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In Borderline Citizen Robin Hemley wrestles with what it means to be a citizen of the world, taking readers on a singular journey through the hinterlands of national identity. As a polygamist of place, Hemley celebrates Guy Fawkes Day in the contested Falkland Islands; Canada Day and the Fourth of July in the tiny U.S. exclave of Point Roberts, Washington; Russian Federation Day in the Russian exclave of Kaliningrad; Handover Day among protesters in Hong Kong; and India Day along the most complicated border in the world. Forgoing the exotic descriptions of faraway lands common in traditional travel writing, Borderline Citizen upends the genre with darkly humorous and deeply compassionate glimpses into the lives of exiles, nationalists, refugees, and others. Hemley’s superbly rendered narratives detail these individuals, including a Chinese billionaire who could live anywhere but has chosen to situate his ornate mansion in the middle of his impoverished ancestral village, a black nationalist wanted on thirty-two outstanding FBI warrants exiled in Cuba, and an Afghan refugee whose intentionally altered birth date makes him more easy to deport despite his harrowing past. Part travelogue, part memoir, part reportage, Borderline Citizen redefines notions of nationhood through an exploration of the arbitrariness of boundaries and what it means to belong.
Borderline Citizens explores the intersection of U.S. colonial power and Puerto Rican migration. Robert C. McGreevey examines a series of confrontations in the early decades of the twentieth century between colonial migrants seeking work and citizenship in the metropole and various groups—employers, colonial officials, court officers, and labor leaders—policing the borders of the U.S. economy and polity. Borderline Citizens deftly shows the dynamic and contested meaning of American citizenship. At a time when colonial officials sought to limit citizenship through the definition of Puerto Rico as a U.S. territory, Puerto Ricans tested the boundaries of colonial law when they migrated to California, Arizona, New York, and other states on the mainland. The conflicts and legal challenges created when Puerto Ricans migrated to the U.S. mainland thus serve, McGreevey argues, as essential, if overlooked, evidence crucial to understanding U.S. empire and citizenship. McGreevey demonstrates the value of an imperial approach to the history of migration. Drawing attention to the legal claims migrants made on the mainland, he highlights the agency of Puerto Rican migrants and the efficacy of their efforts to find an economic, political, and legal home in the United States. At the same time, Borderline Citizens demonstrates how colonial institutions shaped migration streams through a series of changing colonial legal categories that tracked alongside corporate and government demands for labor mobility. McGreevey describes a history shaped as much by the force of U.S. power overseas as by the claims of colonial migrants within the United States.
The current U.S. immigration nightmare is a product of capitalism. The familiar, heartbreaking stories of dangerous treks, migrant exploitation, asylum, family separation and detention all have their roots in the material conditions of the dominant economic system. Immigrants’ place in American democracy has long been intertwined with questions of cheap labor and exploitation, sovereign power, and the preservation of class relations. Through different facets of the immigration system, Borderlines explores how power and profit are perpetuated by the divisions between migrant and citizen and the resulting dehumanization of both. It demonstrates the necessity of a radical working-class demand for economic and political justice across borders and the edges of democracy.
Decentering Citizenship follows three groups of Filipina migrants' struggles to belong in South Korea: factory workers claiming rights as workers, wives of South Korean men claiming rights as mothers, and hostesses at American military clubs who are excluded from claims—unless they claim to be victims of trafficking. Moving beyond laws and policies, Hae Yeon Choo examines how rights are enacted, translated, and challenged in daily life and ultimately interrogates the concept of citizenship. Choo reveals citizenship as a language of social and personal transformation within the pursuit of dignity, security, and mobility. Her vivid ethnography of both migrants and their South Korean advocates illuminates how social inequalities of gender, race, class, and nation operate in defining citizenship. Decentering Citizenship argues that citizenship emerges from negotiations about rights and belonging between South Koreans and migrants. As the promise of equal rights and full membership in a polity erodes in the face of global inequalities, this decentering illuminates important contestation at the margins of citizenship.
"Being a man, like being a woman, is something you have to learn," Aaron Raz Link remarks. Few would know this better than the coauthor of What Becomes You, who began life as a girl named Sarah and twenty-nine years later began life anew as a gay man. Turning from female to male and from teaching scientist to theatre performer, Link documents the extraordinary medical, social, legal, and personal processes involved in a complete identity change. Hilda Raz, a well-known feminist writer and teacher, observes the process as both an "astonished" parent and as a professor who has studied gender issues. All these perspectives come into play in this collaborative memoir, which travels between women's experience and men's lives, explores the art and science of changing sex, maps uncharted family values, and journeys through a world transformed by surgery, hormones, love, and . . . clown school. Combining personal experience and critical analysis, the book is an unusual--and unusually fascinating--reflection on gender, sex, and the art of living.
Bethany Maile had a mythological American West in mind when she returned to Idaho after dropping out of college in Boston, only to find a farm-town-turned-suburb instead of the Wild West wonderland she remembered. Haunted by what she had so completely misremembered, Maile resolved to investigate her attachment to the western myth, however flawed. Deciding to engage in a variety of “western” events, Maile trailed rodeo queens, bid on cattle, fired .22s at the gun range, and searched out wild horses. With lively reportage and a sharp wit, she recounts her efforts to understand how the western myth is outdated yet persistent while ultimately exploring the need for story and the risks inherent to that need. Anything Will Be Easy after This traces Maile’s evolution from a girl suckered by a busted-down story to a more knowing woman who discovers a new narrative that enchants without deluding.
This book examines the dynamic landscape of creative educations in Asia, exploring the intersection of post-coloniality, translation, and creative educations in one of the world’s most relevant testing grounds for STEM versus STEAM educational debates. Several essays attend to one of today’s most pressing issues in Creative Writing education, and education generally: the convergence of the former educational revolution of Creative Writing in the anglophone world with a defining aspect of the 21st-century—the shift from monolingual to multilingual writers and learners. The essays look at examples from across Asia with specific experience from India, Singapore, China, Hong Kong, the Philippines and Taiwan. Each of the 14 writer-professor contributors has taught Creative Writing substantially in Asia, often creating and directing the first university Creative Writing programs there. This book will be of interest to anyone following global trends within creative writing and those with an interest in education and multilingualism in Asia.
Jewish Noir II is unique collection of twenty-three all-new stories (and one reprint) by Jewish and non-Jewish literary and genre writers, including numerous award-winning authors such as Gabriela Alemán, Doug Allyn, Rita Lakin, Rabbi Ilene Schneider, E.J. Wagner, and Kenneth Wishnia, with a foreword by MWA Grand Master Lawrence Block. The stories explore such issues as the perpetual challenge of confronting resurgent anti-Semitism in the US, the enduring legacy of regional warfare in the land of Israel since biblical times, how the “entitled” behavior of certain ultra-Orthodox communities can fuel anti-Semitic attitudes, Jewish support of the civil rights movement, greedy Jewish businessmen who reinforce negative ethnic stereotypes, the excesses of “golden ghetto” American Jews, the appeal of “tough” Israeli-Jewish soldiers and mercenaries, how real estate fortunes are made, and the consequences of political corruption that feed into an exploitive system, how obsession can lead “good” people to do “bad” things. The stories in this collection include many “teachable moments” about the history of prejudice, and the contradictions of ethnic identity and assimilation into American society.
We all live lives littered with what we leave behind: places we once lived, friendships we once had, dreams we once envisioned, the people we once were. Each new day we attempt to find a way to continue living despite the absences we experience because of loss and disappointment, injustice and inequity, change and the passage of time. Autumn Song: Essays on Absence invites readers into one Black woman’s experiences encountering absences, seeing beyond the empty spaces, and grasping at the glimmers of glory that remain. In a world marred with brokenness, these glimmers speak to the possibility of grieving losses, healing heartache, and allowing ourselves to be changed.
Jody Keisner was raised in rural Nebraska towns by a volatile father and kind but passive mother. As a young adult living alone for the first time, she began a nighttime ritual of checking under her bed each night, not sure who she was afraid of finding. An intruder? A monster? Her father? Keisner’s fears mature as she becomes a wife and mother, and the boogeyman under the bed shape-shifts, though its shapes are no less frightening—a young aunt’s drowning, the “chest chomp” in the classic horror movie The Thing, a diagnosis of a chronic autoimmune disease, the murder of a young college student, an eccentric grandmother’s belief in reincarnation and her dying advice: “Don’t be afraid.” In Under My Bed and Other Essays, Jody Keisner searches for the roots of the violence and fear that afflict women, starting with the working-class midwestern family she was adopted into and ending with her own experience of mothering daughters. In essays both literary and experimental, Keisner illustrates the tension between the illusion of safety, our desire for control, and our struggle to keep the things we fear from reaching out and pulling us under.