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Set in the town of Travnik, Bosnian Chronicle presents the struggle for supremacy in a region that stubbornly refuses to submit to any outsider. The era is Napoleonic and the novel, both in its historical scope and psychological subtlety, Tolstoyan. In its portrayal of conflict and fierce ethnic loyalties, the story is also eerily relevant. Ottoman viziers, French consuls, and Austrian plenipotentiaries are consumed by an endless game of diplomacy and double-dealing: expansive and courtly face-to-face, brooding and scheming behind closed doors. As they have for centuries, the Bosnians themselves observe and endure the machinations of greater powers that vie, futilely, to absorb them. Ivo Andric's masterwork is imbued with the richness and complexity of a region that has brought so much tragedy to our century and known so little peace. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
"The book has four main themes. The first is the purely historical and political theme of Bosnia as the background of intrigue between Napoleonic France and Imperial Austria, each represented by its Consul and each trying to win over to its side the Turk, who at heart is equally hostile to both. The second theme is that of the gradually disintegrating effect of the East on western Europeans who have to live there: this is worked out in a masterly fashion in various figures in the book, some of whom have already succumbed to its insidious influence, while even those who resist are marked by it. The third theme is a study of the effect upon an honest, unimaginative man of serving a dictatorship in which at first he sincerely believes but whose aims and methods he comes with growing horror to doubt. Last and central to all is the theme of Bosnia itself, the spirit of the land and its people and the problem of their rescue from the pit of ignorance, backwardness, and poverty into which history has plunged them." (Kenneth Johnstone, translator's note, page 11)
Ivo Andric posses the rare gift in a historical novelist of creating a period-piece, full of local colour, and at the same time characters who might have been living today. His masterwork is imbued with the richness and complexity of a region that has brought much tragedy to our century and known so little peace. The writer uses his native Bosnia as a microcosm of human society, stressing its potential for national, cultural and religious misunderstanding and conflict, and identifying the barriers of all kinds that hinder communication between individuals. Written against the background of violence released in these mixed communities during the Second World War, the novel now has renewed and poignant relevance.
Set in the provincial town of Travnik, then part of the Ottoman Empire, Bosnian Chronicle tells of the struggle for supremacy in a region that stubbornly refuses to submit to any outsider. The era is Napoleonic and the novel, both in its historical scope and in its psychological subtlety, is Tolstoyan. Told from the viewpoint of the French consul, a rationalist who struggles to make sense of Balkan life, the novel presents Ottoman viziers, foreign visitors and Austrian plenipotentiaries, all consumed by an endless game of diplomacy and double-dealing. Courtly and expansive face-to-face, they brood and scheme behind closed doors. As they have for centuries, the Bosnians themselves observe and endure the machinations of the greater powers that vie, futilely, to absorb them. Ivo Andric's masterwork is imbued with the richness and complexity of a region that has brought so much tragedy to our century and known so little peace.
This historical novel—Visoška kronika in the Slovene original—is about two generations of the owners of the Visoko estate in the Duchy of Carniola, a predominantly Slovene province of the Habsburg Empire, in the seventeenth century. The events of the estate and the fate of its owners are affected by witchcraft persecutions, the mistreatment of Protestants, and the Thirty Years’ War. These themes are key to the construction of a Slovene national identity, which was going through a decisive phase as Tavčar was writing. By the time the novel was released in 1919, his nation had left the Habsburg Crown for the new Kingdom of Serbs, Croats, and Slovenes. The work is both romantic and realistic. The deeply romantic motive of crime, repentance, and punishment intertwines the lives of father and son. The very acquisition of the estate is connected to a murder, which casts a long shadow over the next generation. Tavčar insists on the principle of man’s full responsibility for his acts, which can be repaired with action and determination. The author’s bleak realistic description of the farm life at Visoko reflects his polemical view of the Slovene farmer of his time.
"A great stone bridge built three centuries ago in the heart of the Balkans ... stands witness to the countless lives played out upon it" and to the sufferings of the people of Bosnia.--Cover.
Vance-Owen peace plan, the tenuous resolution of the Dayton Accords, and the efforts of the United Nations to keep the uneasy peace.
Three official languages have emerged in the Balkan region that was formerly Yugoslavia: Croatian in Croatia, Serbian in Serbia, and both of these languages plus Bosnian in Bosnia-Herzegovina. Bosnian, Croatian, Serbian, a Textbook introduces the student to all three. Dialogues and exercises are presented in each language, shown side by side for easy comparison; in addition, Serbian is rendered in both its Latin and its Cyrillic spellings. Teachers may choose a single language to use in the classroom, or they may familiarize students with all three. This popular textbook is now revised and updated with current maps, discussion of a Montenegrin language, advice for self-study learners, an expanded glossary, and an appendix of verb types. It also features: • All dialogues, exercises, and homework assignments available in Bosnian, Croatian, and Serbian • Classroom exercises designed for both small-group and full-class work, allowing for maximum oral participation • Reading selections written by Bosnian, Croatian, and Serbian authors especially for this book • Vocabulary lists for each individual section and full glossaries at the end of the book • A short animated film, on an accompanying DVD, for use with chapter 15 • Brief grammar explanations after each dialogue, with a cross-reference to more detailed grammar chapters in the companion book, Bosnian, Croatian, Serbian, a Grammar.