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Set in the town of Travnik, Bosnian Chronicle presents the struggle for supremacy in a region that stubbornly refuses to submit to any outsider. The era is Napoleonic and the novel, both in its historical scope and psychological subtlety, Tolstoyan. In its portrayal of conflict and fierce ethnic loyalties, the story is also eerily relevant. Ottoman viziers, French consuls, and Austrian plenipotentiaries are consumed by an endless game of diplomacy and double-dealing: expansive and courtly face-to-face, brooding and scheming behind closed doors. As they have for centuries, the Bosnians themselves observe and endure the machinations of greater powers that vie, futilely, to absorb them. Ivo Andric's masterwork is imbued with the richness and complexity of a region that has brought so much tragedy to our century and known so little peace. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Set in the provincial town of Travnik, then part of the Ottoman Empire, Bosnian Chronicle tells of the struggle for supremacy in a region that stubbornly refuses to submit to any outsider. The era is Napoleonic and the novel, both in its historical scope and in its psychological subtlety, is Tolstoyan. Told from the viewpoint of the French consul, a rationalist who struggles to make sense of Balkan life, the novel presents Ottoman viziers, foreign visitors and Austrian plenipotentiaries, all consumed by an endless game of diplomacy and double-dealing. Courtly and expansive face-to-face, they brood and scheme behind closed doors. As they have for centuries, the Bosnians themselves observe and endure the machinations of the greater powers that vie, futilely, to absorb them. Ivo Andric's masterwork is imbued with the richness and complexity of a region that has brought so much tragedy to our century and known so little peace.
"The book has four main themes. The first is the purely historical and political theme of Bosnia as the background of intrigue between Napoleonic France and Imperial Austria, each represented by its Consul and each trying to win over to its side the Turk, who at heart is equally hostile to both. The second theme is that of the gradually disintegrating effect of the East on western Europeans who have to live there: this is worked out in a masterly fashion in various figures in the book, some of whom have already succumbed to its insidious influence, while even those who resist are marked by it. The third theme is a study of the effect upon an honest, unimaginative man of serving a dictatorship in which at first he sincerely believes but whose aims and methods he comes with growing horror to doubt. Last and central to all is the theme of Bosnia itself, the spirit of the land and its people and the problem of their rescue from the pit of ignorance, backwardness, and poverty into which history has plunged them." (Kenneth Johnstone, translator's note, page 11)
In the modern Greek city of Thessaloniki, the ruins of a vast Jewish cemetery lie buried under the city’s university. Nearby is the site of the childhood home of one of the founders of the modern Turkish state. These are tantalizing reminders of what was once the bustling cosmopolitan city of Salonica, home not just to Greeks but to thousands of Sephardic Jews, Turks, Bulgarians, and Armenians living and working peacefully alongside one another. Thessaloniki is just one example among many of what used to be. Over the past two centuries, ethnic cleansing has remade the map of Central and Eastern Europe and the Middle East, transforming vast empires that embraced many ethnic groups into nearly homogenous nations. Towns and cities from Germany to Turkey still show traces of the vanished and nearly forgotten ethnic and religious communities that once called these places home. In Terrible Fate, Benjamin Lieberman describes the violent transformations that occurred in Salonica and hundreds of other towns and cities as the Ottoman, Russian, Austro-Hungarian, and German empires collapsed, to be reborn as the modern nation-states we know today. His book is the first comprehensive history of this process that has involved the murder and forced migration of tens of millions of people. Drawing upon eyewitness accounts, contemporary journalism, and diplomatic records, Lieberman’s story sweeps across the continent, taking the reader from ethnic cleansing’s earliest beginnings in Bulgaria, Greece, and Russia in the nineteenth century, through the rise of nationalism, both world wars, the Armenian genocide, the Holocaust, and the rise and fall of the Soviet empire, up to the breakup of Yugoslavia in the 1990s. Along the way he examines the decisive roles of political leaders—not only monarchs and dictators but also those who were democratically elected—as well as ordinary people who often required very little encouragement to rob and brutalize their neighbors, or who were simply caught up in the tide of history.
Three official languages have emerged in the Balkan region that was formerly Yugoslavia: Croatian in Croatia, Serbian in Serbia, and both of these languages plus Bosnian in Bosnia-Herzegovina. Bosnian, Croatian, Serbian, a Textbook introduces the student to all three. Dialogues and exercises are presented in each language, shown side by side for easy comparison; in addition, Serbian is rendered in both its Latin and its Cyrillic spellings. Teachers may choose a single language to use in the classroom, or they may familiarize students with all three. This popular textbook is now revised and updated with current maps, discussion of a Montenegrin language, advice for self-study learners, an expanded glossary, and an appendix of verb types. It also features: • All dialogues, exercises, and homework assignments available in Bosnian, Croatian, and Serbian • Classroom exercises designed for both small-group and full-class work, allowing for maximum oral participation • Reading selections written by Bosnian, Croatian, and Serbian authors especially for this book • Vocabulary lists for each individual section and full glossaries at the end of the book • A short animated film, on an accompanying DVD, for use with chapter 15 • Brief grammar explanations after each dialogue, with a cross-reference to more detailed grammar chapters in the companion book, Bosnian, Croatian, Serbian, a Grammar.
In 1953, twenty-four-year old Nicolas Bouvier and his artist friend Thierry Vernet set out to make their way overland from their native Geneva to the Khyber Pass. They had a rattletrap Fiat and a little money, but above all they were equipped with the certainty that by hook or by crook they would reach their destination, and that there would be unanticipated adventures, curious companionship, and sudden illumination along the way. The Way of the World, which Bouvier fashioned over the course of many years from his journals, is an entrancing story of adventure, an extraordinary work of art, and a voyage of self-discovery on the order of Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance. As Bouvier writes, “You think you are making a trip, but soon it is making—or unmaking—you.”
"A great stone bridge built three centuries ago in the heart of the Balkans ... stands witness to the countless lives played out upon it" and to the sufferings of the people of Bosnia.--Cover.