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Johann Daniel Warlick emigrated from Germany to Pennsylvania in 1729. He married Maria Margaretta Marstellar in about 1736. They had three children. He married Maria Barbara Schindler in about 1746 and had seven more children. They moved to Lincoln County, North Carolina in 1749. Descendants and relatives lived in Pennsylvania, North Carolina, Alabama, Tennessee and elsewhere.
John Bridcut, author of the acclaimed 'Britten's Children', has included significant fresh material which will make the book indispensable for Britten aficionados as well as for those who are discovering the composer's music for the first time. This guide is all about finding a way into Britten's music. An outline of planned chapters: - The Top Ten Britten pieces - Critics' First Impressions - Britten's Life - Britten and Pears - The things they said - The Music (stage works, choral works, songs, chamber music, orchestral works) - The Interpreters of Britten's work - Britten as Performer - The Impresario (English Opera Group and Aldeburgh Festival) - Britten's Homes - Trivial Pursuits
Although the United States did not enter the First World War until April 1917, Canada enlisted the moment Great Britain engaged in the conflict in August 1914. The Canadian contribution was great, as more than 600,000 men and women served in the war effort--400,000 of them overseas--out of a population of 8 million. More than 150,000 were wounded and nearly 67,000 gave their lives. The war was a pivotal turning point in the history of the modern world, and its mindless slaughter shattered a generation and destroyed seemingly secure values. The literature that the First World War generated, and continues to generate so many years later, is enormous and addresses a multitude of cultural and social matters in the history of Canada and the war itself. Although many scholars have brilliantly analyzed the literature of the war, little has been done to catalog the writings of ordinary participants: men and women who served in the war and wrote about it but are not included among well-known poets, novelists, and memoirists. Indeed, we don't even know how many titles these people published, nor do we know how many more titles were added later by relatives who considered the recollections or collected letters worthy of publication. Brian Douglas Tennyson's The Canadian Experience of the Great War: A Guide to Memoirs is the first attempt to identify all of the published accounts of First World War experiences by Canadian veterans.
June issues, 1941-44 and Nov. issue, 1945, include a buyers' guide section.
A 90 year history of the Knights of Columbus, Kentucky State Council.
The third edition of the Historical Dictionary of Mongolia greatly expands on the previous edition through a chronology, an introductory essay, a bibliography, and over 1000 cross-referenced dictionary entries on important people, places, events, and institutions, as well as significant political, economic, social, and cultural aspects.
In Nova Scotia, the focus of study about Scottish settlers, including the Grants, has been on the eastern counties of the province, and on Cape Breton Island. In the United States, when Grants are mentioned, a significant concern seems to be to find a genealogical or DNA link to Ulysses Grant. No one has seriously examined and written about the Grant families of southwestern Nova Scotia. That leaves a space for me to act in, and to develop a narrative history of a family founded in the soil, strengthened by the forest, and challenged by the sea environments that comprise the fundamental essence of Nova Scotia. And so, my passion has been to tell the story of my family and their relatives in southwestern Nova Scotia and to follow the paths of many of them to New England (especially to Massachusetts). This study will fulfill an implicit task left to me by my Aunt Ruth Dexter. That is the essence of why I have spent so much of my retirement on this task. But there is more to come as I follow suggestive clues left by my ancestors, or seek to overcome “brick walls” that stump every genealogist from time to time. When I began this project, my aim was simply: “To collate and present a family history of the line descending from John Grant and Mary Sabean to myself.” If I had stayed within that framework this book would have been much shorter and less interesting. As it turns out, there are many fascinating aspects to our story. Not only will you read about the hard-working and courageous children of John and Mary, but you will follow them and their offspring as they find love and marriage, sometimes with close or distant cousins. • You will ride or sail with them as they migrate within Nova Scotia and outward to New England. • You will wonder at their expressions of faith and sense their hidden, internal conflict as they make religious choices based on factors we can only imagine (spirituality, simplicity, availability, or energetic missionaries), reflected in obituaries, burial sites, or their answers to census questions. • You will share their sorrow at the deaths of loved ones through accident, disease, suicide, loss at sea or in the service of their country in war, particularly in World War I. • You will learn of their varied occupations, trades and professions, from farming, fishing and forestry to shoemaking, carpentry and sailing, nursing and teaching. • You will join them as they strive to become master mariners, volunteer in their churches, train young women with the YWCA in China, or succor the sick and wounded with the Red Cross in Siberia – follow them south to Boston and the Caribbean, east to Europe and across the Pacific to Asia. Only then you will come to understand why, at its core, my passion has been to be the voice of my direct ancestors and extended family within a defined framework of time and place, to record their activities where sources allow, in essence, to be the story they could not write.
In a world of supercomputers, genetic engineering, and fiber optics, technological creativity is ever more the key to economic success. But why are some nations more creative than others, and why do some highly innovative societies--such as ancient China, or Britain in the industrial revolution--pass into stagnation? Beginning with a fascinating, concise history of technological progress, Mokyr sets the background for his analysis by tracing the major inventions and innovations that have transformed society since ancient Greece and Rome. What emerges from this survey is often surprising: the classical world, for instance, was largely barren of new technology, the relatively backward society of medieval Europe bristled with inventions, and the period between the Reformation and the Industrial Revolution was one of slow and unspectacular progress in technology, despite the tumultuous developments associated with the Voyages of Discovery and the Scientific Revolution. What were the causes of technological creativity? Mokyr distinguishes between the relationship of inventors and their physical environment--which determined their willingness to challenge nature--and the social environment, which determined the openness to new ideas. He discusses a long list of such factors, showing how they interact to help or hinder a nation's creativity, and then illustrates them by a number of detailed comparative studies, examining the differences between Europe and China, between classical antiquity and medieval Europe, and between Britain and the rest of Europe during the industrial revolution. He examines such aspects as the role of the state (the Chinese gave up a millennium-wide lead in shipping to the Europeans, for example, when an Emperor banned large ocean-going vessels), the impact of science, as well as religion, politics, and even nutrition. He questions the importance of such commonly-cited factors as the spill-over benefits of war, the abundance of natural resources, life expectancy, and labor costs. Today, an ever greater number of industrial economies are competing in the global market, locked in a struggle that revolves around technological ingenuity. The Lever of Riches, with its keen analysis derived from a sweeping survey of creativity throughout history, offers telling insights into the question of how Western economies can maintain, and developing nations can unlock, their creative potential.