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In this collection of previously published and unpublished poems, the reader is taken on a journey through the harsh South Texas landscape. By exploring the depths of the narrator's emotions, Gomez brings to life the narrator's moments of self discovery and self loathing. From lust torn relationships, to the bitter memories of the area itself, Border Lust & Brujeria: Cantos of a Tejano Beat Poet is a collection of poems chronicling the heartbreaking struggles of love, longing, and occasional witchcraft along the Texas-Mexico border.
(Piano/Vocal/Guitar Artist Songbook). Our P/V/G folio matches the compilation of swinging smash hits from Frank Sinatra, Dean Martin and Sammy Davis Jr. Contains 18 tunes from their heyday: Ain't That a Kick in the Head * The Birth of the Blues * Come Fly with Me * Everybody Loves Somebody * I've Got You Under My Skin * Luck Be a Lady * Me and My Shadow * Sam's Song * Volare * Witchcraft * and more, plus a previously unreleased Sinatra recording of "I'm Gonna Live Until I Die." A must for all fans of this golden era!
Move over, Thelma and Louise! When Lana Mae Hopkins, owner and proprietress of the Wishy Washy Washateria, hires Katie to help out in the laundromat, they soon find themselves up to their elbows in soap, suds, and cheatin' hearts. Watch these two country angels join forces to turn their good ol' laundromat into a bootscootin' honky-tonk, exacting a touch of revenge against those that done 'em wrong, all while guaranteeing every customer a good, clean time! Take a ride to Nashville heaven in this new musical from Roger Bean (The Marvelous Wonderettes, Life Could Be A Dream). Featuring the music of Carrie Underwood, Trisha Yearwood, Martina McBride, Reba McEntire, Sara Evans, Dixie Chicks, Chely Wright, Dolly Parton, Pam Tillis, Gretchen Wilson, Terri Cark, Tammy Wynette, Loretta Lynn and Patsy Cline!
One year ago, Edmond died in a horrible fire. He took with him the dreams of his fiancee, Meredith, the trust of his best friend, Eric, and the answers to the burning questions that still linger about his death and the terrible crime he committed. But on a stormy night at the cemetery where he rests, the secrets from his past will finally refuse to stay buried; and those he left behind will finally refuse to stay silent. In this original, suspense-filled musical thriller by the author/composer of "Thrill Me," there are enough twists, turns and surprises to keep the audience guessing up until the final shocking moments.
Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
Cambridge International AS & A Level Further Mathematics supports students following the 9231 syllabus. This single coursebook comprehensively covers all four modules of the syllabus and helps support students in their studies and develops their mathematical skills. Authored by experienced teachers of Further Mathematics, the coursebook provides detailed explanations and clear worked examples with practice exercises and exam-style questions. Answers are at the back of the book.
"Affective Health and Masculinities in South Africa explores how different masculinities modulate substance use, interpersonal violence, suicidality, and AIDS as well as recovery cross-culturally. With a focus on three male protagonists living in very distinct urban areas of Cape Town, this comparative ethnography shows that men's struggles to become invulnerable increase vulnerability. Through an analysis of masculinities as social assemblages, the study shows how affective health problems are tied to modern individualism rather than African 'tradition' that has become a clichâe in Eurocentric gender studies. Affective health is conceptualized as a balancing act between autonomy and connectivity that after colonialism and apartheid has become compromised through the imperative of self-reliance. This book provides a rare perspective on young men's vulnerability in everyday life that may affect the reader and spark discussion about how masculinities in relationships shape physical and psychological health. Moreover, it shows how men change in the face of distress in ways that may look different than global health and gender transformative approaches envision. Thick descriptions of actual events over the life course make the study accessible to both graduate and undergraduate students in the social sciences. Contributing to current debates on mental health and masculinity, the volume will be of interest to scholars from a number of disciplines including anthropology, gender studies, African studies, psychology and global health"--
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.