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Adolescence is a bitch! However, there are rules to help the gifted school child.
"Not all of the poems in this book are directly about dance, but they have all been influenced by my deepest inner sense of the rhythm, pattern and movement in life, with its constant changes and surprises. All of life is moving and our relationship to all living things on earth is how we sense eternity." Inspired by her teachers and the people she happened to meet, including people like dancer Ivor Meggido and publisher Brenda Walker, dancer, teacher, actor and writer Wendy Wright has been writing poetry for many years. This is a selection of her enlightening work centred on her life and meditations on all facets of that life.
The story of an encounter between a young and introverted gay man, Paul, and his Nemesis, a frail old soldier locked in reminiscences about his days in the British Army of India, Mr Fox. The story is narrated by Paul now aged 72 and begins gloomily, but lightens into a humorous reaction to the follies of British Indian occupation. Paul and Mr Fox meet in an NHS hospital in London, the young man afflicted by Tropical Sprue and the old soldier dying of bowel cancer. The young man is a closet gay and troubled by things of the flesh, by appearances, by missed opportunities and by adolescent certainties and yet doubts. Mr Fox is an extrovert who shares his outrageous preferences and undoubted racism with all and sundry. As a farrier sergeant he was undoubtedly expert for he was attached to General Dunsterville's troops of 'moral camouflage", the precursor of the SAS. Paul gradually becomes very much aware of his own empirical racism and British Empire mentality - which he finally embraces in the style of Mr Fox.
From the acclaimed author of BOYFRIEND MATERIAL and HUSBAND MATERIAL comes a deeply emotional romance about finding love when (and where) you least expect it. Alfie Bell is...fine. He's got a six-figure salary, a penthouse, the car he swore he'd buy when he was eighteen, and a bunch of fancy London friends. It's rough, though, going back home now everyone knows he's a pansy. He thought he'd escaped that old town, and the lie he lived there, years ago. It's the last place he's expecting to meet someone. But Fen's gorgeous, with his pink-tipped hair and hipster glasses and flower shop, full of the sort of courage Alfie's never had. It should be a one-night thing, but Alfie hasn't met anyone like Fen before. Except he has. At school, when Alfie was everything he was supposed to be, and Fen was the stubborn little gay boy who wouldn't keep his head down—and who, despite their growing connection, will never truly forgive him. Fen just wants to live his life. Alfie just wants to make things right. But how can he be anything other than another heartbreak waiting to happen, when all they've got in common is the nowhere town they both spent their lives fighting to escape? This dynamic, emotional LGBTQIA+ romance contains never-before-seen content and exclusive bonus material. The World of SPIRES: Glitterland, book 1 Waiting for the Flood, book 2 For Real, book 3 Pansies, book 4
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form. Writing with all the verve and grace of tap itself, Constance Valis Hill offers a sweeping narrative, filling a major gap in American dance history and placing tap firmly center stage.
In this collection of short, sharp, satirical gems, Paul Di Filippo-noted for his own fiction and criticism, which gives him an insider's perspective-turns a keen eye on the foibles, fallacies, fads and failures of science fiction the industry, mining comedic gold from the gaffes, pomposities and pretensions of authors, publicists, reviewers, publishers, editors, fans, librarians and bookstore owners.
This extensively researched text concerning the life and career of Liverpool-born Black jazz musician Gordon Stretton not only contributes to the important debate concerning the transoceanic pathways of jazz during the 20th century, but also suggests to the jazz fan and scholar alike that such pathways, reaching as they also did across the Atlantic from Europe, are actually part of a largely ignored therefore partially-hidden history of 20th century jazz performance, industry and influence. The work also exists to contribute to a more complete picture of the significance of diaspora studies across the spectrum of popular music performance, and to award to those Liverpool musicians who were not contributors to the city’s musical visage post-rock ‘n’ roll, a place in popular music history. Gordon Stretton was a jazz pioneer in several senses: he emerged from a poverty-stricken, racially marginalized upbringing in Liverpool to develop a popular music career emblematic of Black diasporan experience. He was a child dancer and singer in the Lancashire Lads (the troupe which was also part of a young Charlie Chaplin’s development), a well-respected solo touring artist in the UK as ‘The Natural Artistic Coon’, a chorister and musical director with the Jamaican Choral Union and, having encountered syncopated music, a jazz percussionist, multi-instrumentalist and vocalist (not to mention a ground-breaking bandleader). All of these musical experiences took place through time on his own terms as he learnt his craft ‘on the hoof’ via many different encounters with musical genres from Liverpool to London, Paris, Brussels, Rio, and Buenos Aires. Gordon Stretton was truly a transoceanic jazz pioneer.
Dancing with the Void is the story of an unconventional man whose existence was "mind-free, go-free, form-free, effort-free, time-free." In his own joyful prose, Sunyata chronicles his life-journey from contemplative farm boy and gardener, Emmanuel Sorensen, to humble Himalayan cave dweller, "Mr.Nobody". A lover of silence and solitude, Sunyata remained untouched by the common worldly conditioning that entraps so many. His fateful journeys, inspiring friendship, and the spiritual wisdom shared in these collected writings, all reflect the soul of an authentic seer.
The Harlem Renaissance is the best known and most widely studied cultural movement in African American history. Now, in Harlem Renaissance Lives, esteemed scholars Henry Louis Gates Jr. and Evelyn Brooks Higginbotham have selected 300 key biographical entries culled from the eight-volume African American National Biography, providing an authoritative who's who of this seminal period. Here readers will find engagingly written and authoritative articles on notable African Americans who made significant contributions to literature, drama, music, visual art, or dance, including such central figures as poet Langston Hughes, novelist Zora Neale Hurston, aviator Bessie Coleman, blues singer Ma Rainey, artist Romare Bearden, dancer Josephine Baker, jazzman Louis Armstrong, and the intellectual giant W. E. B. Du Bois. Also included are biographies of people like the Scottsboro Boys, who were not active within the movement but who nonetheless profoundly affected the artistic and political statements that came from Harlem Renaissance figures. The volume will also feature a preface by the editors, an introductory essay by historian Cary D. Wintz, and 75 illustrations.