adopt and utilize pop culture and technology. Vast technological changes in the last third of the twentieth century influenced the way children sang, danced, played, and interacted. Soileau catalogs these changes and studies how games evolve and transform as much as they are preserved. She includes several topics of study: oral narratives and songs, jokes and tales, and teasing formulae gleaned from mostly African American sources. Because much of the field work took place on public school playgrounds, this body of oral narratives remains of particular interest to teachers, folklorists, linguists, and those who study play. In the end, Soileau shows that despite the restrictions of air-conditioning, shorter recess periods, ever-increasing hours of television watching, the growing popularity of video games, and carefully scripted after-school activities, many children in south Louisiana sustain traditional games. At the same time, they invent varied and clever new ones. As Soileau observes, children strive through their folk play to learn how to fit into a rapidly changing society.
Prevent, Repent, Reform, Revenge is a study of the aims that people intend to achieve by the sanctions and treatments they recommend for wrongdoers. The book is designed to answer two main questions: What kind of analytical scheme can profitably reveal the nature of people's reasoning about the aims of sanctions they propose for perpetrators of crimes and misdeeds? In the aims that people express what changes in overt moral reasoning patterns appear between later childhood and the early adult years? The authors conducted interviews with 136 youths between the ages of 9 and 21 to find out what sanctions and aims they felt were appropriate in three cases of wrongdoing. The resulting information provides an important insight into adolescent moral development.
Mike Boudreaux, as a trauma surgeon Chief of Service, must discipline an impaired surgeon performing unnecessary and dangerous surgery for the obese. He is Boudreaux's former teacher and mentor, and Boudreaux falls in love with his young, beautiful, New-Orleans-socially-prominent wife. Boudreaux cannot hide the adulterous affair that erodes his career authority and reputation. Family and society reject the woman he loves unconditionally; when she moves in with Boudreaux, her rebellious daughter disappears. As Boudreaux tries to retrieve and convince the daughter to support her mother, the jealous husband's surgical career declines; a young patient dies; the public is outraged. The crazed husband blames his wife and Boudreaux for his decline and threatens violent revenge. The couple plans marriage and strains to regain pride and confidence amidst the hostility of accusatory taunts of friends, family and society.
Lizzy Wallace Boudreaux cherishes her friendship with Kay, not just because she is a terrific gal, but also because she helped orchestrate the first meeting four years ago between Lizzy and the love of her life. But as much as Lizzy likes how good Kays husband, Marcus, is to her, she still cannot ignore the nagging feeling in the back of her mind that Marcus has a dark side. Lizzy has no idea she is about to discover that her intuition is spot-on. While running errands, Lizzy walks in the wrong place at the right time and secretly witnesses Marcus in the midst of a romantic rendezvous with another woman. Now, she is left with an agonizing decision whether to tell Kay, who has just confessed she and Marcus are having money troubles, or keep the discovery to herself. But as soon as Lizzy chooses to tell Kay everything she knows, the two women slowly begin to unravel Marcus deception, unwittingly unleashing a psychopath from his silent prison. In this chilling romantic thriller, the truth leaves two women fighting for their lives as a predator driven by his evil nature embarks on a deadly quest for revenge.