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The first anthology of the beloved comic strip that inspired the critically acclaimed Cartoon Network show. In 1999, Aaron McGruder launched a cultural phenomenon with his smart and bitingly satirical comic strip, The Boondocks. It centers on the experiences of two young African-American boys, Huey and Riley, who move from inner-city Chicago to the suburbs (or the "boondocks" to them). The strip fuses hip-hop sensibilities with Japanese anime-style drawings and a candid discussion of race. In this first collection of Boondocks cartoons, you'll discover the funny yet revealing combination of superb art and envelope-pushing content in one of the most unique strips ever.
Examines life in America, with a focus on politics, from the perspective of two African-American children in over 800 strips.
The Boondocks is a rich, multilayered comic strip that offers a frank yet often funny look at race in America. It starts with a simple premise: Two young boys, Riley and Huey, move from inner-city Chicago to live with their grandfather in the suburbs. The tension increases, however, because the two boys are African-Americans now compelled to adapt to a white suburban world. They must take all they've learned in the "hood" and apply it to life in the 'burbs. Superbly illustrated, The Boondocks has stirred controversy, attracted widespread media coverage, and won readers who've applauded McGruder's unapologetic and humorous approach to race. In this second collection of Boondocks cartoons, readers can get another look at this innovative strip.
A collection of more than five hundred strips from the popular and subversive comic strip The Boondocks provides a satirical look at the follies, foibles, and complexities of modern life from an African-American perspective as it offers a provocative take on Condoleezza Rice's love life, Dick Cheney, the war in Iraq, The Passion of Christ, and more. Original. 75,000 first printing.
Wry and honest essays on the everyday conditions of professional life at a "second-rate" university, with implications for our understanding of higher education in general.
Aaron McGruder's hilariously offensive comic strip has never been afraid to tell it like it is. Now Huey, Riley and Granddad have their own hit animated series on the Cartoon Network's Adult Swim, the masses are praising McGruder's precocious preteens and their brilliant politically and racially charged humour. Also available are Public Enemy # 2, Birth of a Nation and A Right To Be Hostile.
Becky Finch never wanted to be special. She just wanted to be a normal high school student in the small, Midwestern town of Mukawgee. Malcolm Chamber wanted something more. A destiny. An answer from the stars. When Becky is marked by an alien’s touch, she’ll stumble into a mystery she never wanted. A mystery that almost ripped apart both their parents’ lives 12 years ago. She’ll need the help of her eccentric young classmate, Malcolm, as she finds the power within herself to uncover the truth.
A fascinating look into what happens when comedy becomes political and politics becomes comedy Satirical TV has become mandatory viewing for citizens wishing to make sense of the bizarre contemporary state of political life. Shifts in industry economics and audience tastes have re-made television comedy, once considered a wasteland of escapist humor, into what is arguably the most popular source of political critique. From fake news and pundit shows to animated sitcoms and mash-up videos, satire has become an important avenue for processing politics in informative and entertaining ways, and satire TV is now its own thriving, viable television genre. Satire TV examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programs, from The Daily Show to South Park, Da Ali G Show to The Colbert Report, The Boondocks to Saturday Night Live, Lil’ Bush to Chappelle’s Show, along with Internet D.I.Y. satire and essays on British and Canadian satire. They all offer insights into what today’s class of satire tells us about the current state of politics, of television, of citizenship, all the while suggesting what satire adds to the political realm that news and documentaries cannot.