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Dubbed by his fellow Futurists the "King of Time," Velimir Khlebnikov (1885-1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the "language of the stars." The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured. This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication. The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.
There is no crime in detecting and destroying in wartime the spy and informer...I have paid them back in their own coin. - Michael CollinsMichael Collins' development of a formidable intelligence network transformed, for the first time in history, the military fortunes of the Irish against the British. The Dublin Brigade of the IRA was pivotal to this defining strategy. In 1919, Collins formed members of the brigade into two Special Duties Units. They eventually joined to form his 'Squad' of assassins tasked with immobilising British intelligence. Eyewitness testimonies and war diaries lend immediacy and insight to this thrilling account of the daring espionage and killings carried out by both sides on Dublin's streets. Dominic Price reveals how the IRA developed Improvised Explosive Devices, and experimented with chemical weapons in the form of poison gas and infecting water supplies.When the Civil War erupted, the devotion of a significant cohort of the Dublin Brigade to Collins, forged during the darkest of days, was unbreakable. Many of them, identified here for the first time, formed the backbone of the Free State in key intelligence and military roles. While not shying away from the revulsions of the Civil War, neither does Price abandon the brigade's story at its conclusion. As well as revealing the disenchantment of some, who took part in the 1924 army mutiny, he exposes the personal horrors that awaited in peacetime, when psychological trauma was common. This is the stirring and poignant story of the human endeavour and suffering at the core of the Dublin Brigade's fight for Irish freedom.
Excerpt from The Earthenware Collector As old as civilization it self, the art of the potter presents a kaleidoscope of alluring charm. To paraphrase the word of Alexandre Brongniart, no branch of industry, viewed in reference either to its history or its theory, or its practice, offers more that is interesting and fascinating, regarding alike its economic application and its artistic aspect, than does the fictile art; nor exhibits products more simple, more varied, and their frailty notwithstanding, more desirable. Of course the crude vessels of ancient times, as well as the more serviceable and scientifically more beautiful articles of to-day, exist primarily for one and the same object the use and convenience of man. The story of the potter and his technique has been told repeatedly, sometimes as a general survey and sometimes as a specialised branch of a widely extended subject, but notwithstanding the numerous books devoted to it there is always something new to be recorded, fresh pieces to describe, new points to advance and discuss. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Honorable Mention for the Wallace K. Ferguson Prize from the Canadian Historical AssociationChosen by Choice Magazine as an Outstanding Academic Title of 2003 In 1891, newspapers all over the world carried reports of the death of H. P. Blavatsky, the mysterious Russian woman who was the spiritual founder of the Theosophical Society. With the help of the equally mysterious Mahatmas who were her teachers, Blavatsky claimed to have brought the "ancient wisdom of the East" to the rescue of a materialistic West. In England, Blavatsky's earliest followers were mostly men, but a generation later the Theosophical Society was dominated by women, and theosophy had become a crucial part of feminist political culture. Divine Feminine is the first full-length study of the relationship between alternative or esoteric spirituality and the feminist movement in England. Historian Joy Dixon examines the Theosophical Society's claims that women and the East were the repositories of spiritual forces which English men had forfeited in their scramble for material and imperial power. Theosophists produced arguments that became key tools in many feminist campaigns. Many women of the Theosophical Society became suffragists to promote the spiritualizing of politics, attempting to create a political role for women as a way to "sacralize the public sphere." Dixon also shows that theosophy provides much of the framework and the vocabulary for today's New Age movement. Many of the assumptions about class, race, and gender which marked the emergence of esoteric religions at the end of the nineteenth century continue to shape alternative spiritualities today.
The concept of the five senses underpins all modern academic disciplines. Recent work has pushed forward the debate about their significance, and the extent to which our techniques of perception are not merely biological, but constructed and contestable. This book reflects the ways in which ordering of the senses informs law. Starting from the modern legal system's treatment of prohibitions, liabilities, properties and methods of proof and punishment, the contributors look at how understandings of the senses vary across a variety of legal areas, from intellectual property law to criminal law. It covers a range of issues including New Age travellers, consent in female circumcision and sadomasochism.
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Presents a logical assault upon the Synoptic Problem which develops into a general treatment of the major issues in New Testament history. This book offers an integrated case for early dates and traditional authorship of the three Synoptic Gospels and Acts in opposition to the redundant hypothesis of Q.
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