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Renowned historian of the American West, Frederick Nolan, author of "The West of Billy the Kid" and "The Lincoln County War: A Documentary History, " noted that with the publication of this new book Maddox has "written a whole new chapter in outlaw history." -- During the first week of May 1881 the "Santa Fe New Mexican" carried two reward notices from Governor Lew Wallace. One was for $500 for William Bonney, "alias The Kid" and directly below that was another reward notice for $2250 for Ike Stockton and his gang. Like Billy the Kid, Ike had a price of $500 on his head. Compared to the Kid, few have ever heard of Ike Stockton. Fewer still have heard of his older brother, Porter. Yet it was Porter Stockton who was by far the most dangerous and deadly of the brothers. In March 1881 the "Las Vegas (New Mexico) Optic" described Porter Stockton as "one of the most hardened murderers and desperadoes that ever darkened the pages of history and annals of crime." Countless hours of research over a period of six years have resulted in this thorough and entertaining account of the turmoil caused by the Stockton brothers. From cattle kings to cowboys, from cow towns to hell on wheels railroad camps and from shootouts to lynchings, their story encompasses all of the legends of the mythic American West. Take hold of this book like you would the reins of a skittish horse, find the sweet spot in the saddle, or better yet your easy chair, and settle in for a hell of a ride. NOTE: Non-fiction, softcover, 530 pages. This book includes a bibliography, endnotes and an index. It contains black and white illustrations, photos and maps. EXCERPT: Driving cattle across large stretches of the arid portions of Texas and New Mexico, through territory inhabited by free roaming and combative Indians required men who would never back down from any challenge. Even Oliver Loving lost his life as the result of an Indian bullet received while hunkered down in the mud of the Pecos River. Inevitably, some of the herders stepped over the line and became desperadoes. One of the tempests coming out of Texas would brew and build around Stephenville before moving west and north along with the suffocating dust cloud stirred up by the hooves of thousands of Texas cattle. Erath County residents would figure prominently as the storm regained strength in Colfax County, New Mexico. The same Erathians would be present when the storm grew to reach its cyclonic and climactic outburst in the San Juan country of New Mexico and Colorado. Porter and Ike Stockton were at the epicenter of this final blast. SUBJECTS: The Allison Gang, Charles Allison, Clay Allison, Amargo (NM), Animas City (CO), Aztec (NM), Billy the Kid, Moses Blancett, Jimmy Catron, Chama (NM), Cimarron (NM), Frank and George Coe, L.G. Coleman, Colfax County (NM), Hiram Washington Cox and family, Col. Robert Crofton, Denver and Rio Grande Railroad, Durango (CO), Robert Dwyer, Erath County (TX), Dison and Hargo Eskridge, Farmington (NM), Fort Lewis (CO), Max Frost, "Bud" Galbreath, Jim Garrett, Henry Goodman, Charles Goodnight, Alf Graves, William B. Haines, Gus (Heffron) Hefferman, James Heffernan, John Hittson, Doc Holliday, Big Dan Howland, Hurricane Bill, Charles Adam Jones, La Plata County (CO), La Plata valley, Irvin W. Lacy, La Sal Mountains (UT), Marion Littrell, George Lockhart, George W. Morrison, Tom Nance, Navajo Indians, Tony Neis, David Ogsbury, Otero (NM), Palo Pinto County (TX), Parrott City (CO), Pinhook valley Indian fight, Gov. Frederick W. Pitkin, Al and Austin Puett, Flora Pyle, Rico (CO), San Juan County (CO), San Juan County (NM), Silverton (CO), Stephenville (TX), Samuel Stockton, Jim Sullivan, Kid Thomas, George W. Thompson, Thompson and Lacy (LC) cattle outfit, Trinidad (CO), Ute Indians, Vermejo River valley (NM), Gov. Lew Wallace, Barney Watson, Bert Wilkinson, "One-armed" Billy Wilson.
Adapted for the Paramount+ miniseries Lawmen: Bass Reeves, directed by Taylor Sheridan and starring David Oyelowo 2022 Oklahoma Book Award Finalist for Fiction 2021 National Indie Excellence Award Finalist Set in 1884, Hell on the Border tells the story of Deputy U.S. Marshal Bass Reeves at the peak of his historic career. Famous for being a crack shot as well as for his nonviolent tendencies, Reeves uses his African American race to his strategic advantage. Along with a tramp or cowboy disguise, Reeves appears so nonthreatening that he often positions himself close enough to the outlaws he is pursuing to arrest them without bloodshed. After a series of heroic feats of capturing and killing infamous outlaws--most notably Jim Webb--and an introduction to Belle Starr, Reeves finds himself in the Fort Smith jail, charged with murder. This second book in the Bass Reeves Trilogy investigates what really happened when Reeves made the greatest mistake of his life on the heels of his greatest achievements.
Patrick Floyd Jarvis Garrett (1850-1908) was an American Old West lawman, bartender and customs agent who became renowned for killing Billy the Kid. He was the sheriff of Lincoln County, New Mexico as well as Doña Ana County, New Mexico. Life of Pat F. Garrett and the Taming of the Boarder Outlaw tells the story of the sheriff who pursued and killed Billy the Kid. Authored by John Milton Scanland, a newspaperman who knew both Pat F. Garrett and New Mexico well, the book was written shortly after Pat F. Garrett’s own slaying in 1908. A thrilling read, no collection of Western Outlaw material is complete without it.
John Richardson was Canada's first native-born poet-novelist and 'The Father of Canadian Literature.' Michael Hurley offers the first detailed account of Richardson's fiction rather than of his life or sociological importance. Hurley makes a convincing case for Richardson as an important early cartographer of the Canadian imagination and the originator of 'Southern Ontario Gothic.' He explores Richardson's influence on James Reaney, Alice Munro, Robertson Davies, Christopher Dewdney, Frank Davey, and Marian Engel. Arguing that Wacousta and The Canadian Brothers hold central places in our literature, Hurley shows how these two works established a set of boundaries that our national literary discourse has largely kept hidden. Focusing on the protean concept of the border in the fiction of this man from the periphery, The Borders of Nightmare underlines the importance of boundaries, margins, shifting edges, and the coincidence of equally matched opposites in necessary balance to both Richardson and subsequent writers. In an age of postmodernism these novels – riddled as they are with discontinuities, paradoxes, ambiguity, and unresolved dualities that problematize the whole notion of a stable, coherent national or personal identity – anticipate and define a number of concerns that preoccupy us today.
_______________ 'His novels probe the sore spots and raw wounds of contemporary Spain, their cunning and complexity leavened by a light touch and an easy, graceful style' - Boyd Tonkin, Independent on Sunday 'The beauty of this intelligently probing novel is that one is left wondering if we ever truly know anything about anybody – that anybody including ourselves' - Scotsman 'Compelling ... the real strengths of the book are in Cercas's unadorned prose, once again deftly translated by Anne McLean, and in his ear for the rhythms of everyday speech' - Guardian _______________ Longlisted for the Dublin Literary Award 2016, this novel from the author of Soldiers of Salamis and The Anatomy of a Moment tells the story of three teenage outsiders in post-Franco Spain In the late 1970s, as Spain was adrift between the death of Franco and the rebirth of democracy, people were moving from the poor south to the cities of the north in search of a better life. But the work, when there was any, was poorly paid and the housing squalid. Out of this world of limited opportunities a generation of delinquents arose whose prospects were stifled and whose rebellion would be brief and violent... One summer's day in Gerona a bespectacled, sixteen-year-old Ignacio Cañas, known to his few friends as Gafitas, is working in an amusement arcade, when a charismatic teenager walks in with the most beautiful girl Cañas has ever seen. Zarco and Tere take over his pinball machine and his life. Thirty years on and now a successful criminal defence lawyer, Cañas has tried to put that long, hot summer of drugs, yearning and delinquency behind him. But when Tere appears in his office and asks him to represent El Zarco, who has been in prison all this time, what else can Gafitas do but accept? A powerful novel of love and hate, of loyalty and betrayal, of true integrity and the prison celebrity can become, Outlaws confirms Javier Cercas as one of the most thrilling novelists writing anywhere in the world today. _______________ 'Cercas adroitly balances the earlier criminal thrills with the later moral and emotional complexities' - New Statesman 'A moving meditation on youth, love, betrayal and the media, as well as an uncompromising political novel. Cercas has yet again expanded our idea of what fiction can do' - Juan Gabriel Vasquez, author of The Secret History of Costaguana
Despite a shared interest in using borders to explore the paradoxes of state-making and national histories, historians of the U.S.-Canada border region and those focused on the U.S.-Mexico borderlands have generally worked in isolation from one another. A timely and important addition to borderlands history, Bridging National Borders in North America initiates a conversation between scholars of the continent’s northern and southern borderlands. The historians in this collection examine borderlands events and phenomena from the mid-nineteenth century through the mid-twentieth. Some consider the U.S.-Canada border, others concentrate on the U.S.-Mexico border, and still others take both regions into account. The contributors engage topics such as how mixed-race groups living on the peripheries of national societies dealt with the creation of borders in the nineteenth century, how medical inspections and public-health knowledge came to be used to differentiate among bodies, and how practices designed to channel livestock and prevent cattle smuggling became the model for regulating the movement of narcotics and undocumented people. They explore the ways that U.S. immigration authorities mediated between the desires for unimpeded boundary-crossings for day laborers, tourists, casual visitors, and businessmen, and the restrictions imposed by measures such as the Chinese Exclusion Act of 1882 and the 1924 Immigration Act. Turning to the realm of culture, they analyze the history of tourist travel to Mexico from the United States and depictions of the borderlands in early-twentieth-century Hollywood movies. The concluding essay suggests that historians have obscured non-national forms of territoriality and community that preceded the creation of national borders and sometimes persisted afterwards. This collection signals new directions for continental dialogue about issues such as state-building, national expansion, territoriality, and migration. Contributors: Dominique Brégent-Heald, Catherine Cocks, Andrea Geiger, Miguel Ángel González Quiroga, Andrew R. Graybill, Michel Hogue, Benjamin H. Johnson, S. Deborah Kang, Carolyn Podruchny, Bethel Saler, Jennifer Seltz, Rachel St. John, Lissa Wadewitz Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
Follow the Angels, Follow the Doves is an origin story in the true American tradition. Before Bass Reeves could stake his claim as the most successful nineteenth-century American lawman, arresting more outlaws than any other deputy during his thirty-two-year career as a deputy U.S. marshal in some of the most dangerous regions of the Wild West, he was a slave. After a childhood picking cotton, he became an expert marksman under his master’s tutelage, winning shooting contests throughout the region. His skill had serious implications, however, as the Civil War broke out. Reeves was given to his master’s mercurial, sadistic, Moby-Dick-quoting son in the hopes that Reeves would keep him safe in battle. The ensuing humiliation, love, heroics, war, mind games, and fear solidified Reeves’s determination to gain his freedom and drew him one step further on his fated path to an illustrious career. Follow the Angels, Follow the Doves is an important historical work that places Reeves in the pantheon of American heroes and a thrilling historical novel that narrates a great man’s exploits amid the near-mythic world of the nineteenth-century frontier.
International borders are among the most significant political inventions of modern times. The borders between national states are not just important to the peoples and governments who face each other across the borderline – any international border can become a regional hotspot of global concern. But aside from the significant role borders play in national and international affairs, borders are also places and spaces where people live, work, raise families, and build businesses. Written for students across disciplines, Borders, Boundaries, Frontiers introduces readers to the study of borders and border cultures. Thomas M. Wilson examines both historical foundations and current developments in the field, with an emphasis on anthropological contributions. Ultimately, Borders, Boundaries, Frontiers encourages students to explore the role anthropology plays in the understanding of contemporary borders.
History of Judge Ike Parker and his Fort Smith tribunal.