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An exploration of the way English literature has interacted with architectural edifices and the development of landscape as a national style from the Middle Ages to the 19th Century. Analyzing texts in relation to cultural artefacts, each chapter demonstrates the self-conscious production of English consciousness as its most enduring history.
This book celebrates the work and contribution of Professor Janet Burton to medieval monastic studies in Britain. Burton has fundamentally changed approaches to the study of religious foundations in regional contexts (Yorkshire and Wales), placing importance on social networks for monastic structures and female Cistercian communities in medieval Britain; moreover, she has pioneered research on the canons and their place in medieval English and Welsh societies. This Festschrift comprises contributions by her colleagues, former students and friends – leading scholars in the field – who engage with and develop themes that are integral to Burton’s work. The rich and diverse collection in the present volume represents original work on religious life in the British Isles from the twelfth to the sixteenth century as homage to the transformative contribution that Burton has made to medieval monastic studies in the British Isles.
The Church of England in the 18th century is seen as failing its congregation in the industrialising areas; specific issues are set out. Was the Church of England an ailing or a healthy institution in the eighteenth century? Responding to the slings and arrows of its Victorian critics, ever since the publication in the 1930s of Norman Sykes' Church and State inEngland in the Eighteenth Century, modern scholarship has tended to stress the competence of the Church's leadership at a national and diocesan level and its importance and popularity for the nation at large. Moreover, in recent years, several studies have emerged which argue a strong case for the multi-faceted appeal of the Church of England at the local level. However, although this revisionist scholarship helps to underline the importance of religion for eighteenth-century English society, it fails to account for the haemorrhaging of support which the Church of England experienced in the first half of the nineteenth century. With reference to the situation in England's largest parish, this new study of the Church of England's fortunes in the eighteenth century demonstrates its long-term failure to retain the loyalty and affections of many men and women in the country's industrialising areas. In drawing attention to hitherto neglected issues such as the situation of the Church of England's non-graduate clergy and the failure of its ecclesiastical courts, it presents a post-revisionist case which challenges the existing academic consensus on the situation and success of this faltering institution. Dr M.F. SNAPE teaches in the Department of Theology at the University of Birmingham
This title was first published in 2000: Insults, abuse, oaths, scatological and bawdy language - these form the subject of Lynn Forest-Hill's study on "bad" language in the late Middle Ages. She demonstrates how, in mediaeval mystery plays and morality plays, dramatists used outrageous language with great sophistication and subtlety to create characterizations and define characters' moral status, to reflect on social conditions, to condemn social evils, and to comment upon sensitive cultural, political and religious topics of the 16th century. The author begins by defining what constitutes sinful or transgressive language in the later mediaeval period, and establishes its moral significance. She then illustrates how the moral significance of language is used in drama to define the spiritual and social status of characters, and introduces the concept of sinful language as a sign of spiritual change. In later chapters the book explores the use of "bad" language in mystery and morality plays, focusing specifically on Skelton's "Magnyfycence", Heywood's "The Play of the Weather", and Bale's "King Johan". The study shows the extent to which the moral significance of language in drama shifted during the 16th century under pressure from cultural and political change, paving the way for less morally rigorous and more socially sensitive definitions of "bad" language.
Rereading Orphanhood: Texts, Inheritance, Kin explores the ways in which the figure of the literary orphan can be used to illuminate our understanding of the culture and mores of the long nineteenth century, especially those relating to family and kinship.
Proud, greedy, corrupt and driven by overwhelming personal ambition. Such is the traditional image of Thomas Wolsey, Lord Chancellor, Archbishop of York, Bishop of Winchester, Abbot of St. Albans, Bishop if Tournai and Papal Legate. It is an image which Peter Gwyn examines, challenges and decisively overturns in this remarkable book. From exceedingly humble beginnings Wolsey rose to a pinnacle of power unsurpassed by any other British commoner. Peter Gwyn explores every aspect of the Cardinal's career - not least his relationship with Henry VIII - and sets it firmly in a vividly recreated Tudor world. The Wolsey who emerges is a man of prodigious energy and ability, a tireless dispenser of justice, an enlightened reformer wholly dedicated to his king and country - a man who has been consistently misrepresented and maligned for four-and-a-half centuries.