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Contains material adapted and abridged from The art of nature coloring book. Avon, Mass.: Adams Media, 2013.
"Botanical Inspiration is a timeless collection of artwork and illustrations that feature flora and its many facets through a variety of visual concepts, styles, and techniques."--
Multitude of strangely beautiful natural forms: Radiolaria, Foraminifera, Ciliata, diatoms, calcareous sponges, Siphonophora, star corals, starfishes, Protozoa, flagellates, brown seaweed, jellyfishes, sea-lilies, moss animals, sea-urchins, glass sponges, leptomedusae, horny corals, trunkfishes, true sea slugs, anthomedusae horseshoe crabs, sea-cucumbers, octopuses, bats, orchids, sea wasps, seahorse, a dragonfish, a frogfish, much more. All images black-and-white.
Henry Evans (1918–1990) began making botanical prints in 1958, depicting some 1,400 subjects in 31 years. In that time, he was accorded more than 250 one–man shows in many countries around the world and in almost every state in the union. Admired by art lovers and naturalists alike, Henry's work reveals a style intriguingly personal and botanically faithful, unerring in its feeling for rhythm and design. Self–taught as a printer, botanist, and artist, he developed a unique style and technique. He drew directly from living subjects, and all subjects were portrayed life–size. He used linoleum as a printing surface and an 1852 Washington Hand Press to make the prints. All of the work was done by hand. All of the materials that were used were of the best quality, and all of the editions were limited. Each linoleum–block print was numbered, dated, and signed by the artist. After printing, the blocks were destroyed. Botanical Prints presents a vast array of Evans's work and goes one step further by providing excerpts from the artist's notebook, which illuminate not only the physical processes he used but also the brilliant mind that created both the prints and the prose.
Known for her scientific eye for precise detail, Maria Sibylla Merian (1647–1717) spared no expense to collect, study, and draw an incredible variety of plant and insect specimens. This easy-to-use archive is filled with 153 of her finest black-and-white engravings of roses, lilies, and carnations, plus more exotic flowers. Wonderfully accurate illustrations of butterflies, caterpillars, and other insects are also included. An excellent source of horticultural graphics, this remarkable collection will be treasured by craftspeople, art students, and natural historians.
The third volume of this book features twenty beautiful vintage sea shell prints. Images have been retouched, while keeping their vintage feel. Single-sided printing so images can be taken out and used for framing and decor.
This oversize (10.5x14") paperback contains color reproductions on heavy paper of botanical prints by a 17th-century amateur botanist, making them suitable for framing. A short introduction by the British Library's manuscript scholar Nicolas Barker and scientific descriptions by Gerard A. Aymonin of each plant are provided. (The present book is excerpted from earlier volumes on the manuscript by each of these writers.) The high quality images make this an appealing volume for winter-bound gardeners and those interested in prints and garden history. c. Book News Inc.
This is the definitive instructional guide to the art of botanical illustration, published in association with The Society of Botanical Artists and featuring detailed step-by-step demonstrations by members of the Society. Botanical illustration has been a popular art form for many centuries, with its appealing traditions of detail and beauty. This beautifully illustrated book covers all aspects of the subject and is an essential book for all serious students of botanical painting. The book includes useful information about materials, basic plant anatomy, flower and leaf shapes, and then explores the techniques for drawing and coloured pencil work, as well as painting with watercolour and gouache. Subjects include exotic and common plants, flowers, fruit and vegetables, as well as flowers in the garden. Packed with step-by-step demonstrations and stunning illustrations, this is an inspiring, practical guide, as well as a visual treat.
"Reveals the history of botanical painting, its beauty and science, with works from two renowned collections and over one hundred significant artists, dating from the late 1400s through to today. Paintings featured from the Kew collection include works by well-known artists the Bauer brothers, Redoute, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as many lesser known artists. Contemporary works are featured from the Sherwood collection by a host of international artists. Over 200 stunning botanical paintings are showcased in this gift book, accompanied with informative text on the origins, history and relevance of botanical art, as well as information on the plants themselves. Biographies of over 120 artists are provided at the end of the book, revealing the historical and international background of this genre."--